Notes on the Concept of Ready-Made and Junk Sculpture
Key Concepts
Ready-Made: An object chosen for aesthetic reasons without regard for beauty or conventional aesthetics.
Junk Sculpture: Involves selecting discarded or repurposed objects for artistic expression.
Artists Mentioned
Thunks: Associated with the concept of junk sculpture.
Pablo Picasso: Earlier influencer in the realm of repurposing objects for art.
Characteristics of Junk Sculpture vs. Ready-Made
Junk Sculpture:
Involves aesthetic appreciation of texture, shape, and quality of the object.
Selection based on romantic qualities of the object.
Ready-Made:
Defined as an object selected with complete indifference to aesthetics.
Example objects include the bottle rack and bicycle wheel.
The notion of indifference is challenging; even unattractive objects can draw aesthetic connections.
Personal Involvement in Ready-Mades
The speaker has created only 13 ready-mades in 40 years.
Emphasizes that selection was not influenced by beauty or aesthetics.
The difficulty in achieving true indifference in choice, as every object may possess some appealing detail.
Anecdotes and Observations
The speaker once signed a painting in a restaurant as "ready-made" to illustrate the concept, although it was not a manufactured item.
Reflects on the evolving perception of objects over time, noting that something once considered unattractive can accumulate beauty through time and context.
Expresses that labeling an object as beautiful can be one of the worst compliments regarding the concept of ready-made.