Taylor Swift's Guitar Ranking Discussion - Key Points

Jul 24, 2024

Notes on Taylor Swift’s Guitar Ranking Discussion

Introduction

  • Taylor Swift named the 8th best guitarist of the last 20 years by an article on guitar.com.
  • Not a new discussion; comparison made to Eddy Van Halen in 2016.

Influence vs. Skill

  • 8 out of 10 new female guitar students say Taylor inspired them to play guitar.
  • The argument: Taylor is not the best guitarist but the most influential.
  • Playing in popular songs exposes the guitar to millions, which is noteworthy.

Critique of the Ranking

  • Claim that the ranking does not truly reflect the best guitarists, but rather popular ones.
  • Comparison made with other notable guitarists who don't appear in the list.
  • John Frusciante (1st in ranking) considered an odd choice; began with Red Hot Chili Peppers in 1988.

Guitar Skills Overview

  • Acknowledgement: Some guitarists who might not be traditionally seen as the best can create significant impact (e.g., Post Malone).
  • Taylor’s playing is described as simple (using basic chords).

Gender and Music Criticism

  • Mention of backlash against criticism of Taylor's stature; concerns about sexism in music commentary.
  • Notion that quality is judged on complexity, questioning simplistic performances.
  • Johnny Ramone cited as a guitarist with significant influence despite simple techniques.

Final Thoughts

  • The importance of concert attendance (sold-out shows) does not equate to being the best musician.
  • Critique of the rock and pop culture that correlates popularity with skill (example given with Vasco Rossi).
  • Personal view: Taylor does not evoke strong feelings, as the speaker prefers more varied music.

Notable Guitarists Mentioned

  • Alex Turner
  • John Mayer
  • Ed Sheeran (noted for his use of loop station)

Conclusion

  • Reaction to the current music industry perceptions about success and artistry.
  • Final thoughts on the viral nature of discussions surrounding artists like Taylor Swift and the inherent complexities in ranking musicians.