Question 1
What metaphor is used to describe the conclusion of subplots in Nataka?
Question 2
What is the 'Bija' element in the plot structure of Nataka?
Question 3
How is 'Ehamrga' distinct from the other dramatic forms mentioned in the Natyashastra?
Question 4
What is considered the highest form of drama in Bharata's Natyashastra?
Question 5
What two Sandhis does a Bhaana typically have?
Question 6
Which famous play by Kalidasa is an example of a Nataka?
Question 7
In Prakarana, what is the typical background of the heroine?
Question 8
What is the primary difference between Nataka and Prakarana?
Question 9
In Nataka, what role does the hero typically embody?
Question 10
Which stage of a hero's journey in Nataka represents the 'Effort'?
Question 11
Who is the typical hero in a Prakarana?
Question 12
What does Bhaana typically feature?
Question 13
Which Rasa is often dominant in Nataka?
Question 14
What is the dominant Rasa in Prakarana?
Question 15
What is the equivalent of 'achievement of the goal' in the hero's journey stages in Nataka?