Sci-fi is a familiar genre in the U.S., often involving stories with clear heroes and villains.
These narratives typically support a higher authority and order.
Many sci-fi stories reflect current events (e.g., Godzilla and nuclear fear, Brave New World and industrialism, The Terminator and fear of technology).
Context of Afrofuturism
Afrofuturism emerged as a response to traditional sci-fi.
Term coined in 1993 by Mark Dery, but the concept existed since the mid-20th century.
Traditional sci-fi maintained order from a colonialist and white perspective, marginalizing Black communities.
The Problems with Traditional Sci-Fi Order
Often portrayed "us vs. them" dynamics, reinforcing fear of outsiders.
In the context of the civil rights movement, these stories mirrored societal fears of "foreign" change.
Purpose and Development of Afrofuturism
Inclusion
Aimed to include Black characters as main figures in sci-fi narratives.
Sought to remove "us vs. them" mentality by humanizing Black people in the arts.
Questioning Sci-Fi Itself
Addressed themes of dystopia and systemic corruption.
Highlighted the dystopian reality of racial oppression.
Films like Welcome II the Terrordome (1995) illustrated real-world dystopias.
Freedom and Escapism
Emphasized freedom through escapism, particularly in space.
Artists like Sun Ra used Afrofuturism to envision liberation.