Comparing Adaptations of Murder on the Orient Express

Oct 7, 2024

Lecture on "Murder on the Orient Express" Film Adaptations

Introduction

  • Speaker: Danny Boyd
  • Event: Cinema Sticks
  • Topic: Film adaptations of "Murder on the Orient Express" by Sidney Lumet (1974) and Kenneth Branagh (2017)

1974 Adaptation by Sidney Lumet

  • Director: Sidney Lumet, prominent figure in American new wave cinema
  • Key Scene: Five-minute long, single shot without cuts
  • Actress: Ingrid Bergman won an Academy Award for her role, with one of the briefest Oscar-winning performances
  • Style and Technique:
    • Focus on editing, staging, and camera work
    • Observational style, allowing audience to engage with the scene
    • Emphasis on characters and their circumstances
    • Creates a sense of claustrophobia by focusing on the compactness of the train setting
  • Character Introductions:
    • Introduced sequentially, in the same location, giving each character ample screen time
    • Pierre, the conductor, acts as a connecting thread among characters
  • Interrogation Sequence:
    • Suspects presented in sequence, with equal time to explain their stories
    • Long, complete shots provide audience with full information
  • Summation Scene:
    • 30-minute monologue with limited cutting
    • Use of dual shooting technique to present key lines in different styles
    • Allows viewers to reconsider information under a new lens

2017 Adaptation by Kenneth Branagh

  • Director: Kenneth Branagh
  • Style and Technique:
    • Dynamic, kinetic, and larger scale
    • More cuts and varied shots compared to Lumet’s version
    • Frequent changes of environment, sacrificing some smaller details
  • Character Introductions:
    • Introduced quickly with forward momentum
    • Less time spent on individual characters
  • Interrogation Sequence:
    • Edited in parallel, with some questions left unanswered
    • Information presentation is abbreviated or obscured
  • Summation Scene:
    • Takes place off the train
    • Typical shot-reverse-shot technique
    • Focuses on directing viewer's attention

Comparative Analysis

  • Differences:
    • Lumet’s film is simpler, focusing on plot, performances, and viewer engagement
    • Branagh’s film is more modern and dynamic, appealing to a wider audience
  • Conclusion:
    • Original adaptation is more confident and faithful to Agatha Christie’s tradition
    • Offers viewers more control over engagement with the plot

Closing Remarks

  • Danny Boyd highlights the importance of simplicity and faithfulness to source material
  • Sponsorship Mention: MUBI, a streaming service offering curated films
    • Recommendation: "The Last Picture Show" from the same generation as Lumet's films

Contact

  • Danny Boyd encourages viewers to explore more films and offers a MUBI trial at a dedicated link.