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The Oner: An Analysis by Tony from Every Frame a Painting
Jun 13, 2024
The Oner: An Analysis by Tony from
Every Frame a Painting
Introduction
A "oner" is a filming technique where an entire scene is done in a single, unbroken shot.
Popular with many filmmakers, but often noted when it draws attention to itself.
Steven Spielberg frequently uses the oner but aims to keep it invisible.
Spielberg's Approach to the Oner
Spielberg’s oners are typically less than 3 minutes long, usually in the 1-2 minute range.
These shots cover an entire scene while maintaining a brisk pace.
Unlike other directors with dominant formal techniques (e.g., Wes Anderson’s lateral movements), Spielberg’s approach is to stay invisible.
Examples of Spielberg's Oners
Raiders of the Lost Ark
90-second single, unbroken take.
Combines four different shots in one: a push-in, two matching singles, and an insert.
The scene’s suspense is enhanced by the oner, making it funny and engaging.
Minority Report
Steadicam shot where the camera always follows a motion or action.
The fluid blocking of actors makes the scene feel like it's unfolding naturally.
Dynamically shifts focus between characters.
Jaws
Restrained camera movement with dynamic actor blocking.
Smart choice of location (ferry) keeps background action engaging.
Saving Private Ryan
Special FX and visual FX executed within the master shot (e.g., explosions, rubble, gunfire, etc.).
Historical Context
The oner was common in 40s-60s studio filmmaking.
Became a director’s signature move starting with films like
Rope
and
Touch of Evil
.
The practice evolved into a competitive game of creating longer, more complex shots.
Modern Usage and Spielberg’s Unique Approach
Modern filmmaking often splits into fast, chaotic cuts or noticeably long takes.
Alfonso Cuarón is mentioned as a director balancing long takes for dramatic purposes.
Spielberg often remains invisible unless the scene calls for attention. (e.g.,
Minority Report
,
Duel
,
Always
)
Key Rules for a Spielberg Oner
Move the Actors:
They should not just stand and talk.
Follow the Movement:
Camera can swing, track, or move counter to the actors.
Break Down into Compositions:
Link multiple shots into a moving master.
Do FX in the Wide Shot:
Keep practical effects genuine, integrate into the wide shot.
Shoot a Cutaway:
Always have a backup insert or cutaway for editing flexibility.
Keep it Short:
Ensure the shot is brief to maintain pace and efficiency.
Conclusion
Despite mixed sentiments about Spielberg’s artistic contributions, his talent in creating oners deserves recognition.
His oners revitalize a classic Hollywood tradition, making him a standout practitioner today.
A final note: Spielberg often combines technical skill, efficiency, and a touch of classic Hollywood to ensure his scenes remain compelling and fluid.
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