Overview
Tomson Highway discusses his evolution as a playwright, the influence of French culture and family, his views on political correctness in theatre, and his commitment to conveying joy through his work rather than focusing on political messages or cultural collision.
Artistic Process and Musical Integration
- Highway’s initial dream was to be a concert pianist, but he transitioned to playwriting out of necessity and resourcefulness.
- Developed a unique process of writing musicals: composing music first, then lyrics, and connecting them with a plot.
- Emphasizes a playful, almost magical approach to fitting ideas together, likening it to solving a jigsaw puzzle.
Influence of French and Franco-Ontarian Culture
- Inspired by Quebec cinema and personal relationships, Highway immersed himself in Franco-Ontarian and French culture.
- Attributes his celebration of life and love in The (Post) Mistress to his experiences and connections within French communities.
Thematic Evolution and Focus on Joy
- His early work centered on expression and survival, often addressing difficult topics within native communities.
- Over time, Highway shifted focus to conveying joy, countering the somber teachings from his childhood.
- The death of his brother, Ren, became a driving force for him to promote and embody joy.
Views on Political Correctness and Artistic Freedom
- Highway’s career was initially impacted by political correctness, with reluctance from directors to cast outside Aboriginal actors.
- He advocates for artistic freedom, supporting diverse casting regardless of ethnicity.
- Rejects fear-based approaches in art, valuing bravery and political incorrectness as essential for creativity.
Attitudes Toward Labels and Legacy
- Highway does not define himself by ethnic or "first" labels and values hard work and discipline taught by his parents.
- He is unconcerned with how others categorize him and sees nothing wrong in being the center of attention.
Decisions
- Commitment to joyful storytelling: Highway explicitly chooses to center his current and future work around themes of joy rather than suffering or cultural collision.