are you listening Dima we're gonna have a lot more of the information in this top light LCD okay so I'm gonna go back to Manuel did he's gonna show most of the information that we need everything's gonna be active and we're gonna have a quick look okay now remember this button can light it up in the dark so you can see what you're doing now and we have dual options here we've got metering of white balance on this button AF and drive on this one ISO and flash exposure compensation if you're using a TTL flash on the camera or connected via a TTL cord all TT are capable of triggers maybe you've got a master flash controlling slave flashes and so you can work from now you can also control that information via the flash as well and in the menus and as we know that lights up the screen now these buttons here this is a lot an exposure lock so say if we were in aperture priority we've got the camera 2 meter then we can press the exposure lock and it will not shift and on you okay until you remove it okay and this is to change the autofocus points so we can see the grid come up there and we can rotate through here now we can also use the jog wheel or the joystick if you will all the wheel on the back of the camera and to move through the autofocus points and there they are all autofocus works that's if the cameras gonna pick no you're not okay so I'm going to press that sensor one on the joystick on the wrist to get the middle one back and there you go so looking at these first but here as I press this and I move that rear wheel on the back of the body of the camera we can change the white balance also sunny shade cloudy cloudy it's always cloudy in this country tungsten so indoors incandescent candles desk lamps or the lights on the ceilings okay fluorescent flash white balance custom white balance we'll have a look how to set that later Kelvin value kind of a similar custom white balance thing but you dial in a Kelvin color temperature okay and about to water now as we press that this point and then we use this dial on the front we can change through the metering modes okay so evaluative Center weighted average spot metering okay an average metering and so forth there I leave it on evaluative myself personal preference is read that I'll use spot metering I just don't need to now I can work it on evaluative book there and to switch to if you need to we'll look at the metering modes on what they do probably on my other channel as a general photography tutorial because the metering modes are fairly similar across all cameras and for the most part was the name of them changes it's all same-same okay and there's more to metering than just the particular mold because it gets into exposure and all that stuff so the next one here as we press this next one AF and drive and we use that real wheel it changes the drive okay so what I want to do is take that off okay that's that one and here it's single shot click click okay if I press that button again it's going to go to burst mode three point nine seconds of twenty more megapixels full frame action not really that fast but it's not really a sports camera anyway we can then go on to two second timer and ten second timer so it's ten second timer first then the two second timer so it'll have probably to see that but it's tucked in the corner there and so if you're doing self-portraits Elsie's as the cold now and you could use the ten-second timer or of course if you're taking a group picture wash your way and holiday you could use the ten-second timer or the two second timer okay so we'll take that off before I forget to and I end up pressing the button when I'm naturally in the studio and having to wait 10 seconds or not before and actually press that button again we use the front dial here yeah okay I need to turn also focus back on come on get with it so there we go we've got one shot and I focus where the camera build will choose whether it's are still Soviet or whether it's moving okay and so if you're going from shooting kids for example who can be still and then next second they're running around like crazy and the camera will switch to continuous focus single continuous single continuous single or continuous on one shot based on what's happening rather than you having to cook change mold every five minutes or thirty seconds as you may well be so from here the next one is AI servo okay so this is continuous auto focus so the camera will continuously hunt for focus and check focus if you stay still and you still get stay still it should hold steady as you start to move and you still get starts to move it will start to shift the focus okay it's not one I use a whole box I don't really shoot a lot of moving action overdo shoot portraits with someone jumping doing something that usually manual I usually lock focus kick it to manual focus and just have them hit the mark and just repeat there's another way of doing it now the next button is oh okay if you touch the ISO button and then move the rear wheel it moves your exposure compensation okay or your flash exposure compensation depending on what you're doing now exposure compensation in aperture priority you can tell it basically no you're stupid give me more lines give me less lines okay that won't go to manual there like so and so we can either equal how it got +2 or we can go minus 2 on the exposure compensation not the it makes any difference in manual mode is more for aperture and shutter priority if we press that button again and use the top wheel we can change the ISO going from auto low which is 50 100 125 160 200 250 320 400 500 648 hundreds and so on and so forth this camera does 3rd stops on the ISO changes not all cameras do all the way through to 6400 then high 112 thousand nine hundred and twenty five thousand six hundred whatever it is okay into high - basically what that is is noisy still really noisy still really really noisy you've started to be usable okay fine no worries and obviously it's clean below there and the high ones are for there for emergencies that said documentary photographer there's news photographers journalists use those kind of settings a lot because it's about getting a picture not how clean and less the noise free the images it's more about the story in the image itself so this is these are the controls that we have on top of the camera okay don't forget if we turn the lights off again we can turn nuts LCD plates on if I open up the aperture we'll be able to see it a little bit more okay I'll close that back down turn the lights back on and they have all the controls on the top of the 5d mark ii and the information that will be displayed there as well and as you activate some all the mold you may see one or two of those change these are molds from within the menus that will have a walk out but that's what you're gonna see and for the most part so we'll get another video I've done and next and we'll start to look at the menus on the camera I'm actually due to go away or travel for a short while and so once this video is released it'll take me a little while before that one after that's released and or the series to follow after that a release so just bear with me on that any questions of course stick them in the comments below please like and share stick these in the groups that you in on Facebook if you feel we're going to help somebody because it's not about pushing my channel out there to get more subscribers whilst yes that's nice it's more about helping people and it's not going to happen if people don't know about these tutorials and they don't see them so on to the next video and see you guys soon you