Middle Earth Environmental Disaster: Behind the Scenes

Introduction

• Mount Doom explosion as an environmental disaster in Middle Earth.
• Alex Dissenhoff, youngest member of the ASC, served as director of photography for episodes 6 and 7.
• Personal excitement for involvement, referencing Peter Jackson's influence.

Cinematic Approach

• Started filming in the village, continuing from Episode 6 with main character, Galadriel.
• Alex’s dual expertise in classical cinematography and technology.

Shooting Post-Apocalyptic Landscapes

• Filming began in New Zealand, with a focus on post-apocalyptic landscapes.
• Production designer Ramsay Avery designed the initial scene looks.
• Inspiration from real-life wildfires in Portland and California.

Achieving Visual Effects

• Commitment to in-camera red look, considered a limitation but also a commitment.
• Controlled shooting on stages for post-volcanic eruption sequences.
• Specific color palette tested: reds, oranges, yellows.
• Avoiding perception issues with fire colors shifting towards green.

Technical Execution

• Use of filters to manage color perceptual challenges.
• Creation of a very narrow bandwidth of color using sky panels.
• Integration of visual effects and post-production adjustments.

Light Control and Set Design

• Full lighting control achieved with massive softbox and sky panels.
• Use of muslin to create a hazy sun effect and add depth.
• Techniques for creating contrast by selective light activation.

Visual Effects and Smoke Management

• Experimentation with different backings for smoke effects.
• Muslin as a background layer to enhance depth perception.
• Integration of visual effects elements like black smoke and sparks.

Location Shooting Challenges

• Mimicking stage look in natural locations using Tobacco filters.
• Balancing daylight with desired color effects.
• Achieving a shallow depth of field using large format cameras for visual effects integration.

Transition in Storytelling

• Transitioning scenes from red to blue sky as characters move through different landscapes.
• Use of DNALF lenses for their vintage look and modern functionality.
• Metadata importance in maintaining visual consistency and aiding visual effects.

Cloud-Based Production

• Rings of Power as the first fully cloud-based production.
• Utilization of cloud technology for multiple unit coordination and workflow efficiency.
• Collaboration with Rebel Fleet, Company 3, and Blackmagic Design for real-time cloud-based color correction.

Conclusion

• Emphasis on the integration of cloud technology with traditional filmmaking tools like ARRI cameras.
• Metadata and digital infrastructure allowing a focus on storytelling rather than technical constraints.