History of Pigments and Dyes
Natural Pigments and Dyes
- Organic Sources: Derived from insects, animals, or plants.
- Inorganic Sources: Derived from clays and minerals.
Differences Between Pigments and Dyes
- Pigments: Finely ground powders, insoluble in binders (vehicle).
- Dyes: Soluble liquids that permeate surfaces.
- Lake Pigments: Created by adding dyes to powdered minerals.
Historical Sources of Pigments
- Animal Sources:
- Sepia from cuttlefish ink sac.
- Red from cochineal (Mexico) and kermes (Near East).
- Mineral Sources:
- Blue from lapis lazuli.
- Green from malachite.
Binders Used
- Ancient Binders: Animal fat, honey (Egyptians), egg yolk & water (Italians).
- Modern Binders: Plant or synthetic gum, oil, egg white, latex.
Gouache vs. Watercolor
- Gouache: Opaque, water-soluble paint, lighter values added with white paint.
- Watercolor: Transparent, lighter values by diluting.
- Uses: Ancient Egyptian paintings, medieval illuminated manuscripts, 18th-century French and Italian artists.
Common Pigments and Dyes
- Iron Oxides: Red and yellow ochre, burnt sienna, umber.
- Plant Sources: Mata plant (red), indigo plant (blue).
Notable Historical Techniques and Uses
- Frescoes: Painting on wet plaster (buon fresco) or dry plaster (fresco secco).
- Examples: Works by Giotto in the 14th century.
- Imperial Purple: Exclusive to Roman emperors, derived from murex snails.
Changes in Color Use
- Middle Ages: Luxury colors reserved for nobility; working class in drab colors.
- 14th Century: Introduction of brilliant black for the merchant class.
Plant Dye Mordants
- Function: Act as glue to hold dye to fabric, enhancing color.
- Common Mordants: Vinegar, urine, alum.
Evolution of Dyeing Techniques
- Indigo: Once banned in Europe for import; stabilized with mordants.
- Cochineal: Sourced from insects in Mexico, kept secret by Spanish.
Synthetic Dyes and Discoveries
- Prussian Blue: Discovered in 1704 accidently.
- Aniline Dyes: Derived from coal tar, drastically changed the industry.
- Perkin’s Mauve: Discovered in 1856, popularized synthetic purple.
Toxicity and Safety Concerns
- Toxic Pigments: Vermilion (mercury), Paris Green (arsenic), lead in paints.
- Health Effects: Rumored arsenic poisoning of Napoleon.
These notes cover the evolution of pigments and dyes from natural to synthetic, their historical significance, and their impact on art and commerce.