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African Religions and Music Expression

Oct 22, 2024

Lecture Notes: African-Derived Religious Expression in Music

Introduction

  • Focus on artistic expression in African-derived religions, especially through music.
  • Discussion spans two weeks, combined for better understanding.
  • Recent focus on "Redemption Song" by Bob Marley for its powerful, liberating lyrics.

African-Derived Religions

  • Include Voodoo, Hoodoo, Santeria, Yoruba, Baptist, Pentecostal, CME, AME, Catholic.
  • All have elements of artistic expression and spirituality.

Negro Spirituals

  • Originated as Christian songs by African slaves in the U.S.
  • Served as oral tradition imparting Christian values and slavery hardships.
  • Lyrics had specific meanings: instructions, comfort, storytelling.

"Wade in the Water"

  • Secret instructions for slaves escaping via Underground Railroad.
  • "Wade in the Water": instructs slaves to enter water to lose scent from dogs.
  • "God's going to trouble the water": find moving water to avoid detection.
  • Verse analysis:
    • Children dressed in red: Represents those who died on the Underground Railroad.
    • Children dressed in white: Allies (Caucasians) assisting in the Underground Railroad.
    • Children dressed in blue: Symbolizes Confederacy, with blue being the color of the North soldiers.

Harriet Tubman's Songs

  • Used to relay messages and instructions to slaves on the Underground Railroad.
  • Different songs signified different signals (e.g., danger, all clear).

Other Slave Songs

  • "Steal Away": Signaled meetings for planning escapes.
    • "Steal away to Jesus": Represented salvation in the North.
    • Timing and movement often coordinated with storms (water, thunder).
  • "Swing Low, Sweet Chariot": Instructions to stay low in wagons during escape.
    • "A band of angels": Helpers on the Underground Railroad.

Cultural Expressions in African-American Religions

  • Ring Shout and Plantation Dances:
    • Community-building, ritualistic, artistic expression.
    • Participants experienced spiritual transcendence.
  • Call and Response:
    • Succession of phrases as a dialogue for retention and literacy.
    • Used in religious settings for teaching hymns and scripture.

Preaching Styles in African-American Churches

  • Hooping: Melodic expression with musical undertones.
    • Examples: E. Dewey Smith, Reginald Sharp.
  • Teaching: Academic approach, less entertaining, more informational.
    • Examples: Dean Lawrence Carter, Dean Nichelle Guidry.
  • Exhortation/Prosperity Gospel: Motivational and urging belief.
    • Examples: Joel Osteen, Joyce Myers.

Conclusion

  • Encouragement to engage with elders and explore religious songs and preaching styles.
  • Importance of including lecture notes in upcoming assignments.