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Ancient Mediterranean Art Overview

May 13, 2025

AP Art History Review: Unit 2

Ancient Mediterranean (3500 B.C.E - 300 C.E.)

  • Covers civilizations: Ancient Rome, Greece, Egypt, Estruscan, and parts of the Middle East (Mesopotamia).

Civilization Overviews

  • Estruscan: Ancient Etruria, Italy. Influenced by Romans.
  • Roman: Controlled the Mediterranean, Northern Africa, and west Asia.
  • Egyptian: Located along the Nile River in Northern Africa.
  • Greek: Similarities with Roman civilization.
  • Middle Eastern: Often controlled by Romans, sharing influences.

Characteristics of Art in Each Civilization

  • Egyptian Art
    • Stiff postures, royalty depicted, afterlife focus, twisted perspective.
  • Roman Art
    • Realism, idealism, harmony, fluid poses, stiff clothing.
  • Greek Art
    • Idealism, public display, humans and gods.
  • Estruscan Art
    • Funerary, urban, sacred, portraits.
  • Mesopotamian Art
    • Religious/political purposes, narrative imagery, human characteristics.

Key Vocabulary

  • Ziggurat: Rectangle step tower.
  • Votive: Offering for vows in Mesopotamian structures.
  • Steele: Upright slab.
  • Hypostyle Hall: Roof supported by columns.
  • Sarcophagus: Type of coffin.
  • Papyrus Scroll: Writing material in Egypt.
  • Pharaoh: Egyptian ruler.
  • Lamassu: Guardian deity.
  • Bas-relief: Raised carving.
  • Cella: Rooms or chambers.
  • Hierarchical Scale: Size indicates importance.
  • Hieroglyphs: Egyptian writing.
  • Cuneiform: Writing in Mesopotamia, Persia, Urgait.
  • Burnishing: Polishing technique.
  • Calyx/Krater: Vase for mixing wine and water.
  • Palestra: Gym for athletes.
  • Canons: Judging rules.
  • Contrapasso: Fluid body stance.
  • Wet Drapery Technique: Clothes appear transparent.
  • Ex-voto: Religious offering.
  • Impluvium: Rainwater holding part of atrium.
  • Atrium: Open-roofed central area.
  • Hellenistic Period: Greek history after Alexander the Great's death.
  • Oculus: Round opening.
  • Fora: Roman marketplace.
  • Hyperrealism: Detailed natural depiction.
  • Realism: Accurate world depiction.
  • Patricians: Educated, wealthy government men.
  • Verism: Extreme natural depiction.
  • Tripirate Plan: Three-part plan.
  • Amphitheater: Large theater.

Overview of Art Pieces

  • White Temple and Ziggurat: Political/religious purposes, entrances oriented to cardinal directions.
  • Palette of King Narmer: Makeup palette depicting King Narmer.
  • Votive Figures: Stand-in worshipper statues with large eyes.
  • Seated Scribe: Depicts a respected Egyptian scribe.
  • Standard of Ur: War and peace depictions from the Royal Tombs at Ur.
  • Great Pyramids and Sphinx: Burial sites for pharaohs.
  • King Menkaura and Queen: Statue symbolizing afterlife entry.
  • The Code of Stele of Hammurabi: Law code received from Shamash.
  • Temple of Amun-re and Hypostyle Hall: Dedicated to Amun-re and other deities.
  • Mortuary Temple of Hatsheput: Temple for one of the few female pharaohs.
  • Akhenaten and Family: Promotes worship of Aten, the sun god.
  • Tutankhamun's Tomb: Burial preparation symbols, gold sarcophagus.
  • Last Judgment of Hu-nefer: Guides royals in the afterlife.
  • Lamassu from Sargon II's Citadel: Mythological guardian creature.
  • Athenian Agora: From burial ground to temple and marketplace.
  • Anavysos Kouros: Ideal male beauty with Egyptian influence.
  • Peplos Kore: Female beauty standard and goddess representation.
  • Sarcophagus of the Spouses: Displays gender equality in Estruscan society.
  • Audience Hall of Darius and Xerxes: Center of Persian Empire.
  • Temple of Minerva: Greek influence on Estruscan architecture.
  • Tomb of the Triclinium: Celebratory meal with the dead.
  • Niobides Krater: Mythological story depiction.
  • Doryphoros: Harmony and proportion understanding.
  • Acropolis: Contained many temples, was destroyed.
  • Grave Stele of Hegeso: Depicts Hegeso with jewelry.
  • Winged Victory of Samothrace: Celebrates naval victory, offering to Nike.
  • Great Altar of Zeus and Athena at Pergamon: Mythological battle depiction.
  • House of Vetti: Wealth of former slaves shown in decorations.
  • Alexander Mosaic: Battle of Issus depiction.
  • Seated Boxer: Depicts a defeated boxer showing Roman boxing culture.
  • Head of a Roman Patrician: Wisdom through realistic aging depiction.
  • Augustus of Prima Porta: Idealized propaganda statue.
  • Colosseum: Venue for fights involving POWs, slaves.
  • Forum of Trajan: Trajan's victory, cultural center.
  • Pantheon: Temple turned church.
  • Ludovisi Battle Sarcophagus: Narrates Romans vs. goths battle.

Sources

  • Collegeboard.com, Khan Academy, Britannica.com, Site.google.com