Lessons from the Screenplay: American Beauty - Part 2
Introduction
- Michael discusses the script of "American Beauty," highlighting its flaws despite being close to a perfect movie.
- Explains that 27 pages of the script were cut during editing, impacting the final movie.
Key Points of the Lecture
Describing Character's Headspace in Screenwriting
- Screenplays are designed to be watched and heard, not read like novels.
- Writers can't rely on action lines to communicate what's in a character's head; visible actions are necessary.
Example 1: Ricky's Freedom
- Screenplay Action Line: Ricky discovers freedom from his father.
- Issue: This internal struggle isn't communicated visually on screen.
Example 2: Jane's Smile
- Screenplay Action Line: Jane smiles, thrilled by a crush.
- Success: Motivation of the smile is clear from context, no internal description needed.
Example 3: Jane's Reaction
- Screenplay Action Line: Jane looks at the floor after Angela's comment.
- Success: The context makes her feelings obvious without internal description.
Deleted Scenes and Their Impact
Colonel Fitz’s Backstory
- Script Detail: A scene showing Fitz's repressed feelings through a photograph.
- Impact: In the film, his feelings are less obvious, allowing the audience to interpret his behavior.
Original Script Ending
- Prologue and Epilogue: Court scenes that framed the movie as a crime thriller.
- Impact of Deletion: Removing these scenes changed the film's tone to a drama, maintaining thematic hope.
Conclusion
- Editing choices and omitted scenes significantly altered "American Beauty."
- Sam Mendes' creative vision and willingness to adapt resulted in the movie known today.
- Highlights the role of luck and serendipity in filmmaking.
- Emphasizes theme: beauty in unexpected places and imperfection.
Final Remarks
- Michael invites viewers to support his channel through Patreon.
- Expresses enjoyment and eagerness to create more content.
"Ultimately, there's beauty in imperfection."
- Encourages liking, sharing, and subscribing to the channel.