Exploring Widadari in Wayang Kulit

Sep 21, 2024

Lecture on Wayang Kulit and Widadari

Introduction

  • Discussion on the preservation of arts, specifically wayang kulit.
  • Focus on "widadari" or "bidadari" characters in the context of Hindu mythology and wayang.

Creation of Widadari

  • Creator: Widadari were created by Brahma, not to be confused with Brama (god of fire in Javanese wayang).
  • Process: Brahma gathered all aspects of feminine beauty into one, creating a statue which he then brought to life.
  • Result: The creation of exceedingly beautiful nymphs.

Notable Widadari

  • Bathari Uruwasi: Often depicted in wayang with specific attire.
  • Others: Bathari Purwåsiti, Sahajanyå, Bathari Menaka, Bathari Wiswaci, Bathari Gertaji, Bathari Laksmi.

Brahma's Admiration

  • Brahma was so captivated by their beauty that he created four faces for himself to continuously admire them.

Differences between Widadari and Sapta-Widadari

  • The seven famous goddesses led by Supraba differ from those created by Brahma.
  • Created by Bethara Wismåkarmå to tempt ogres like Sunda and Upasunda. .

The Legend of Sunda and Upasunda

  • Tilotama's Role: Created to seduce the ogres; results in their mutual destruction.

Kumbayana and Tilotama

  • Story: Tilotama, under a curse, aids Kumbayana across the ocean, resulting in the birth of Aswatama.

Samba and Tilotama

  • Story: Tilotama aids Samba in reaching Trajutrisna, with conditions leading to his downfall.

Ciptaning (Arjuna) and the Nymphs

  • Challenge: Nymphs sent to tempt Arjuna during meditation, a test of his ascetic discipline.
  • Outcome: Arjuna remains unmoved, impressing the nymphs.

Menaka and King Wiswakarma

  • Temptation: Menaka disrupts Wiswakarma's meditation, leading to their union and the birth of Shakuntala.

Conclusion

  • Widadari's role as divine gifts to select mortals.
  • Brahma's amazement at their beauty led to the tradition of nymphs dancing at sunrise.
  • Poetic description of their dances, emphasizing their allure and grace.