Transcript for:
Lecture on Adaptations

How did you become interested in the subject of adaptation? I mean what does it open up intellectually? I think I've always had a penchant for I don't want to say rescuing or protecting but it always feels that way. Parts of our culture that people think of as secondary, less important than others. Many years ago, I worked on parody because everybody said, parody wasn't an important thing. I thought it was incredibly important. In the middle of a post-modern culture that we were in. And adaptations were another one of these things that people see as, secondary, derivative. I think they're really interesting. And the reason I think they're interesting, adaptations in particular is that this is how we I think have always told stories. We haven't just told stories from the beginning of human time, we've retold stories and that's what interested me. It's not just that we have today but is true, we have more media, new means of diffusion, so we need more stories. But, we aren't just making up new stories. We're re-telling old stories, but we always have. We've always retold stories. I mean only one of Shakespeare's plays is not an adaptation, And even it adapts conventions from other things. so this is a history of how we've always been. Why do we denigrate it? I was fascinated by that. You said an adaptation is a derivation that is not derivative. Yea, it obvisiously comes out of... I think that because a text comes first, a word comes first doesn't mean that it has any claim to any kind of authenticity. I think that these stories, adaptations, and their adapted stories exist sort of vertically from me rather than, horizontally, that there isn't a priority and an after. They exist. For me when I watch, I suspect this is true for other people too, when I watch an adaptation of a book, a film adaptation of a book that I know, it's like watching a palimpsest, there's sort of two things going on. And what's happening for me is that I'm oscillating between, the work I know, the novel or the book in this case, and the film I'm watching. And I'm flipping between the two. And I'm not necessarily comparing them. I probably am, but I'm not evaluating that comparison, I'm just noticing, this is the same, this is different or whatever. But, I've always got that doubled experience. So for me going to see, an adaption or read an adaption is always a nicley doubled experience. It's not just singles, there's two layers for me. And you don't give higher priority to the original? I sense this sort of disparaging way you allude to the original, It seems to me, the original is the original. Well no, because it was probably based on something, I mean, take Shakespeare, I mean the adaptions of Shakespeare, Shakespeare was, himself a great adaptor. I mean, I'm not sure we have original stories, I think we're always re-telling stories in some ways. Movie adaptations are amazingly popular, I think you see something like 85%, of all Oscar winning Best Pictures are adaptations. 90% of all mini-series of course. A part from the hunger for material, why do you think that is? You know how children love to have stories told to them again and again, read to them again. I think there is something about this pleasure of a familiar story that we, like and enjoy. But seeing it in a slightly different way. And seeing it in new ways, I think there's really something to that, that sameness, but difference that comes in. Because I was surprised for instance something like masterpiece theater, and they started, I think they started calling it masterpiece classics, and they're actually remaking Jane Austen, I mean they have been re-made in the last year or two. Jane Austen, adaptations that they made 20-30 years ago. Remaking the remake. It's a different culture today and I suspect we would remake even, make historical ones differently. I think that remakes are always interesting because films that remake, films because what changes? Well the audience changes. If it's twenty years later, the audiences they may know that film, so that becomes part of the background that is the new environment, to use a biological sort of imagine into the adaptation. Like True Grit for instance. Yea, like True Grit, perfect example.