Early Photography Techniques Overview

Oct 7, 2024

Lecture Notes on Early Photography Techniques

Introduction

  • Discussion on the Gat types and early photography processes.

Gat Types (Direct Positive Photographs)

  • Made on sheets of copper, silverplated.
  • Unique photographs, not printed on paper.

Preparation of the Plate

  1. Cleaning the Plate

    • Ensure the plate is clean, free of dust and grease, and polished.
    • Used buffing boards for polishing.
  2. Making the Plate Light Sensitive

    • Utilization of a sensitizing box.
    • Two ceramic dishes: one for iodide solution, one for polished plate.
    • Iodine vapors react with silver to create silver iodide (light sensitive).
    • Exposure time: 15-20 minutes.

Making the Exposure

  • Place sensitized plate in a plate holder in the camera.
  • Remove lens cap for exposure; no visible image is seen immediately (latent image).

Developing the Image

  • Chemical Treatment
    • Use of mercury for developing the image.
    • Exposed plate placed face down in a developing box over a tray of mercury.
    • Heat from a spirit lamp vaporizes mercury, reacting with silver to form a visible image.

Fixing the Plate

  • Use of sodium thiosulfate (hypo) solution:
    • Place plate in solution to wash away unexposed silver iodide.
    • Agitate the solution to ensure thorough fixing and prevent further darkening.

Gilding the Image

  • Final stage before protection:
    • Use a gilding stand with gold chloride solution.
    • Warm the plate and pour the solution, enhancing and protecting the image.
    • Final washing with distilled water before placing in a protective case.

Limitations of Gat Types

  • Major drawback: Direct one-off positives.
  • Multiple copies required rephotographing the subject or the original deger type.

Tolbert's Process: Negative Positive System

  • Introduction of the negative-positive process by Tolbert.
  • One negative can produce multiple positive copies.
  • By early 1860s, the use of deger types had significantly declined; the future of photography lay in negative-positive processes.