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Maternal Strength and Sacrifice in Bali
Aug 28, 2024
Lecture Notes on "The Power of a Mother" (Kekuatan Ibu)
Setting and Characters
Time Period:
8th century Bali
Main Characters:
Drisna:
Mother of Satya, sacrifices for her child, suffers due to her husband's duties.
Satya:
Drisna's child, optimistic and caring.
Mahesa:
Drisna's husband, a Punggawa under a war-loving king.
The King:
A character representing tyranny and suffering.
Plot Summary
Drisna's Struggles:
Describes how Mahesa, consumed by duty to a warlike king, neglects Drisna during childbirth.
Drisna endures hardships to provide for Satya.
The village suffers famine when enemies burn their fields.
Satya's Promises:
Satya vows to help Drisna and be a good child, showing innocence and hope amidst despair.
Tragedy Strikes:
Mahesa's absence leads to disaster, as their village is attacked, resulting in Satya's death.
Drisna's devastation is palpable; she cries out for her child, reinforcing themes of maternal love and loss.
Call to Action
Drisna's Resolve:
After losing Satya, Drisna leads the villagers to confront the king, aiming to end the suffering caused by war.
A rallying cry for justice and to honor those lost.
Climax
Confrontation with Mahesa:
Drisna confronts Mahesa, revealing the consequences of his actions and the loss of their child.
A moment of realization for Mahesa about his failings as both a father and a husband.
Resolution
Aftermath of the Rebellion:
Years later, Mahesa continues to fight against the king, aiming to rectify past mistakes.
Peace returns to Bali after Mahesa's struggle, highlighting themes of redemption.
Themes
Maternal Love:
Drisna's sacrifices reflect the profound lengths a mother will go for her children.
Consequences of War:
The narrative critiques the desolation caused by war and the neglect of the vulnerable.
Redemption and Change:
Mahesa's journey from blind loyalty to rebellion emphasizes the possibility of change and making amends for past wrongs.
Production Notes
Film Duration:
Produced in 3 weeks.
Subtitles:
Created by Dominique Joan Devict and supervised by Agung Indra.
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