Transcript for:
Mastering Cake Decorating Borders

hey everyone thanks for checking out one of our  past insta lives we hope you enjoy the content   and if you do we hope you'll follow us at cake  decorating school on insta and join in for a   regular weekly lives thanks for all the hearts  y'all uh we're going to be talking about borders   today so i'm going to get this up here so some  basic ones like your shell your rope reverse shell   simple things like a star or a rosette and even  things like a bead and a dot so i have a couple   of different sheets that i'm going to work on  and i want to talk about these because a nice   clean shell border is a thing of beauty but they  can be easy to kind of mess up and have them look   a little wonky right so you're always trying  to get that kind of nice curved overlook look   not flopped over where it's kind of just  expanding out and rolling over on itself so   we're going to talk about how to do that first and  hopefully you all will enjoy so i'm going to set   this aside right and i'll keep there up  at the top and i have some little sheets   that i've prepared i'm just going to hold  this up so hopefully everyone can see   but when you're making it right if this  is the surface that we're piping on   we're going to hold our bag so it's kind of at  a 45 degree angle in relation to the surface so   not straight up and down you want the frosting to  be able to flow out of the tip in this direction   right and when we start we're going to hold it so  the tip is just lightly touching that surface and   as we start to squeeze we're going to lift it up  so only a little bit about quarter to half an inch   as you do this you're still squeezing so what's  going to happen is it'll force the frosting out   and make it curl over on itself so when we start  to see that curl happening and we have this nice   balloon rounded shape then we're going to take it  and pull it down at an angle towards the surface   and that's going to give us that nice tapered  shell that gives us that nice appearance right   so now i'm going to put this down and make  sure my frosting is coming out of my bag   awesome and we're going to give this a try so you  notice i'm holding the bag in my hand right the   bag is at a nice 45 degree angle in relation  to the surface and i'm going to start with   it touching right that way the frosting connects  lift out still squeezing you can see it rolls over   and once it's done that i'm going to  pull it back down towards the surface   right while i'm still squeezing and that's going  to give us that nice tapered teardrop shape   and you can see the frosting really rolls  over on itself but it's not like a line   that's folded over on itself i think  that's the classic mistake sometimes   people get to when they do these i'll try  and do one even though it's a little hard   you get used to doing them properly and it's hard  to do them in properly so sometimes people lift up   too much right and then you get messy little  shells i'm going to try and manipulate that   see then you get more of like a folded over line  instead of it kind of expanding and blossoming   out like that and giving you that nice tapered  teardrop shape right so the second important thing   is you're going to do these in a nice little  line and you're going to use them to trim   the bottom edge maybe put them on the top of your  cake if it's a rectangle it's nice to do them easy   and straight if you're on a curve you will have to  kind of follow the curve but it's easier to work   on a tray at first so when you do your next  one you want to start far enough back right   so you want to leave just a little space in  between your tail and where you start your   next one so that it overlaps onto the one before  but doesn't right cover up all of that tapered   loveliness at the back right so if you start  them too close together they end up not having   the shape and the variety that you want right  you can't really see that tapered pull anymore   so you always want to start a little behind  the one before so that you can actually   see the full teardrop shape of your shells right  and once you get a hang of actually piping them   the trick oh sorry try not to jiggle the phone  is to get them even and i think this goes with   any border but it's developing a rhythm  to your piping so i literally count in my   head which is harder to do when i'm talking to  you all but if i'm doing it on an actual cake   i develop a little rhythm a little beat like  i'm doing a one where i'm squeezing and a two   where i'm pulling so it's one two one two right  and that rhythm helps us time our piping which   means we're squeezing out the same amount of  frosting and you'll get a much more even effect   for your shells right so if you find like you've  mastered actually piping them but they're coming   out variable sizes some are bigger some are  smaller work on developing a little rhythm   and make up whatever little silly song makes  sense to you and kind of works with the timing   but if you can get it then you'll get nice  even looking shells right every single time   and you won't have to worry about the size as  well so i'd say the first thing to work on is   the actual technique and once you get that  going start working on things like the size   and making them really really consistent as you  go around so gently try to put that to the side and building on our shell the next thing to talk  about would be a reverse shell right and that is   where we're going to curve the line in various  directions so it's the same kind of technique   where you're starting out 45  degree angle touching the surface   and as you squeeze and pull up a little  bit you're going to let it start to balloon   and then you're going to pull the bag almost as  if you're doing a rosette and curl one way and   then you're going to go the opposite direction  so you can think about this as left and right   up and down counterclockwise clockwise  it's up to you there's no real right or   wrong terminology for this you just have to  go up curl over to one direction and then the next and that gives you a really beautiful  alternating pattern right and you can see the   little spiral action going on those shells  and it's really pretty on the side of a   cake especially if you're doing something kind of  nautical feeling because it always has the look of   kind of like little waves and little seashells  right so that one is a reverse shell so it's   a nice kind of like step up from the shell it's  just a little more difficult but not not too crazy so let's see what's next probably star so this  is probably the easiest one that you can do   so if you're still working on your shells but  you want something pretty to finish off your   cake a star is a nice way to go oh thanks for  the hearts y'all right so for this one we're   going to hold the bag straight up and down into  relation to the surface we're piping on right   and we're just going to lift it up off the  surface about a quarter of an inch depends   on the size of the opening and that way the  frosting will attach the surface and balloon out   and once you're finished you stop piping and  pull up right and that gives you a nice fat   fluffy star right it's beautiful and perfect  if you're too close to the surface you might   notice that it looks like separate streams  of frosting and there's a void in the middle   if you're too high up right then the line  will have trouble connecting so i'm going to   try and do bad ones right you see hold it too  high up and it tried to make itself a rosette   right too close and i damaged it while i'm pulling  it away so those are kind of classic things   so i try to take a little bit of a goldilocks  and the three bears approach to things when i'm   working on piping techniques right when i do  something like this i remind myself you're too   close pull it up a little more when i get stuff  where it's uncontrolled and i can't you know   really determine where the frosting is going so  too high up so as you're going and you're piping   stars and you're practicing remind yourself too  close too far away from the surface and you'll   start to get more consistent consistent  results right so if you want to then the   easiest way to make a border is just to line  your stars up and if you're nice and consistent   and you're counting in your head you'll get nice  even size stars that are really beautiful right   very similar in size similar in height thickness  right and that's a beautiful way to finish a cake   and really what it comes down to is if you're  clean and that presentation they all look neat   they all look the same even a simple thing like  a star border can be really really beautiful let's see so next thing to talk about  would probably be rosettes so if you feel like your stars are going  really well a great way to expand on them   is by doing a rosette so rosette  starts with the same star   we're up off the surface just a quarter of an inch  we squeeze a little star if we imagine that our   star is kind of like the face of a clock i'm gonna  pull mine over to nine o'clock circle around and   when i get to six i start to taper off my pressure  so that when i pull away i get a nice fluffy puffy   perfect little spiral right oh thank you for  the heart and then it's easy to just go ahead and line them up right is that just a star tip  it's just the same star tip i've been using a   21 tip the whole time so it's one of those  things where you can get a lot of use out of   your star tips and the 21 is really good for doing  borders because it's big enough that it'll cover   any imperfections at the bottom but not so  big that you're using tons of frosting or   it's really heavy and not so small that  you might still see some of your little   maybe slightly imperfect edges  at the bottom of your cake right so you mean all of this with just the  same tip yes it's all just the same tip   i know you can get so much fun out of one tip  right and you can do this with any star tip i   just for finishing the sides of cakes the 21 is  probably my most popular go-to right so those   are rosettes and probably key things that happen  sometimes instead of drawing around the outside   of that star people will kind of go on top they  end up being too puffy and more like the top of   a cupcake like a swirl for a birthday or pulling  the tip back to the center and then you get a   little peek in the middle so those are things  to work on with that right i will reload my bag and talk about dots so i'm going to change my tip   okay and i just picked a couple of tips that  i kind of know are really common everybody has   in most beginning kind of  like sets and stuff like that so they're all easy ways to  finish the bottom of your cake sure right so i'm actually going to take it  off the bag so it'll be really easy so this   is my 21 it has lots of different tines right  you can see that it's just a wilton but most of   the brands like atiko and the other ones that are  common on the market the 21 is always the same one   um it's a nice it's just a nice size it's kind  of comparable in opening size to your 12 which   is actually what i'm changing to right now so  the 12 is just a plain opening right so it's just   a plain round tip it's a similar size to that  21 just without the little little tines so you   you don't get the little ridges right so we're  gonna do just little dots so you can use this   to do pearls right think you can change  the tip up do a bunch of different sizes   kind of stack them up on the side of your  cake and it's really nice way to finish it   right so same thing where we're going straight  up and down with our bag we're going to lift   it up off the surface about a quarter to half an  inch sorry it's really about a quarter of an inch   let that frosting balloon into place stop right  so i'm not squeezing and then i just gently swirl   the tip around and rotate it off to the side  that gives you a beautiful mounted dot right   the thing with dots and i even find myself doing  this after all these years is that usually what   people end up doing is they squeeze and then they  just pull straight up and you can see what you get   then is a tiny little hershey's kiss right so it  takes a little extra time a little extra control   but if you swirl that tip around at the end  it'll shave that little peak off for you and   you'll get a really really smooth beautiful  presentation and if you string them together you end up with a beautiful border  right oh sorry keep knocking the camera   right and if the dots are a little one thing you  can do is an alternate form of the shell with the   plain tip but in this case we're going to stack  them really close together right so same thing   45 degree angle right hold the tip against  the surface lift up squeeze and pull   right and instead of starting back here behind the  point of the first one i'm going to start right on   it so that when i squeeze and pull it nests them  together and gives you a look like a beautiful   string of pearls right so by nesting them together  it makes them look connected and they start to   look like little beads so it's just a slightly  different way to do a shell border that gives you   a nice little variation so if you've been  doing shells and you're kind of sick of them   it's an easy way to practice your shells  right but get a nice kind of smoother   sleeker look to them oh and this one is fun  so i'm going to change back to my 21 tip and i'm going to talk about a rope border   i've actually seen this a lot lately on pinterest  people using the kind of rope border technique   in some cases to cover entire cakes and it gives  it a nice twisted braided look and it's something   you can build on to actually do kind of complex  piped braids so with this we are going to take it   and we're going to start and  we're just going to pipe a line   above the surface and then we're going to do a  little tail on it where we're scraping against   the surface and then we're going to start  our second line right brought another color   underneath the first kind of right up next to  it and we're going to follow the same shape   and go like that and then that way we can go back  and continue the first one and go over again so   you see it ends up looking like a twisted piece  of rope because we have this kind of continuous   undulating under over motion that we're creating  by basically piping two different threads kind of continuously in pieces and i don't  know if that sounded like gobbledygook or if   it actually made sense to everybody but  hopefully it'll make more sense when i   start piping right so i'm going to start  touching the surface just pull my bag up right and i'm just piping right a nice little  curve right and it's about an inch long   and you can see there's a nice little space  now i'm gonna nest the bag right in there   so that when i start piping my line will  start there and i'm going to pull it   up and over top of this line in the same  motion right so i'm going to start right here follow the same motion pipe over the tail of the  first line and create a tail right and so now   when i start my third one i'm going to connect  to this little tail start piping and pull over   the tail of the next one and that's going to give  it that kind of braided spiraled rope effect right   so start on the tail of my first curve and pipe  over the tail of the second one and then you just keep going right and i would say the thing that  gets people the most is they're afraid to make   their tails long enough and if you don't have  that to pipe over you don't get that spiraled   puffy twisted effect to it right and you kind of  lose the effect of being a twisted piece of rope all right so just always connect to the  tail of the one before you just did and just   keep going right and i've done more elaborate  ones where they're more kind of like   twisted celtic knots and all sorts of fun stuff  where you can kind of expound on this and you get   your separate streams of frosting going and you  create a nice lovely pattern but this is a good   basic rope and it's a good one to practice and it  helps kind of with your spatial skills and some   other stuff but also your control and it's really  pretty and it looks lovely on the sides of cakes   all right and then i think the last one   has two parts and i'm going to use a number  104 tip and we're going to do a ruffle so this is a petal tip that's another plow and if we imagine that this  right here is kind of the cake right we're gonna   pipe a ruffle along this edge and make a nice  little border stay on the bottom of our cake board   if we're doing something cute and pastel  pink and frilly and we want to take the fat   end of this 104 tip and put it so that it's  not just against the surface of the board   but also against the edge of the cake right  this might be a little hard to do but i'm going   to leave it kind of flat against the surface with  just the skinny end up and as i move along and i'm   piping i'm just kind of rocking that skinny end up  and down and it'll make nice ruffled curves right   and i'll show you that so you get a nice  little ruffle then at the bottom right it's   beautiful sometimes i just do two layers of  ruffles and leave it at that but you can also   do a ruffle and shell or bead combo so for  that purpose i pulled out one of my smaller   star tips can you show the 104 before you  sure so the 104 tip right so it's just a nice   standard pedal tip it comes in most little  beginner kits and sets and also so does the 18   so it's a star tip it has less points and it has  a slightly smaller opening so the other thing that   you can do is you can kind of make combination  borders right so then on the back edge you can do a little shell border and this is also something that  people do in combination to my   pipe swag so you can make more complicated borders   by combining the different techniques with each  other right so that was a nice way to finish you