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Exploring Black Slave's Cry to Heaven

Apr 26, 2025

Black Slave's Cry to Heaven

Overview

  • Title: Black Slave's Cry to Heaven
  • Written by: Zeng Xiaogu
  • Based on: Uncle Tom's Cabin by Harriet Beecher Stowe
  • Premier Date: June 1, 1907
  • Language: Chinese
  • Performed by: Spring Willow Society in Tokyo, Japan
  • Genre: Western-style Chinese drama

Key Themes

  • Allegory for Chinese Migrants: The play was an allegory for the experiences of Chinese migrants in the United States, highlighting anti-Chinese sentiment.
  • Innovations: Known for its use of spoken dialogue and realistic set designs, differing from traditional Chinese theatre.
  • Nationalism: Focused on self-emancipation and resistance, reflecting nationalistic themes.

Synopsis

  • Main Characters: Arthur Shelby, Emily Shelby, Tom, Eliza, George, Harry
  • Plot: Arthur Shelby, pressured by debt, offers his slaves as payment. Eliza and George, fearing for their son Harry’s future, decide to escape. They make a bid for freedom amidst a party, escaping pursuers.

Background

  • Historical Context: Set during a period of reform in the Qing dynasty following military defeats. Theatre was seen as a means to reach the common people, most of whom were illiterate.
  • Cultural Interchange: Increased Chinese student presence in Japan, leading to cultural exchanges in theatrical forms.

Production

  • Adaptation Process: Adapted from the first five chapters of a Chinese translation of Uncle Tom's Cabin.
  • Director: Guided by Fujisawa Asajir, a Japanese dramatist.
  • Staging and Design: Emphasis on realistic scenery, costumes, and minimal singing or dancing.

Performance and Reception

  • Showings: Two performances at the Hong-za Theatre in Tokyo.
  • Reception: Generally favorable reviews from Japanese critics. Highly praised for its stage design and acting.
  • Financial Success: Ouyang Yuqian regarded it as financially successful.

Legacy

  • First Modern Chinese Drama: Canonized as the first modern Western-style Chinese drama.
  • Influence: Influenced the development of spoken-word dramas in China.
  • Adaptations: Inspired adaptations and commemorations, including new adaptations on significant anniversaries.

Key Figures

  • Li Shutong: Stage designer, also played Emily Shelby.
  • Ouyang Yuqian: Played a role in the production, regarded the play as a significant experience.
  • Other Cast: Xie Kangbai (George Harris), Huang Nannan (Arthur Shelby), various others played multiple roles including cross-gender roles.

Commemoration and Further Works

  • Produced adaptations for the 50th and 100th anniversaries, each emphasizing resistance and class struggle.

References

  • The play has been detailed in works by Shouhua Qi, Siyuan Liu, and Shiao-Ling Yu, among others, focusing on its historical and cultural significance.