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Creative Resistance in Refugee Narratives
Mar 7, 2025
Lecture Notes: Creative Resistance and Narratives from Australian Offshore Refugee Prisons
Introduction
Speakers
: Don Fischer (interim principal), Helena Zeri (assistant professor), Dr. Omid Toan, Elah Zardar
Location
: UBC Vancouver
UBC campus on traditional land of the Musqueam people
Themes: Colonization, human liberation, interconnected futures
Acknowledgments
Green College, Heather McCartney, Sarah Ing for organization support
Aliah Ahmed Yan lectures at UBC for speaker facilitation
Speakers
Dr. Omid Toan
: Lecturer in philosophy, studies intersection of citizen media, displacement, and discrimination
Beus Bani
: Kurdish asylum seeker, collaborator with Dr. Toan
Elah Zardar
: Iranian artist and filmmaker, detained on Nauru, activist in refugee rights
Offshore Detention in Australia
Background
: Australia's policy of detaining asylum seekers offshore, e.g., Manus and Nauru islands
Historical context: Australia’s colonial past and its impact on indigenous and migrant communities
Key Figures
: Beus Bani (detained asylum seeker, writer)
Creative Resistance
Narratives and Collaboration
: Using storytelling and media to counter narratives of victimhood
Key Works
:
No Friend But the Mountains
: Book by Beus Bani (transmitted via WhatsApp)
Choka Please Tell Us the Time
: Film using smuggled smartphone footage
Elah’s artwork: Reflects detention as gender-based violence
The Carceral System
Intersectionality of violence (race, gender, colonialism)
Use of architecture as a weapon in detention settings
Creative Works
Elah Zardar’s Art
: Explores themes of time, hope, and gender-based violence in detention
Shared Philosophical Activity
: Collaboration between refugees and academics
Horrific Surrealism
: Artistic approach blending surrealism and horror
Global Context
Global trend of outsourcing detention (e.g., UK’s proposal to use Rwanda)
Comparison with historical colonial practices
Philosophical Themes
Thought experiment: Prison and mind, allegory of the cave
Charles Mills and W.E.B. Du Bois
: Philosophical influences
Audience Engagement
Discussion on global migration policies
Importance of changing public narratives
Conclusion
Emphasis on creative resistance as a transformative tool
Importance of collaboration in advocating for refugee rights
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