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Lecture on the Basilica of Santa Sabina, Rome

Jul 10, 2024

Lecture on the Basilica of Santa Sabina, Rome

Introduction

  • Located at the top of the Aventine Hill in Rome
  • Dates to the 400s, about a century after Christianity was legalized by Constantine
  • Offers a significant view of Rome

Historical Context

  • Nearby Capitoline Hill housed Roman temples like the Temple of Jupiter
  • Site serves to emphasize the new official religion of the Roman Empire

Architectural Influence

  • Early Christians did not create new architectural forms, reused Roman basilica
  • Basilicas were administrative structures in ancient Rome
  • Functionality shifted from administrative to religious, holding large congregations

Comparison to Pagan Structures

  • Pagan Greek and Roman temples were houses for gods, with minimal interior space
  • Christian basilicas needed to accommodate large gatherings and symbolized imperial authority
  • Longitudinal axis in basilicas focused on the altar, suitable for liturgy

Design of Santa Sabina

  • Features arches creating visual rhythm leading to the altar
  • Reflects design of old Saint Peter’s Basilica, built by Constantine:
    • Old Saint Peter's was larger, had trussed ceiling, and double aisles
    • Served as a major pilgrimage site

Notable Features

  • Original 5th-century carved wooden doorway with scenes from Old and New Testament
    • Includes an early depiction of the crucifixion, rare for early Christian art
  • Interior of Santa Sabina:
    • Open space with clear view of the nave and apse
    • Lit by sunlight through gypsum windows in the clerestory
    • Flat ceiling with wooden beams, pitched roof
    • Columns (spolia) reused from pagan buildings
    • Nave arcade of arches
    • Inlaid stone images in the spandrels showing chalice and bread plates, symbolic of the eucharist
    • Elaborate carved screen separates the sanctuary from the nave

Influence and Legacy

  • Santa Sabina's architectural forms influenced future Christian church designs
  • Incorporation of transepts in later churches to symbolize the cross
  • Originally decorated walls with frescoes or mosaics, now missing

Conclusion

  • Despite later additions (Baroque chapels), much of Santa Sabina's original form remains
  • Offers insight into the earliest Christian architecture and its continuity of Roman traditions