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Exploring Neutral Color Bases in Art

Feb 12, 2025

Development of Neutral Basis

Introduction

  • Visual Contentment: Eye seeks full spectrum of colors, similar to diet requiring variety.
  • Objective: Introduce burnt umber and burnt sienna for neutralizing color instead of using complements.

Burnt Sienna vs. Burnt Umber

  • Burnt Sienna:
    • Contains red, yellow, some blue
    • Warmer hue
  • Burnt Umber:
    • Contains red, yellow, more blue than sienna
    • Cooler hue

Benefits of Using Burnt Sienna/Umber

  • Ensure spectrum presence, resulting in more vibrant colors
  • Goethe's Insight: Black extinguishes color; burnt sienna or umber maintains vibrancy.

Neutralizing Colors

  • Burnt Sienna:
    • Neutralizes warm colors (red, yellow, orange)
    • Retains warmth
  • Burnt Umber:
    • Neutralizes and darkens cool colors (blue, green, violet)
    • Retains blue in mixtures
  • Flexibility: Both can neutralize any color depending on the desired result.

Definitions

  • Neutral: Neither one thing nor another, nearly achromatic (no hue)
  • Neutralized Color: Shows some color, e.g., chroma scale (Mansell charts 2, 4, 6).

Mixing Neutral Bases

  • Donald Kaufmann's Approach: Every color should contain all spectrum colors for luminous result.
  • Paint Companies: Use neutral base instead of adding color to white.
  • White Paint: Already contains added blue (WB).

Five Neutral Bases

  1. Light Neutral Base #1:
    • Ingredients: White + Green + Burnt Sienna
    • Use: Tints of warm hues (red, yellow, orange)
  2. Light Neutral Base #2:
    • Ingredients: White + Green + Burnt Umber
    • Use: Tints of cool hues (blue, green, violet)
  3. Medium Neutral Base #1:
    • Ingredients: White + Green + Burnt Sienna
    • Use: Medium shades of warm hues (red, yellow, orange)
  4. Medium Neutral Base #2:
    • Ingredients: White + Green + Burnt Umber
    • Use: Medium shades of cool hues (blue, green, violet)
  5. Dark Neutral Base:
    • Ingredients: Blue + Burnt Umber
    • Use: Dark shades of warm and cool colors
    • Reference: Tonal value 8 on VanCell charts

Process Notes

  • Start with white, add green and burnt sienna/umber
  • Medium bases: Same white, more green/burnt sienna/umber
  • Dark base: Adjust balance of blue and burnt umber
  • Important: Paint darkens when dry; judge colors when dry
  • Use one color for all bases to show subtle tonal mixtures.