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Comparing Adaptations of Murder on the Orient Express
Oct 7, 2024
Lecture on "Murder on the Orient Express" Film Adaptations
Introduction
Speaker: Danny Boyd
Event: Cinema Sticks
Topic: Film adaptations of "Murder on the Orient Express" by Sidney Lumet (1974) and Kenneth Branagh (2017)
1974 Adaptation by Sidney Lumet
Director
: Sidney Lumet, prominent figure in American new wave cinema
Key Scene
: Five-minute long, single shot without cuts
Actress
: Ingrid Bergman won an Academy Award for her role, with one of the briefest Oscar-winning performances
Style and Technique
:
Focus on editing, staging, and camera work
Observational style, allowing audience to engage with the scene
Emphasis on characters and their circumstances
Creates a sense of claustrophobia by focusing on the compactness of the train setting
Character Introductions
:
Introduced sequentially, in the same location, giving each character ample screen time
Pierre, the conductor, acts as a connecting thread among characters
Interrogation Sequence
:
Suspects presented in sequence, with equal time to explain their stories
Long, complete shots provide audience with full information
Summation Scene
:
30-minute monologue with limited cutting
Use of dual shooting technique to present key lines in different styles
Allows viewers to reconsider information under a new lens
2017 Adaptation by Kenneth Branagh
Director
: Kenneth Branagh
Style and Technique
:
Dynamic, kinetic, and larger scale
More cuts and varied shots compared to Lumet’s version
Frequent changes of environment, sacrificing some smaller details
Character Introductions
:
Introduced quickly with forward momentum
Less time spent on individual characters
Interrogation Sequence
:
Edited in parallel, with some questions left unanswered
Information presentation is abbreviated or obscured
Summation Scene
:
Takes place off the train
Typical shot-reverse-shot technique
Focuses on directing viewer's attention
Comparative Analysis
Differences
:
Lumet’s film is simpler, focusing on plot, performances, and viewer engagement
Branagh’s film is more modern and dynamic, appealing to a wider audience
Conclusion
:
Original adaptation is more confident and faithful to Agatha Christie’s tradition
Offers viewers more control over engagement with the plot
Closing Remarks
Danny Boyd highlights the importance of simplicity and faithfulness to source material
Sponsorship Mention: MUBI, a streaming service offering curated films
Recommendation: "The Last Picture Show" from the same generation as Lumet's films
Contact
Danny Boyd encourages viewers to explore more films and offers a MUBI trial at a dedicated link.
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Full transcript