We're in the Louvre in Paris that holds one of the most important collections of clay vessels from ancient Susa. Ancient Susa is in modern day Iran, going back about 6,000 years to 4,000 BCE, and we're looking at a beautiful... beaker decorated with animal forms and geometric patterns.
So, 6,000 years ago. This is right at the cusp of the Neolithic and the historical era, just before the great cities of Mesopotamia rise. In fact, this area at certain moments in history becomes politically part of southern Mesopotamia, the cities of Uruk and Ur. But at this point, 4,000 BCE, this is still prehistoric.
We're looking at people who lived in a very fertile river valley who painted beautiful vessels and buried them in their cemeteries. At about 4,000 BCE, we believe that they built a raised mound and had a temple on top, and the whole area was continuously occupied for about 5,000 years. We have this extraordinary accumulation but when we dig all the way down, we get to this pot and pots like it. Because this is prehistoric, this is before writing, we have no records of why they buried their dead with the pots, what they believed, what their religion was, the gods or goddesses that they were worshiping on that temple mount, but we do have extraordinarily beautiful pots. It's handmade.
It's clay and it's painted. It's quite thin. It doesn't have the perfection you get from something that's made on a wheel, though some archeologists have conjectured that it's made of clay. It was perhaps made on a slow wheel, although others think it was completely handmade. In any case, it was clearly hand-painted.
The circular forms balanced by forms that are linear, balanced by geometric, hard-edged forms like rectangles. DR. STEVEN ZUCKERMANN Now, you mentioned animals. The most obvious is the mountain goat. The mountain goat occupies a large rectangle.
The body is actually made out of two arcs to create this very geometric form. DR. BETH HARRIS But it's mostly his horns that take up those spaces. So this is not a naturalistic image of a mountain goat. His body is reduced to triangles.
So very stylized images of these natural forms. Nevertheless, there's real detail here. We can make out the goat's beard, his ears.
We can make out his nose, where his eyes would be. We can see the bush of his tail. We see that kind of detail in the other animals that are represented here.
Just above the rectangle that holds the goat, we see a band that wraps around the vessel that has a kind of dog that's rather like a greyhound. Very thin and elongated. Perhaps it's reclining.
Perhaps it's running. and then above that we see wading birds with elongated necks. The necks speak to the verticality of the vessel and the roundness of the horns speak to the cylindrical shape of the vessel. It's wonderful the way these geometric elements reflect the shape of the object itself.
There's this beautiful integration between the pictorial and the actual body of the pot. Look at how the tails of the dogs spin back in the opposite direction of the horns of the mountain goat, of the ibex. But then we have these things we can't identify.
crisscross pattern with these angular forms in the center. Almost looks like stitching on a baseball. We see that shape repeated on other vessels, so perhaps it had some meaning.
In fact, perhaps the animals themselves had meaning and were associated with different ideas, perhaps fertility or water, because we know that those associations were made later on in ancient Mesopotamia. Right, but we don't know if those meanings are in play here in Susa. The name Susa may be familiar, because later on, they say in the prophecy of Daniel and it also figures in the book of Esther, variously as Susa or sometimes Shushan.
Dr. In fact, the reason that these pots were found is because an archeologist was looking for the tomb of Daniel and came upon this extraordinary cemetery.