Transcript for:
Exploring Humanities and Cultural Perspectives

Welcome to the first Class Companion of the  course. This short video will introduce you to   a major question we will explore this term: What  is culture, and why do we study it? You will also   learn what the Humanities are, and how we will  approach questions about history and culture   this semester. In this course, we will explore  the development of culture - or the visual,   literary, and philosophical evidence created by  humankind over thousands of years. On the screen,   you’re looking at examples of culture that we  will explore throughout the course. They span from   prehistory to this year – and were made by people  from across the world, as well as right here in   Central Florida. Scholars of the Humanities  analyze cultural artifacts from multiple angles   to explore what they can tell us about each  other, ourselves, and the ideas that connect   us all. Studying art, literature, and philosophy  from this perspective helps us understand that   history is a thing that’s built in its telling -  and that it is influenced by the perspectives of   its authors and makers. Take this artwork by Kara  Walker, where one account of history confronts   another. It’s called “Fons Americanus” – a Latin  title that translates into “American Fountain.” It   is inspired by the Victoria Memorial in London,  a monument celebrating the British Empire under   Queen Victoria. The Victoria Monument tells a  triumphant story about British colonial rule   in Africa and the Americas, and credits Queen  Victoria’s participation in building the wealth   and power of the British Empire. But Walker’s  monument tells another side to the story. Details   like a weeping boy and a noose hanging from a tree  give voice to the unspoken parts of the Victoria   Memorial: the human toll of colonial violence  and enslavement. Kara Walker’s sculpture shows   us that it’s as important to think about what is  included in our history, as well as what isn’t. In   fact - we may not realize it, but Europe and North  America are often pictured as the “center” of the   world, skewing our perspective of how our history  fits in the larger global picture. In 1943,   Uruguayan artist Joaquín Torres García advocated  for de-centering Euro-American influence in his   Inverted America drawing. The line drawing depicts  a redesigned map of the South American continent,   orienting its southern point at the top of the  map. García’s modernist take on the map reduces   its form to a line drawing and uses the simple  materials of pen and ink compared to the elaborate   painted maps of the 16th and 17th centuries.  Torres-García’s map overturns the structure of   traditional maps, which place South America below  North America - often at the bottom left corner   of our traditional map, He asks us to question  why we think of the world oriented in this way,   and how it relates to map designs of the 16th  century, which place the Atlantic Ocean at the   “center” of the image. The original design of our  world map comes from the 1569 Mercator world map,   which privileged the travels across the Atlantic  that led to investigating and colonizing the   “New World” in North and South America. The  Atlantic Ocean is often shown at the center   of our map because it was incredibly important  to 16th century map makers in Europe – but it’s   one of many oceans that exist in our world. What  would a world map look like if it were drawn by,   for example, a Japanese artist? Well, here’s a map  from 1853 designed by a Japanese artist. Notice   that the Pacific Ocean plays a more central role  in that map, because it was more significant to   Japanese trade and geography. All this to say:  maps, like the other cultural materials we will   study in this class, are not neutral. They take  on the perspective and worldview of their makers   – and it’s this idea that we’re going to focus on  throughout the semester. Over the next 16 weeks,   we are going to explore the development of culture  across time and space. You’re going to examine   ancient texts, interpret artworks, and learn  how to critically assess a variety of scholarly   resources. By the semester’s end, you will have  gained the skills needed to analyze material from   any region or time period and understand something  about that culture. Moreover, you will be able   to identify and explain the concepts, issues,  and themes that relate to the history of human   culture, and that continue to persist today.  I can’t wait to begin this journey with you!