Notting Hill Carnival

Overview

Europe's Largest Street Festival: Reflects Caribbean tradition and black British culture.
Attendance: Over a million people internationally attend this event in West London annually at the end of summer.
Spectacle: Two-day party on some of London's most expensive streets.

Selwyn Baptiste: Steel pan player from Trinidad. Arrived in Britain in 1960. Known for managing the carnival from his home in the 1970s.
Claudia Jones: Political activist and civil rights campaigner. Organized indoor carnivals in London from 1959.
Ronié Laslett: Community worker in Notting Hill. Initially worked to bring the community together with street festivals.
Russell Henderson: Led the first carnival procession with a steel pan in mid-1960s.

First Event Debate: Conflicting accounts on the start date; widely contested between 1964 and 1965.
Adventure Playgrounds: Vital in the mid-1960s for uniting youths, reducing violence, and nurturing steel pan music.

Race Riots of 1958: North Kensington was a community affected by racial tensions and violence.
Social Activism: Early carnival supporters aimed to improve social conditions and foster community unity.

Ishmahil Blagrove: Photographer and researcher discussing character roles and public disputes of carnival's origins.
Michael Laslett: Ronié Laslett’s son, emphasizing the carnival as a spontaneous community event without formal records.
Peter Joseph: Teller of 1958 race riots, highlighting Russell Henderson and Sterling Betancourt's significant roles.
Darkus Howell: Close to Selwyn Baptiste, countering negative perceptions about Baptiste's motives.

Leslie Palmer: Managed the event from 1973-75; introduced more steel bands, live acts, and sound systems.
Police Tensions: Growing attendance led to increased police presence and subsequent clashes, notably in 1976.

Steel Bands: Groups like the Metronomes continue the tradition, competing annually in Panorama festivals.
Interviews and Memories: Testimonials from early participants and steel pan legends, e.g., Sterling Betancourt, highlight the developmental milestones of Notting Hill Carnival.
Recognition: Calls for more acknowledgement, like blue plaques, to honor contributors like Selwyn Baptiste and other pivotal figures.

Multiple Origins: Carnival is a result of many contributors, dynamic cultural backgrounds, and historical conditions.
Ongoing Celebration: Today, Notting Hill Carnival remains a vivid, spirited representation of freedom and community unity.