[Music] hey guys what stop making that why take this I'm going to show you something more interesting at what yeah it's yours especially [Music] R this video is sponsored by danceworld usa.com and the dance wear is offered by primabella [Music] International hey everyone welcome back to our Channel I am Mato I am GA and today for the first time we are having a lesson about Latin but of course as you know we are standard dancers and we are not so so good in Latin I have I have stopped dancing leting when I was a kid C until uh 16 years old so we need a help of a professional and here for us welcome please timour imino hell guys hi hi hello everyone we need your help I understand we starts from zero almost and we want to arrive as high as we can and we want to dance ltin like uh a normal professional couple we don't we not we are not in a rush we don't have to go to the competition tomorrow or in one year we do it just for fun yeah so we need to make professional from you like in 14 years yeah guys if you don't know timori madino we are talking about one of the best dancer in the world he have been a champion in Germany Russia Romania Vice world champion so we can go on with his results until evening but we simply want to say that we are really really happy to have you here on our Channel thank you so for the first lesson we are going to take Roma and uh with what we should start with basic steps with basic movements or immediately with some figure I think first of all we need to discuss about roombo what is it about okay yeah and then we are going to first of all to the basic Roomba actions and motions uh because this would brings taste substance and characteristics of Roomba Co later on we will go to make steps some Basics and probably today if you will be good enough I'm sure she will be good enough because you know lady in red we want to can put this music on top of yeah and um this melody also so and we will create probably few steps so first of all I'd like to say that do you know what is Roomba about Roma is the third dance in Latin American dancing it's the middle of L program yeah it's before P after CH and it's slowest yeah it's the dance of love this is all I know about froma but this is the most important ah okay so that's it yeah and as this dance uh let's say all W American daners came literally from Afro Americans and we call it Latin Americans so it's about hot country mhm uh quite less dressed people okay and is actually everything underneath so whatever we do is going literally under your hips in the lower part of your body so this greens uh some substance or the movement and then it goes on top and uh also is about first of all of course is about communication and sense of movement with the lady okay I know men and I know how to lead a girl like like this forget about you know okay all the dancing is about two different things in Latin America it's about afroamerican culture of lower part action and rythmical and let's say East European uh uh culture of pallet okay so it's combination of quite beautiful upper part and quite let's say hot and really playful lower part so what we will start from can we look at the mirror yeah we will start from one very easy action we call it Cuban motion mhm yeah or Kuban action so we go to make eight with our hips so if we speak about hip is not just the pelvic area so it's also the upper part of the leg so when we speak about hip as in bottom and the standard yeah so is the lag action yeah which immediately goes into Direction number one is the pendulum swing number two is rotation but in order to avoid this part of broken hip we go actually slightly forward on the bottom of the foot and then we direct the lag towards the hill okay but very important stuff that we're not moving our POA to the hill so we're using the lag and our pelic are already start to dance the pendum okay yeah and what we will try to do we will try to slightly bend the knee mhm so it's going here yeah but don't move with the shoulder as a standard couple you like to do this when you say the swing left and right I immediately it starts to you start to make in Latin literally everything is pendular okay yeah so and we are going with the lower part we are moving ourself from food to foot yeah not the Nappa part yeah and what we need to wa so this is like you know the functional things but in order to receive some sense of movement yeah we need to put one more part of it and this is the middle part so whatever we do if we breathe actually yeah we can put it in and out and it's immediately start to use let's say different curves of the body yeah don't try to finish it at the moment stay in between two feet yeah and try to make that swing in connection with your let's say rip and the stomach slightly in and is immediately going in here it's like we are chewing our stomach inside and now let's thank the sponsor of today's video vworld usa.com they have all the articles that you would 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yeah try to fill it yeah it's here it's fine movement more more for like don't move to the sides move down up and up up and down yeah and the back and forward yeah back and forward yeah it's too much shoulder actually okay let's check K that's uh guys there is one small things what we need to understand the base of Latin American as I said is Afro Americans and in afroamerican culture there is nothing about posture yeah my life trying to yourself it beat closer to Monkey okay yeah so we have to pull down you have to breathe out breathe out yeah and feel it more inside yeah don't keep it straight like this we will come back to that later but first we need to feel it feel the real sense of Latin American movement yeah so and the rib cage yeah let's say we can explain it like this we go up while we move to the foot okay yeah but we're not moving out yeah we're moving to the foot and then we release that because of the gravity it will go down when we go on the foot to and to the foot on the foot to the foot under and if you're doing that you immediately have a reaction in your hip yeah so it's already starting to be more natural don't open it up yeah so more in feel let's say feel hugging like you hug yourself yeah it will be a very important exercise later on where we will hug the woman yeah so with this feelings of close front area you can move and you feel that yeah so actually it's not about only room way it's about all the rhythmical uh Latin American base yeah because if we will bend more it will go to S okay clear to to if we will make much more let's say impact in the moment it will go to chaa if we smooth it a bit Yeah so to make it more glue is rumba yeah if you will uh create it more like in the pumping way it will going to be giant yeah let's feel that let's say soul of Latin American things yeah all these uh body which moving them back yeah do I need to speak English with you as well okay hug me baby super no this you see this is Latin American because what I want from you I want from you actually first of all the feelings which not going to that as you are doing as a separation letting guys we are doing that yeah so we're hugging each other and then bend your knee Bend b b b Bend really is yeah this is what we actually supposed to do today yeah so look at her she's looking sexy yeah she's already ready already ready yeah just one touch you have to work with me Harry Potter fingers yeah so Sofer sof we work with and don't don't do anything special feel it natural imagine that you know something uh slowly boil in your body inside yeah somewhere in that area good good yeah so and we go first all to American style Roomba yeah so in in order to make it more easy yeah so we are going to the B knee okay yeah and then by straightening the knee we you see what you're think yeah don't do that mat don't make me angry yeah we're actually releasing yeah so uh let's say we have gravity yeah we all live in the planet Earth and in order to lower something I don't need to work I just need to release it yeah if I hold my arm here you know order to put it down I just need to release it then I use my muscle to lift it up so we're going into Cub St so we're doing BM yeah so release yeah slightly let's say open there and then we release the rib cage at the lower and we straighten the knee boom so very easy position yeah same forward p Ah P ah let's say imagine that you're dancing Sou [Music] okay and don't move so much keep it more compact this is nowadays problem of many lights and dancers because they move too much they try to progress through use a lot of space but it's actually much more compact uh uh uh uh not bad not bad put your weight on the foot put your weight uh and then start to straight it yeah and you don't need to let's say to stretch it too much and then to squeeze it and turn forget about rotation for the moment rotation is something like reaction yeah so it's actually a reaction on my moving to the foot and uh releasing on the foot yeah so I'm going to yeah I'm on the foot whoa whoa so first is a transfer then action transfer action transfer action well yeah it's much better otherwise it will look like you know strange mhm yeah let's do it again so let's try don't try just do it and try to don't move your feets out of the range of your feet yeah so if we go a bit more in the serious way yeah we have the bone structure yeah and we will show it in K can you stay like that like this okay good so we have a head bone yeah starting here and finishing here if we put the vertical line down it will stay the point somewhere about 15 cm out of your foot okay the pelvic bone does it's also about 8 10 cm out shoulders as well so if I will draw the straight line from the middle foot middle of the foot up first it will touch my groin and especially my SE bone which stays there and if we bring it up it will come here so this is the vertical line yeah so this is the balance line so actually the range of our different actions is like this cool okay so we don't have to go so much up we don't have to go here we actually have to go here so if I going up and then I release I feel my growing my seat bone you also use your seat bone you know what where it is yeah so I'm going straight cool I use that balance line and it lower here Wherever I Will Do doesn't matter where I move I go towards that line and on this line I'm going to use my body to release so in that way we don't have that kind of a swinging upper part you have to do it if you want yeah but not like in that way not like that way cool of course if we do something like this okay my point I love to have more lower part I know that many teachers and many guys love to do that with the upper part we can choose different styles but basically even if I have have a split position something like this yeah I'm still trying to achieve the [Music] line with my uh let's say ear and my groin and I'm working towards that line I'm working towards that line I'm going I'm working towards the line so when you start to do this it will break you understand okay okay so let's try again on the foot no no you see your full the shoulder y it was not a shoulder okay we now go to more serious base yeah whatever we do in Lon every step has at least three stages which should be done and passed through in correct order foot transfer towards the fot and now action and when we do an action it's could be released it's could be compression rotation wherever we call yeah it stays on that line to normally we can also use like three and a half or four as a recover but this is the later things yeah okay so now we have just transfer and we go towards the foot yeah we place the foot we transfer the whole body towards the foot and when we fill those three points in vertical line we can use that to release the weight yeah so now you see nothing is broken you you have very nice balance line good comfortable balance you comfortably stay on the foot and you're ready to go in whever Direction you can choose yeah if you want to go back you start to use as in Ballroom your middle part of the body there if you want to go forward you use to stretch legs in between and drive through the foot yeah and then place and then move and then release the same to the side Place transfer release backward Place transfer release Place transfer but backward is not like a full transfer it's still part weight keep going with the control of the foot on the floor and then when you're releasing you continue to drive clear yeah okay so is it okay with the CBE motion is it okay here not in the body I understand it I I'm not able to do it yet but that's why you need to practice I will need time I will need time okay let's go to the basic steps first of all we stay clear straight we prepare the body not there we are closing this yeah and we are let's say stretching up with the moving to the left foot yeah cuz now we have an energy we have to have an energy to go so first we release and through that release we can move the food to the S side slightly diagonal yeah very important thing as well as in ball room you cannot keep two heel on the floor because you have to drive yeah in lightting we have like few options when we have two heel on the floor number one is the basic pass position number two is actually Cuban motion so there is only one figure only one movement is karacha doesn't matter side forward or backward in basic when we have these pressures step why I ask you you know the translation of the word karacha no come on I don't know really in Italian how do you call I don't know karacha karach we call it karacha it's cockroach cockroach what is co tarakan tarakan I don't know okay now I understand what what did they call like idea it came from Caribbean yeah dancing that you're actually you are squeezing a cockroach here oh so St so you don't need to transfer the full weight so just stepping coming back yeah but uh in normal our Latin American Roomba I mean b room ltin American Roomba we have a straight knes okay yeah so we place the food let's go try toar immediately and we actually press that foot on only by lower part boom and go back okay immediately to the straight line now we release collect the foot and change it oh no no no place the foot one transfer two release three okay as I said yeah so we place the foot we squeeze the cockro come back relay is place the foot go up and go down yeah I know that many dancers are doing like this like 2 three 4 One and or one and so but basically this is a mistake because in base of Roomba we have four bits and we normally in basic we're not dancing we don't dance one yeah we have 2 three 4 2 3 4 so it mean that we have steps only on 2 3 4 2 3 4 and and we need to place the heel down then we go one and down just an action no steps look like you stay sorry yeah it's clearly straight line BM when you feel that you cannot go without that what you can do you can rotate okay not not the shoulders yeah and about rotations rotations is something which going inside the leg so it's not my pelvic overturning yeah so it's almost it's much less visible than what I expected because when I look at Latin dancers I see a lot of work instead what I'm hearing from you now is that we have to maintain all the time our vertical line and to work on the foot the leg the hip doesn't go out the shoulder the shoulder blad doesn't go out so it's much more compact than I expected it's supposed to be unfortunately nowadays young dancers especially they are trying do everything in 1,000% to impress yeah to impress to be powerful to be say as I said they're running like an Olympic Games they could win it sometimes you look at some I have this idea in my mind that they're saying bold will be slower at the moment compared to them yeah yeah compared to them so uh actual rotation in um okay we need to understand we have rotation we have twisting we have spins it's completely different things yeah and we have spirals the other way around yeah so if we speak about rotation as an action is just the movement of your upper part of the leg from the front part towards the hill okay it's not on the hill it's just towards the hill you know if we will take the Whisk in Bor yeah so it's one two on the third step we say that the heel just kissing the Flor so the same idea that you move towards but you're not you fall in the same here so if I do a CB motion this eight figure yeah so I move towards the front part and then I move my lash yeah my uper part towards the heel but in the same moment my upper part already no no no you see you're changing I'm bre you still have this line oh but your upper part already start to prepare thems through the spine to project the next section mhm clear then you move who forward and again you move backward forward and backward and in this moment you start to do this e figure not in 2D you start to use the 3D action because your body already move into space Also with third dimension as well M yeah so it's not just up down and the sides it's also forward and back yeah so let's say if we speak about kukara yeah so we're up we finish that you see we use rotation inside the leg so it's going inside here it's not going outside there and also we keep our weight on the Inside Edge of the foot mhm and so we release it we place the foot we push the weight there going back and now release the weight three and and place the heel immediately and start to transfer the weight up up up up up and in the second part of count one we release and preparing the body not like that but with the vertical line to move to a squeeze the next cockroach under the left foot and we move it under the right foot and we move it under the left foot yeah yeah and as you B guys is not in your system to stretch uh you know the foot yeah uh this is actually a quite nice figure because here we don't need to strict we don't need here no basically is gradually lowering the heel here and is gradually collecting and lower here of course many guys are trying to show the feet on maximum uh actually it's wrong but it's to s look H actually you have no time for this action okay yeah because okay we can try to make it here and try to make it here more beautifully mhm so from here and here the most important that at this moment your heel heels both of them keep touching the floor yeah good so let's make one more time d d d and now we will move back the same action and W boom boom boom boom boom and you see in order to make next step we have more Comfort feeling to go forward not too close so let's do like this backward karacha and we're going forward we place the foot and I love that you're not opening this this looking good because now you can transfer your hip to maximum and we just transfer uh uhuh we keep this toe like say well okay first moment we have ball of the foot when we transfer fully the weight toes keep staying on the same point then we start to release the weight no no no no no no and this hip start to rotate which will bring the knee in the bent position and now we start to move the toe okay so I was doing like I was activating the left leg in so you work on the right and the left reacts okay this go the next uh the foot tracking sorry so the system like this my right foot is connecting to my right knee and in my system my right knee connected to the left hip so in order to move the right leg I need to use my left hip which will pull the left knee which will pull the left foot okay so otherwise especially with the step to the side for example you start to close your leg Yeah but look at this your knee now directed this way so what we can see with the trouses is not so so ugly but you see it hurt yeah so we can speak about aesthetic so from here I use the he I use the knee is going inside and then it's pull the foot the same way we're going forward or backward doesn't matter from here I use the standing hip knee and only then foot and try to don't bring it here as high as possible as close as possible to the standing F you stay you transfer and back yeah so this is the base so now we have two different stuff the first one is something about sensitivity and characterization of feelings which we actually was supposed to make together but had no time uh and now we have few basics steps as the base we the most important we should understand number one balance line mhm number two the orders of action when we make a step yeah and number three combination of order and action of the body mhm yeah so next time we probably will do a small routin perfect finish now we practice and uh we'll be ready for that super thank you very much you're welcome we have to finish the laston like we usually do in uh in B with a ball uh thank much yeah but we need to study to make it more Latin more Latin it's to Borum okay we will work one time with about okay thank you very much thanks thank Youk thank you thank you I hope that you enjoyed the lesson stay with us because of course this is only the first video of this new series and we will go through all the basic movements of all dances in Latin American dnasty it will take a lifetime but uh we are ready I hope that we can read the book here okay so stay with us see you in the next video [Music] bye baby you give me I