Overview
This video provides an in-depth look at codec options for the Canon R5C camera, covering practical considerations for videographers and highlighting key differences between available recording formats.
Introduction to the R5C and Firmware Updates
- The Canon R5C camera offers advanced features and ongoing firmware updates, including new E6 battery support and improved autofocus.
- The camera's codec choices are more similar to Canon's cinema line than its mirrorless cameras.
RAW Recording Format
- RAW format provides maximum flexibility, such as post-production white balance changes, but results in extremely large file sizes (e.g., 1580 Mbps).
- RAW is mainly suitable for high-end productions like Netflix shoots.
Non-RAW Codec Options: XF-AVC and HEVC
- XF-AVC and HEVC both support 10-bit 4:2:2 color, offering substantial flexibility for color grading.
- 10-bit depth provides significantly more color information than previous 8-bit Canon cameras.
XF-AVC: Long GOP vs. All-I
- All-I captures every frame as an individual image, yielding better quality for fast motion but large files.
- Long GOP compresses sequences, resulting in smaller files suitable for less dynamic content.
- All-I is preferred for sports or fast action, while Long GOP works well for interviews, weddings, and talking heads.
Additional Features of XF-AVC
- Allows clip selection and metadata tagging in-camera for organization.
- Supports four channels of audio, accommodating various audio recording setups.
HEVC Codec Advantages
- Produces even smaller files (e.g., 135 Mbps for 24p 4K) with sufficient quality for most users.
- Enables video preview directly in Mac Finder, streamlining footage review and selection.
- Supports native vertical video export, saving time for social or vertical content creation.
Audio Options and Workflow Considerations
- HEVC allows two audio configurations: 2-channel 16-bit or 4-channel 24-bit.
- External recorders offering 32-bit float audio often produce higher quality than in-camera options.
- Scratch audio from the R5C can aid in syncing multiple camera angles in post-production.
Recommended Codec Usage Scenarios
- Use RAW only when maximum flexibility is required and storage is not an issue.
- XF-AVC All-I is best for fast-motion/sports; XF-AVC Long GOP for most events or interviews.
- HEVC is ideal for quick turnaround, high-volume, or vertical video projects due to file size and workflow efficiency.
Personal Camera Preferences
- The speaker prefers the R5C for video over the R5 Mark II, citing new features and superior video performance.
- Continues to use the R5C as the primary camera for video work, referencing further content on R5C vs. R5 Mark II.
Recommendations / Advice
- Choose codec based on project needs: RAW for high-end, XF-AVC for sports/quality, HEVC for workflow and versatile delivery.
- Consider external audio recorders for critical audio quality and flexibility.