The Flower Shop: Eliza's dream driving her transformation. Represents change and growth.
Clothing: Reflects social status and transformation. Eliza’s and Alfred’s wardrobe changes signify shifts in social perception.
The Mirror: Represents self-awareness and identity. Eliza’s first encounter signifies realization of need for change.
Themes
Language as a Class Barrier: Highlights how speech affects social status.
Transformation: Eliza’s change from a flower girl to a lady under Higgins’ tutelage symbolizes both physical and inner changes.
Appearance and Identity: Showcases how external factors like dress and manners affect social standing.
Femininity: Examines fixed roles of women and advocates for a free-spirited, educated, self-reliant female ideal.
Motif of Pygmalion and Galatea
Basis: Derived from Ovid’s Greek Myth, where sculptor Pygmalion falls for a statue that Venus brings to life.
Comparison: Higgin’s transformation of Eliza mirrors Pygmalion’s sculpting. In Shaw’s play, Eliza gains independence, rejecting the creator, unlike Ovid’s Galatea who stays with Pygmalion.
Ending: Shaw's ending differs significantly, illustrating a break from creator to independent living.