[Music] Wait. I said go away, you silly dog. Hey, you. What do you think you're doing? Why is this girl shouting? She's only a child. She meant nothing by She's drawing attention to herself. She should be at home, not displaying herself in the market. I have no son at home except an infant. I need my daughter to stand up when we talk to you. I said stand up. I know you. Yes, it is. I was your teacher once. You were a good student. Wasted my time teaching me. Kings of Nor. I have joined the Taliban and now I fight the enemies of Islam. Well, if I am an enemy, then for my sins, God has taken my leg. What do you mean? making fun of me, old man. I lost my leg in the war. The war we fought together. How old is a girl? She's a child. She's old enough to marry. I've been looking for a wife soon. She's already been promised to someone. Well, she should cover herself properly. Maybe you should stop looking at her. What did you say to me? I said stop looking at her. I can have you. You watch what you say. Come on. Are you all right? Yes, Papa. That's my girl. Let's go home now. [Music] Hey friends, welcome back to my channel Action Stop. Today we explain a short story line of the bread winner movie. So in this movie 2001, Parvana is an 11-year-old girl who lives in Kabell under the Taliban's Islamic, a merit of Afghanistan just as the war on terror is beginning. Her father Nurula is a former school teacher who became a hawker after losing his left leg in the Soviet Afghan war. One day during supper, he is unjustly arrested after Adris, a young and volatile Taliban man, thinks he insulted him earlier while the two were selling goods in the market. Because the Taliban forbids women from going out without a male relative. Parvana's family is left without someone to support them as her elder brother Sleon died years ago, leaving her, her mother Fatima, her elder sister Saraya, and her youngest infant brother Zaki. When Parvan and Fatima try to go to the prison to appeal Narula's arrest, a man beats Fma while other men watch. After she shows him a photograph of Nurula and threatens to arrest them if they go outside again, Parvana comforts Zaki by telling the story of a boy on a quest to retrieve his village's seeds from an evil elephant named the elephant king. Later, Parvana tries to buy food for her family, but the hawkers cannot sell her any due to fear of the Taliban. A few men spot Parvana and chase her and she drops the bag Fatima gave her while running. Parvana eventually makes it back home. To support her family, she decides to cut her hair and dress as a boy. She starts calling herself at claiming to be Nurula's nephew. The plan works and Parvvena is able to get both food and money. On the advice of a friend named Shazia, who is another young girl disguised as a boy called Delawir. Parva tries to bribe a prison guard so she can see Narula, but the guard sends her away. And so she works to save up more money for a larger bribe, taking on hard labor jobs with Shazia, who is trying to save enough money to escape her abusive father. Meanwhile, Fatima is forced to write to a relative in Mazar, arranging marriage for Sora in exchange for shelter and protection. Parvana also meets Rozek, the former patrol partner of Adre. The illiterate Rosak pays her to read him a letter informing him that his wife was killed by a landmine. He befriends her and continues to meet with her so that she can teach him how to read and write. Parvven and Shazia take a hard labor job where Dre was also present. He makes fun of them for their weakness when Shazia rests and shs Parvena onto the ground. Looking into her eyes, he recognizes her and after being hit abruptly by Parvveno with a brick, tries to kill her as she flees with Shazia. Parvven and Shazia managed to hide and Adre is abruptly called away to fight in the United States invasion of Afghanistan. When Parvvena returns home, Fatima pleads with her to stop the dangerous plot, telling her that her relives accept each other again sometime in the future, which she predicts will be in exactly 20 years. However, as Parvana travels to the prison, Fatima's cousin arrives early and forces them to come with him without Parvana. As the war is starting and the roads will soon be blocked, Fatima eventually stands up to her cousin in a furious manner, refusing to let him take them further and he leaves the family stranded on the road. Parvana arrives at the prison where she finds Rozak after Parvana reveals that she is Narula's daughter. Razak informs her that his cousin has left to fight but he will retrieve Narula. Parvana witnesses the executions of weak prisoners who are unable to fight. Terrified, she gathers her courage to stay by finishing the tale of the boy who she turns into Slayan, revealing that he died after picking up a choy he found in the middle of the street which was actually a landmine and it exploded when he picked it up. Rozek is shot on the shoulder while rescuing the weak Narula, but the wound was not fatal and he reunites the two. Parvana takes Narula away where they will soon reunite with the rest of the family and escape from Afghanistan together. As the two continue the story, they were telling each other at the start of the film. In May 2016, it was announced that key animation for the film had commenced eight. The bread winner was a co-production between aircraft pictures in Canada, Melisine Productions in Luxembourg, and Cartoon Saloon in Ireland. The bread winner was executive produced by Angelina Jolie who worked with director Nora Twami to bring the novel to the screen. Twami is an Irish animator, director, screenwriter, producer and voice actress. She is also a founding partner in cartoon saloon, an Irish animation studio based in Kilkenny that did the key animation for the bread winner. TWami commented on the serious theme in her animation film, saying, "I think that animation is very broad. So, I don't see why it needs to be thought of as just a babysitting device. I wanted to go for the same audience that Deborah had gone for young adults and adults as well. The film doesn't really talk down to anyone." 12. In a 2018 interview with Twami, she revealed that Angelina Jolie was involved in the casting of the voice actors, in particular the Canadian talent Sara Shodri, who voices Parvana. As Twami recalls, he Shodri has such empathy, intellect, and emotional depth. A unique talent for an 11-year-old actor. Chandre's personality also played a role in shaping Parvana's mannerisms. As Twami explains in another interview, seeing what Sorrow was able to comprehend as an actor, as an artist, and as a child gave me an understanding of how to craft our film in a way that doesn't take for granted what children are afraid of or not afraid of. 13wami also explained that Jolie's insight as UN goodwill ambassador at Afghanami also explained she was careful to cast voice actors of Afghan heritage and to work with an Afghan dialect coach. She says there was so much input from people there at the time to make sure it was not judgmental but also empathetic. The Cabbellorn dialect coach Kawa Abu also voices the character of Rzek. According to TWami, the story with in a story about the mythical elephant king was inspired by Guillier Modell Tauros Pans Labyrinth 14. The texture and depth of the vivid fairy tale fable and distinctive cutout look was created using Nuke compositing software from the Toronto-based Guru Studio 13. During the development of the screenplay, screenwriter Anita Dorne worked together with the American Afghan artist Aean Mojadi to balance an Afghan perspective with a global perspective to capture the universal tone of the film. The first draft of the screenplay also saw contributions from the Afghan Women's Organization as various Afghan refugees from different regions and tribes offered their perspectives and deepened the film's understanding of the Afghan culture. 12 school children along with their parents were invited for an early screening of the film as Tomwami noted that parents became emotional and teary where as children taking note from Parvana were cheerful and chatty 14 box office edit the film earned $17,395 its opening weekend in North America 7 as of August 17th 2018 the bread winner has grossed $313,381 in the United States and Canada and 2,954,368 internationally for a worldwide total of $3,266,749 16 critical response edit on review aggregation website Rotten Tomatoes. The film has an approval rating of 95% based on 106 reviews with an average rating of 7.910. The website's critical consensus reads, "The breadwinner's stunning visuals are matched by a story that dares to confront sobering real life issues with uncommon and richly rewarding honesty." 17 on Metacritic, which assigns a normalized writing to reviews. The film has a score of 78 out of 100. Based on reviews from 20 critics, indicating generally favorable reviews, 18. Kenneth Toron of the Los Angeles Times gave the film a positive review. Writing the bread winner reminds us yet again that the best of animation takes us anywhere at any time and makes us believe. 19. Mark Kermode writing for the Guardian gave the film five fifth stars. Writing along with the eerie beauty of the animation, there is a savving streak of humor that softens this tail's sharper edges, reminding us that for children, laughter and bravery walk hand in hand. The review also compares the defiant feminist spirit of the bread winner to that of the 2007 French Iranian animation film Procepilus. Furthermore, the music by Michael and Jeff Dana is described as lyrical and expressive for evoking elements of Eastern culture and the enchanted story world. The director Nora Twami is praised as the real heroine of the story for her directorial debut, the executions of weak prisoners who are unable to fight. Terrified, she gathers her courage to stay by finishing the tale of the boy who she turns into Sleaman, revealing that he died after picking up a chi he found in the middle of the street, which was actually a landmine, and it exploded when he picked it up. Rozek is shot on the shoulder while rescuing the weak Narula, but the wound was not fatal, and he reunites the two. Parvana takes Narula away where they will soon reunite with the rest of the family and escape from Afghanistan together. As the two continue the story, they were telling each other at the start of the film. In May 2016, it was announced that key animation for the film had commenced eight. The bread winner was a co-production between aircraft pictures in Canada, Melisine Productions in Luxembourg, and Cartoon Saloon in Ireland. The bread winner was executive produced by Angelina Jolie who worked with director Nora Twami to bring the novel to the screen. Twami is an Irish animator, director, screenwriter, producer and voice actress. She is also a founding partner in cartoon saloon, an Irish animation studio based in Kilkenny that did the key animation for the bread winner. TWami commented on the serious theme in her animation film, saying, "I think that animation is very broad. So, I don't see why it needs to be thought of as just a babysitting device. I wanted to go for the same audience that Deborah had gone for young adults and adults as well. The film doesn't really talk down to anyone." 12. In a 2018 interview with Twami, she revealed that Angelina Jolie was involved in the casting of the voice actors in particular the Canadian talent Sara Shoddri who voices Parvana. As Tammy recalls, he Shodri has such empathy, intellect, and emotional depth. A unique talent for an 11-year-old actor. Chowry's personality also played a role in shaping Parvana's mannerisms. As Twami explains in another interview, seeing what Sorrow was able to comprehend as an actor, as an artist, and as a child gave me an understanding of how to craft our film in a way that doesn't take for granted what children are afraid of or not afraid of. 13wami also explained that Jolie's insight as UN goodwill ambassador at Afghanami also explained that she was careful to cast voice actors of Afghan heritage and to work with an Afghan dialect coach. She says there was so much input from people there at the time to make sure it was not judgmental but also empathetic. The Cabbellorn dialect coach Kawa Abu also voices the character of Rzek. According to Tami, the story within a story about the mythical elephant king was inspired by Guillier Modell Tauros Pans Labyrinth 14. The texture and depth of the vivid fairy tale fable and distinctive cutout look was created using nuke compositing software from the Toronto-based Guru Studio 13. During the development of this screenplay, screenwriter Anita Dorne worked together with the American Afghan artist Aean Moadi to balance an Afghan perspective with a global perspective to capture the universal tone of the film. The first draft of the screenplay also saw contributions from the Afghan Women's Organization as various Afghan refugees from different regions and tribes offered their perspectives and deepened the film's understanding of the Afghan culture. 12 school children along with their parents were invited for an early screening of the film asami noted that parents became emotional and teary where as children taking note from parvana were cheerful and chatty 14 box office edit the film earned $17,395 its opening weekend in North America 7 as of August 17th 2018 the bread winner has grossed $313,381 in the United States and Canada and 2,954,368 internationally for a worldwide total of $3,266,749 16 critical response edit on review aggregation website Rotten Tomatoes. The film has an approval rating of 95% based on 106 reviews with an average rating of 7.910. The website's critical consensus reads, "The bread winner's stunning visuals are matched by a story that dares to confront sobering real life issues with uncommon and richly rewarding honesty." 17 on Metacritic, which assigns a normalized writing to reviews. The film has a score of 78 out of 100. Based on reviews from 20 critics, indicating generally favorable reviews, 18. Kenneth Terron of the Los Angeles Times gave the film a positive review. Writing the bread winner reminds us yet again that the best of animation takes us anywhere at any time and makes us believe. 19 Mark Kermode writing for the Guardian gave the film five fifth stars. Writing along with the eerie beauty of the animation, there is a savving streak of humor that softens this tail's sharper edges, reminding us that for children, laughter and bravery walk hand in hand. The review also compares the defiant feminist spirit of the bread winner to that of the 2007 French Iranian animation film Percylus. Furthermore, the music by Michael and Jeff Dana is described as lyrical and expressive for evoking elements of eastern culture and the enchanted story world. The director Norahwami is praised as the real heroine of the story for her directorial debut in the United States invasion of Afghanistan. When Parvvena returns home, Fatima pleads with her to stop the dangerous plot, telling her that her relives promising they will meet each other again sometime in the future, which she predicts will be in exactly 20 years. However, as Parvana travels to the prison, Fatima's cousin arrives early and forces them to come with him without Parvana. As the war is starting and the roads will soon be blocked, Fatima eventually stands up to her cousin in a furious manner, refusing to let him take them further and he leaves the family stranded on the road. Parvana arrives at the prison where she finds Rozak after Parvana reveals that she is Narula's daughter. Razak informs her that his cousin has left to fight but he will retrieve Narula. Parvana witnesses the executions of weak prisoners who are unable to fight. Terrified, she gathers her courage to stay by finishing the tale of the boy who she turns into Slayan, revealing that he died after picking up a choy he found in the middle of the street, which was actually a landmine, and it exploded when he picked it up. Rozek is shot on the shoulder while rescuing the weak Narula, but the wound was not fatal, and he reunites the two. Parvana takes Narula away where they will soon reunite with the rest of the family and escape from Afghanistan together. As the two continue the story, they were telling each other at the start of the film. In May 2016, it was announced that key animation for the film had commenced. Eight. The bread winner was a co-production between aircraft pictures in Canada, Melisine Productions in Luxembourg, and Cartoon Saloon in Ireland. The bread winner was executive produced by Angelina Jolie who worked with director Nora Twami to bring the novel to the screen. Twami is an Irish animator, director, screenwriter, producer and voice actress. She is also a founding partner in cartoon saloon, an Irish animation studio based in Kilkenny that did the key animation for the bread winner. commented on the serious theme in her animation film, saying, "I think that animation is very broad. So, I don't see why it needs to be thought of as just a babysitting device. I wanted to go for the same audience that Deborah had gone for young adults and adults as well. The film doesn't really talk down to anyone." 12. In a 2018 interview with Twami, she revealed that Angelina Jolie was involved in the casting of the voice actors in particular the Canadian talent Sara Shodri who voices Parvana. As Twami recalls, he Shodri has such empathy, intellect, and emotional depth. A unique talent for an 11-year-old actor. Chandre's personality also played a role in shaping Parvana's mannerisms. As Twami explains in another interview, seeing what Sorrow was able to comprehend as an actor, as an artist, and as a child gave me an understanding of how to craft our film in a way that doesn't take for granted what children are afraid of or not afraid of. 13wami also explained that Jolie's insight as UN goodwill ambassador at Afghanami also explained that she was careful to cast voice actors of Afghan heritage and to work with an Afghan dialect coach. She says there was so much input from people there at the time to make sure it was not judgmental but also empathetic. The Cabbellorn dialect coach Ker Abu also voices the character of Rzek. According to Tami, the story within a story about the mythical elephant king was inspired by Guillier Modell Tauros Pans Labyrinth 14. The texture and depth of the vivid fairy tale, fable and distinctive cutout look was created using Nuke compositing software from the Toronto-based Guru Studio 13. During the development of the screenplay, screenwriter Anita Dorne worked together with the American Afghan artist Aean Mojadi to balance an Afghan perspective with a global perspective to capture the universal tone of the film. The first draft of the screenplay also saw contributions from the Afghan Women's Organization as various Afghan refugees from different regions and tribes offered their perspectives and deepened the film's understanding of the Afghan culture. 12 school children along with their parents were invited for an early screening of the film as Tomwami noted that parents became emotional and teary where as children taking note from Parvana were cheerful and chatty 14 box office edit the film earned $17,395 its opening weekend in North America 7 as of August 17th 2018 the bread winner has grossed $313,381 in the United States and Canada and 2,954,368 internationally for a worldwide total of $3,266,749 16 critical response edit on review aggregation website Rotten Tomatoes. The film has an approval rating of 95% based on 106 reviews with an average rating of 7.910. The website's critical consensus reads, "The bread winner's stunning visuals are matched by a story that dares to confront sobering real life issues with uncommon and richly rewarding honesty." 17 on Metacritic, which assigns a normalized writing to reviews. The film has a score of 78 out of 100. Based on reviews from 20 critics, indicating generally favorable reviews, 18. Kenneth Terron of the Los Angeles Times gave the film a positive review. Writing the bread winner reminds us yet again that the best of animation takes us anywhere at any time and makes us believe. 19 Mark Kermode writing for the Guardian gave the film five fifth stars. Writing along with the eerie beauty of the animation, there is a savving streak of humor that softens this tail's sharper edges, reminding us that for children, laughter and bravery walk hand in hand. The review also compares the defiant feminist spirit of the bread winner to that of the 2007 French Iranian animation film Procepilus. Furthermore, the music by Michael and Jeff Dana is described as lyrical and expressive for evoking elements of eastern culture and the enchanted story world. The director Norahwami is praised as the real heroine of the story for her directorial debut money for a larger bribe taking on hard labor jobs with Shazia who is trying to save enough money to escape her abusive father. Meanwhile, Fatima is forced to write to a relative in Mazar, arranging marriage for Sorya in exchange for shelter and protection. Parvana also meets Razak, the former patrol partner of Adre. The illiterate Razak pays her to read him a letter informing him that his wife was killed by a landmine. He befriends her and continues to meet with her so that she can teach him how to read and write. Parven and Shazia take a hard labor job where Dre was also present. He makes fun of them for their weakness when Shazia rests and shuckss Parvvena onto the ground. Looking into her eyes, he recognizes her and after being hit abruptly by Parvvena with a brick, tries to kill her as she flees with Shazia. Parvven and Shazia manage to hide and Adre is abruptly called away to fight in the United States invasion of Afghanistan. When Parvana returns home, Fatima pleads with her to stop the dangerous plot, telling her that her relives will meet each other again sometime in the future, which she predicts will be in exactly 20 years. However, as Parvana travels to the prison, Fatima's cousin arrives early and forces them to come with him without Parvana. As the war is starting and the roads will soon be blocked, Fatima eventually stands up to her cousin in a furious manner, refusing to let him take them further and he leaves the family stranded on the road. Parvana arrives at the prison where she finds Razak after Parvana reveals that she is Nurula's daughter. Rozi informs her that his cousin has left to fight, but he will retrieve Narula. Parvana witnesses the executions of weak prisoners who are unable to fight. Terrified, she gathers her courage to stay by finishing the tail of the boy, who she turns into Sleon, revealing that he died after picking up a choy he found in the middle of the street, which was actually a landmine, and it exploded when he picked it up. Rozek is shot on the shoulder while rescuing the weak Narula, but the wound was not fatal and he reunites the two. Parvana takes Narula away where they will soon reunite with the rest of the family and escape from Afghanistan together. As the two continue the story, they were telling each other at the start of the film. In May 2016, it was announced that key animation for the film had commenced eight. The bread winner was a co-production between aircraft pictures in Canada, Melisine Productions in Luxembourg and Cartoon Saloon in Ireland. The bread winner was executive produced by Angelina Jolie who worked with director Nora Twami to bring the novel to the screen. Twami is an Irish animator, director, screenwriter, producer, and voice actress. She is also a founding partner in cartoon saloon, an Irish animation studio based in Kilkenny that did the key animation for the bread winner. Twami commented on the serious theme in her animation film saying I think that animation is very broad. So I don't see why it needs to be thought of as just a babysitting device. I wanted to go for the same audience that Deborah had gone for young adults and adults as well. The film doesn't really talk down to anyone. 12. In a 2018 interview with Twami, she revealed that Angelina Jolie was involved in the casting of the voice actors. In particular, the Canadian talent Sara Shoddri who voices Parvana. As Touami recalls, he Shodri has such empathy, intellect, and emotional depth. A unique talent for an 11-year-old actor. Chandre's personality also played a role in shaping Parvana's mannerisms as Tami explains in another interview. Seeing what Sorrow was able to comprehend as an actor, as an artist, and as a child gave me an understanding of how to craft our film in a way that doesn't take for granted what children are afraid of or not afraid of. 13wami also explained that Jolie's insight as UN goodwill ambassador at Afghan also explained that she was careful to cast voice actors of Afghan heritage and to work with an Afghan dialect coach. She says there was so much input from people there at the time to make sure it was not judgmental but also empathetic. The Cabbellorn dialect coach Kawa Abu also voices the character of Razek. According to Twami, the story within a story about the mythical elephant king was inspired by Guillier Modell Tauros Pans Labyrinth 14. The texture and depth of the vivid fairy tale, fable and distinctive cutout look was created using nuke compositing software from the Toronto-based Guru Studio 13. During the development of this screenplay, screenwriter Anita Dorne worked together with the American Afghan artist Aean Moadi to balance an Afghan perspective with a global perspective to capture the universal tone of the film. The first draft of the screenplay also saw contributions from the Afghan Women's Organization as various Afghan refugees from different regions and tribes offered their perspectives and deepened the film's understanding of the Afghan culture. 12 school children along with their parents were invited for an early screening of the film as Tami noted that parents became emotional and teary where as children taking note from Parvana were cheerful and chatty 14 box office edit the film earned $17,395 its opening weekend in North America 7 as of August 17th 2018 the bread winner has grossed $313,381 in the United States and Canada and 2,954,368 internationally for a worldwide total of $3,266,749 16 critical response edit on review aggregation website Rotten Tomatoes. The film has an approval rating of 95% based on 106 reviews with an average rating of 7.910. The website's critical consensus reads, "The bread winner's stunning visuals are matched by a story that dares to confront sobering real life issues with uncommon and richly rewarding honesty." 17 on Metacritic, which assigns a normalized writing to reviews. The film has a score of 78 out of 100. Based on reviews from 20 critics, indicating generally favorable reviews, 18. Kenneth Terron of the Los Angeles Times gave the film a positive review. Writing the bread winner reminds us yet again that the best of animation takes us anywhere at any time and makes us believe. 19 Mark Kermode writing for the Guardian gave the film five fifth stars. Writing along with the eerie beauty of the animation, there is a savving streak of humor that softens this tail's sharper edges, reminding us that for children, laughter and bravery walk hand in hand. The review also compares the defiant feminist spirit of the bread winner to that of the 2007 French Iranian animation film Perculus. Furthermore, the music by Michael and Jeff Dana is described as lyrical and expressive for evoking elements of eastern culture and the enchanted story world. The director Norahwami is praised as the real heroine of the story for her directorial debut of a trees. The illiterate Razak pays her to read him a letter informing him that his wife was killed by a landmine. He befriends her and continues to meet with her so that she can teach him how to read and write. Parvane and Shazia take a hard labor job where Dre was also present. He makes fun of them for their weakness when Shazia rests and shacks Parva onto the ground. Looking into her eyes, he recognizes her and after being hit abruptly by Parvvena with a brick, tries to kill her as she flees with Shazia. Parvan and Shazia managed to hide and Adre is abruptly called away to fight in the United States invasion of Afghanistan. When Parva returns home, Fatima pleads with her to stop the dangerous plot, telling her that her relatives accept each other again sometime in the future, which she predicts will be in exactly 20 years. However, as Parvana travels to the prison, Fatima's cousin arrives early and forces them to come with him without Parvana. As the war is starting and the roads will soon be blocked, Fatima eventually stands up to her cousin in a furious manner, refusing to let him take them further and he leaves the family stranded on the road. Parvana arrives at the prison where she finds Razak after Parvana reveals that she is Narula's daughter. Rozi informs her that his cousin has left to fight, but he will retrieve Narula. Parvana witnesses the executions of weak prisoners who are unable to fight. Terrified, she gathers her courage to stay by finishing the tale of the boy who she turns into Sleon, revealing that he died after picking up a choy he found in the middle of the street, which was actually a landmine, and it exploded when he picked it up. Rozek is shot on the shoulder while rescuing the weak Narula, but the wound was not fatal and he reunites the two. Parvana takes Narula away where they will soon reunite with the rest of the family and escape from Afghanistan together. As the two continue the story, they were telling each other at the start of the film. In May 2016, it was announced that key animation for the film had commenced fate. The bread winner was a co-production between aircraft pictures in Canada, Melisine Productions in Luxembourg and Cartoon Saloon in Ireland. The bread winner was executive produced by Angelina Jolie who worked with director Nora Twami to bring the novel to the screen. Twami is an Irish animator, director, screenwriter, producer and voice actress. She is also a founding partner in cartoon saloon, an Irish animation studio based in Kilkenny that did the key animation for the bread winner. Twami commented on the serious theme in her animation film saying I think that animation is very broad. So I don't see why it needs to be thought of as just a babysitting device. I wanted to go for the same audience that Deborah had gone for young adults and adults as well. The film doesn't really talk down to anyone. 12. In a 2018 interview with Twami, she revealed that Angelina Jolie was involved in the casting of the voice actors. In particular, the Canadian talent Sara Shodri who voices Parvana. As Touami recalls, he Shoddri has such empathy, intellect, and emotional depth. A unique talent for an 11-year-old actor. Chowry's personality also played a role in shaping Parvana's mannerisms. As Touwami explains in another interview, seeing what Sorrow was able to comprehend as an actor, as an artist, and as a child gave me an understanding of how to craft our film in a way that doesn't take for granted what children are afraid of or not afraid of. 13wami also explained that Jolie's insight as UN goodwill ambassador at Afghan also explained was careful to cast voice actors of Afghan heritage and to work with an Afghan dialect coach. She says there was so much input from people there at the time to make sure it was not judgmental but also empathetic. The coal born dialect coach Kawa Abu also voices the character of Rzek. According to TWami, the story with in a story about the mythical elephant king was inspired by Guilier Modell Tauros Pan's Labyrinth 14. The texture and depth of the vivid fairy tale, fable, and distinctive cutout look was created using Nuke compositing software from the Toronto-based Guru Studio 13. During the development of the screenplay, screenwriter Anita Dorne worked together with the American Afghan artist Aean Moja Dei to balance an Afghan perspective with a global perspective to capture the universal tone of the film. The first draft of the screenplay also saw contributions from the Afghan Women's Organization as various Afghan refugees from different regions and tribes offered their perspectives and deepened the film's understanding of the Afghan culture. 12 school children along with their parents were invited for an early screening of the film as Tomwami noted that parents became emotional and teary where as children taking note from Parvana were cheerful and chatty 14 box office edit the film earned $17,395 its opening weekend in North America 7 as of August 17th 2018 the bread winner has grossed $313,381 in the United States and Canada and 2,954,368 internationally for a worldwide total of $3,266,749 16 critical response edit on review aggregation website Rotten Tomatoes. The film has an approval rating of 95% based on 106 reviews with an average rating of 7.910. The website's critical consensus reads, "The breadwinner's stunning visuals are matched by a story that dares to confront sobering real life issues with uncommon and richly rewarding honesty." 17 on Metacritic, which assigns a normalized writing to reviews. The film has a score of 78 out of 100. Based on reviews from 20 critics, indicating generally favorable reviews, 18. Kenneth Terron of the Los Angeles Times gave the film a positive review. Writing the bread winner reminds us yet again that the best of animation takes us anywhere at any time and makes us believe. 19 Mark Kermode writing for the Guardian gave the film five fifth stars. Writing along with the eerie beauty of the animation, there is a savving streak of humor that softens this tail's sharper edges, reminding us that for children, laughter and bravery walk hand in hand. The review also compares the defiant feminist spirit of the bread winner to that of the 2007 French Iranian animation film Procepilus. Furthermore, the music by Michael and Jeff Dana is described as lyrical and expressive for evoking elements of Eastern culture and the enchanted story world. The director Nora Twami is praised as the real heroine of the story for her directorial debut of the Taliban. A few men spot Parvana and chaser and she drops the bag Fatima gave her while running. Parvana eventually makes it back home. to support her family. She decides to cut her hair and dress as a boy. She starts calling herself at claiming to be Nurula's nephew. The plan works and Parva is able to get both food and money. On the advice of a friend named Shazia, who is another young girl disguised as a boy called Delawir. Parva tries to bribe a prison guard so she can see Narula, but the guard sends her away. And so she works to save up more money for a larger bribe, taking on hard labor jobs with Shazia, who is trying to save enough money to escape her abusive father. Meanwhile, Fatima is forced to write to a relative in Mazar, arranging marriage for Sora in exchange for shelter and protection. Parvana also meets Rozek, the former patrol partner of Adre. The illiterate Rosak pays her to read him a letter informing him that his wife was killed by a landmine. He befriends her and continues to meet with her so that she can teach him how to read and write. Parv and Shazia take a hard labor job where Dre was also present. He makes fun of them for their weakness when Shazia rests and shs Parvvena onto the ground. Looking into her eyes, he recognizes her and after being hit abruptly by Parvveno with a brick, tries to kill her as she flees with Shazia. Parvan and Shazia managed to hide and Adre is abruptly called away to fight in the United States invasion of Afghanistan. When Parvvena returns home, Fatima pleads with her to stop the dangerous plot, telling her that her relatives accept each other again sometime in the future, which she predicts will be in exactly 20 years. However, as Parvana travels to the prison, Fatima's cousin arrives early and forces them to come with him without Parvana. As the war is starting and the roads will soon be blocked, Fatima eventually stands up to her cousin in a furious manner, refusing to let him take them further and he leaves the family stranded on the road. Parvana arrives at the prison where she finds Razak after Parvana reveals that she is Narula's daughter. Razak informs her that his cousin has left to fight but he will retrieve Narula. Parvana witnesses the executions of weak prisoners who are unable to fight. Terrified, she gathers her courage to stay by finishing the tale of the boy who she turns into Slayan revealing that he died after picking up a choy he found in the middle of the street which was actually a landmine and it exploded when he picked it up. Rozek is shot on the shoulder while rescuing the weak Narula, but the wound was not fatal and he reunites the two. Parvana takes Narula away where they will soon reunite with the rest of the family and escape from Afghanistan together. As the two continue the story, they were telling each other at the start of the film. In May 2016, it was announced that key animation for the film had commenced. Eight, the bread winner was a co-production between aircraft pictures in Canada, Melisine Productions in Luxembourg, and Cartoon Saloon in Ireland. The bread winner was executive produced by Angelina Jolie who worked with director Nora Twami to bring the novel to the screen. TWami is an Irish animator, director, screenwriter, producer and voice actress. She is also a founding partner in cartoon saloon, an Irish animation studio based in Kilkenny that did the key animation for the bread winner. TWami commented on the serious theme in her animation film, saying, "I think that animation is very broad. So, I don't see why it needs to be thought of as just a babysitting device. I wanted to go for the same audience that Deborah had gone for young adults and adults as well. The film doesn't really talk down to anyone." 12. In a 2018 interview with Twami, she revealed that Angelina Jolie was involved in the casting of the voice actors in particular the Canadian talent Sara Shodri who voices Parvana. As Touami recalls, he Shoddri has such empathy, intellect, and emotional depth. A unique talent for an 11-year-old actor. Chandre's personality also played a role in shaping Parvana's mannerisms. As Touwami explains in another interview, seeing what Sorrow was able to comprehend as an actor, as an artist, and as a child gave me an understanding of how to craft our film in a way that doesn't take for granted what children are afraid of or not afraid of. 13wami also explained that Jolie's insight as UN goodwill ambassador at Afghanami also explained was careful to cast voice actors of Afghan heritage and to work with an Afghan dialect coach. She says there was so much input from people there at the time to make sure it was not judgmental but also empathetic. The Cabbellorn dialect coach Ker Abu also voices the character of Rzek. According to TWami, the story with in a story about the mythical elephant king was inspired by Guilier Modell Tauros Pan's labyrinth 14. The texture and depth of the vivid fairy tale, fable and distinctive cutout look was created using Nuke compositing software from the Toronto-based Guru Studio 13. During the development of the screenplay, screenwriter Anita Dorne worked together with the American Afghan artist Aean Moja Dei to balance an Afghan perspective with a global perspective to capture the universal tone of the film. The first draft of the screenplay also saw contributions from the Afghan Women's Organization as various Afghan refugees from different regions and tribes offered their perspectives and deepened the film's understanding of the Afghan culture. 12 school children along with their parents were invited for an early screening of the film as Touwami noted that parents became emotional and teary where as children taking note from Parvana were cheerful and chatty 14 box office edit the film earned $17,395 its opening weekend in North America 7 as of August 17th 2018 the bread winner has grossed $313,381 in the United States and Canada and 2,954,368 internationally for a worldwide total of $3,266,749 16 critical response edit on review aggregation website Rotten Tomatoes. The film has an approval rating of 95% based on 106 reviews with an average rating of 7.910. The website's critical consensus reads, "The breadwinner's stunning visuals are matched by a story that dares to confront sobering real life issues with uncommon and richly rewarding honesty." 17 on Metacritic, which assigns a normalized writing to reviews. The film has a score of 78 out of 100. Based on reviews from 20 critics, indicating generally favorable reviews, 18. Kenneth Terron of the Los Angeles Times gave the film a positive review. Writing the bread winner reminds us yet again that the best of animation takes us anywhere at any time and makes us believe. 19 Mark Kermode writing for the Guardian gave the film five fifth stars. Writing along with the eerie beauty of the animation, there is a savving streak of humor that softens this tail's sharper edges, reminding us that for children, laughter and bravery walk hand in hand. The review also compares the defiant feminist spirit of the bread winner to that of the 2007 French Iranian animation film Procepilus. Furthermore, the music by Michael and Jeff Dana is described as lyrical and expressive for evoking elements of Eastern culture and the enchanted story world. The director Nora Twami is praised as the real heroine of the story for her directorial debut. Hey friends, welcome back to my channel Action Stop. Today we explain a short story line of the bread winner movie. So in this movie 2001, Parvana is an 11-year-old girl who lives in Kabell under the Taliban's Islamic, a merit of Afghanistan just as the war on terror is beginning. Her father, Narula, is a former school teacher who became a hawker after losing his left leg in the Soviet Afghan war. One day during supper, he is unjustly arrested after Adris, a young and volatile Taliban man, thinks he insulted him earlier while the two were selling goods in the market because the Taliban forbids women from going out without a male relative. Parvana's family is left without someone to support them as her elder brothers Sleon died years ago, leaving her, her mother Fatima, her elder sister, and her youngest infant brother Zaki. When Parvane and Fatima try to go to the prison to appeal Narula's arrest, a man beats FMA while other men watch. After she shows him a photograph of Narula and threatens to arrest them if they go outside again. Parvana comforts Zaki by telling the story of a boy on a quest to retrieve his villages seeds from an evil elephant named the elephant king. Later, Parvana tries to buy food for her family, but the hawkers cannot sell her any due to fear of the Taliban. A few men spot Parvana and chase her, and she drops the bag Fatima gave her while running. Parvana eventually makes it back home. To support her family, she decides to cut her hair and dress as a boy. She starts calling herself at claiming to be Nurula's nephew. The plan works and Parvvena is able to get both food and money. Under the advice of a friend named Shazia, who is another young girl disguised as a boy called Delawir. Parva tries to bribe a prison guard so she can see Narula, but the guard sends her away. And so she works to save up more money for a larger bribe, taking on hard labor jobs with Shazia, who is trying to save enough money to escape her abusive father. Meanwhile, Fatima is forced to write to a relative in Mazar, arranging marriage for Sora in exchange for shelter and protection. Parvana also meets Razak, the former patrol partner of Adre. The illiterate Razak pays her to read him a letter informing him that his wife was killed by a landmine. He befriends her and continues to meet with her so that she can teach him how to read and write. Parvan and Shazia take a hard labor job where Dre was also present. He makes fun of them for their weakness when Shazia rests and shucks Parva onto the ground. Looking into her eyes, he recognizes her and after being hit abruptly by Parvveno with a brick, tries to kill her as she flees with Shazia. Parvan and Shazia managed to hide and Adre is abruptly called away to fight in the United States invasion of Afghanistan. When Parvana returns home, Fatima pleads with her to stop the dangerous plot, telling her that her relatives accept each other again sometime in the future, which she predicts will be in exactly 20 years. However, as Parvana travels to the prison, Fatima's cousin arrives early and forces them to come with him without Parvana. As the war is starting and the roads will soon be blocked, Fatima eventually stands up to her cousin in a furious manner, refusing to let him take them further and he leaves the family stranded on the road. Parvana arrives at the prison where she finds Razak after Parvana reveals that she is Narula's daughter. Razi informs her that his cousin has left to fight, but he will retrieve Narula. Parvana witnesses the executions of weak prisoners who are unable to fight. Terrified, she gathers her courage to stay by finishing the tale of the boy who she turns into Sleon. Revealing that he died after picking up a choy he found in the middle of the street, which was actually a landmine, and it exploded when he picked it up. Rozek is shot on the shoulder while rescuing the weak Narula, but the wound was not fatal and he reunites the two. Parvana takes Narula away where they will soon reunite with the rest of the family and escape from Afghanistan together. As the two continue the story, they were telling each other at the start of the film. In May 2016, it was announced that key animation for the film had commenced eight. The bread winner was a co-production between aircraft pictures in Canada, Melisine Productions in Luxembourg and Cartoon Saloon in Ireland. The bread winner was executive produced by Angelina Jolie who worked with director Nora Twami to bring the novel to the screen. Twami is an Irish animator, director, screenwriter, producer and voice actress. She is also a founding partner in Cartoon Saloon, an Irish animation studio based in Kilkenny that did the key animation for the bread winner. TWami commented on the serious theme in her animation film, saying, "I think that animation is very broad. So, I don't see why it needs to be thought of as just a babysitting device. I wanted to go for the same audience that Deborah had gone for young adults and adults as well. The film doesn't really talk down to anyone. 12. In a 2018 interview with Twami, she revealed that Angelina Jolie was involved in the casting of the voice actors. In particular, the Canadian talent Sara Shodri who voices Parvana. As Touami recalls, he Shodri has such empathy, intellect, and emotional depth. A unique talent for an 11-year-old actor. Chowry's personality also played a role in shaping Parvana's mannerisms. As Touami explains in another interview, seeing what Sorrow was able to comprehend as an actor, as an artist, and as a child gave me an understanding of how to craft our film in a way that doesn't take for granted what children are afraid of or not afraid of. 13wami also explained that Jolie's insight as UN goodwill ambassador at Afghan also explained was careful to cast voice actors of Afghan heritage and to work with an Afghan dialect coach. She says there was so much input from people there at the time to make sure it was not judgmental but also empathetic. The Cabbellorn dialect coach Kawa Abu also voices the character of Rzek. According to TWami, the story with in a story about the mythical elephant king was inspired by Guilier Modell Tauros Pan's labyrinth 14. The texture and depth of the vivid fairy tale, fable, and distinctive cutout look was created using Nuke compositing software from the Toronto-based Guru Studio 13. During the development of the screenplay, screenwriter Anita Dorne worked together with the American Afghan artist Aean Mojadi to balance an Afghan perspective with a global perspective to capture the universal tone of the film. The first draft of the screenplay also saw contributions from the Afghan Women's Organization as various Afghan refugees from different regions and tribes offered their perspectives and deepened the film's understanding of the Afghan culture. 12 school children along with their parents were invited for an early screening of the film as Touwami noted that parents became emotional and teary where as children taking note from Parvana were cheerful and chatty 14 box office edit the film earned $17,395 its opening weekend in North America 7 as of August 17th 2018 the bread winner has grossed $313,381 in the United States and Canada and 2,954,368 internationally for a worldwide total of $3,266,749 16 critical response edit on review aggregation website Rotten Tomatoes. The film has an approval rating of 95% based on 106 reviews with an average rating of 7.910. The website's critical consensus reads, "The breadwinner's stunning visuals are matched by a story that dares to confront sobering real life issues with uncommon and richly rewarding honesty." 17 on Metacritic, which assigns a normalized writing to reviews. The film has a score of 78 out of 100. Based on reviews from 20 critics, indicating generally favorable reviews, 18. Kenneth Toron of the Los Angeles Times gave the film a positive review. Writing the bread winner reminds us yet again that the best of animation takes us anywhere at any time and makes us believe. 19 Mark Kermode writing for the Guardian gave the film five fifth stars. Writing along with the eerie beauty of the animation, there is a savving streak of humor that softens this tail's sharper edges, reminding us that for children, laughter and bravery walk hand in hand. The review also compares the defiant feminist spirit of the bread winner to that of the 2007 French Iranian animation film Procepilus. Furthermore, the music by Michael and Jeff Dana is described as lyrical and expressive for evoking elements of Eastern culture and the enchanted story world. The director Nora Twami is praised as the real heroine of the story for her directorial debut. Hey friends, welcome back to my channel Action Stop. Today we explain a short story line of the bread winner movie. So in this movie 2001, Parvana is an 11-year-old girl who lives in Kabell under the Taliban's Islamic, a merit of Afghanistan just as the war on terror is beginning. Her father Nurula is a former school teacher who became a hawker after losing his left leg in the Soviet Afghan war. One day during supper, he is unjustly arrested after Adris, a young and volatile Taliban man, thinks he insulted him earlier while the two were selling goods in the market. Because the Taliban forbids women from going out without a male relative. Parvana's family is left without someone to support them as her elder brother Sulean died years ago, leaving her, her mother Fatima, her elder sister Saraya, and her youngest infant brother Zaki. When Parvan and Fatima tried to go to the prison to appeal Narula's arrest, a man beats Fma while other men watch. After she shows him a photograph of Nurula Anne and threatens to arrest them if they go outside again, Parva comforts Zaki by telling the story of a boy on a quest to retrieve his village's seeds from an evil elephant named the elephant king. Later, Parvana tries to buy food for her family, but the hawkers cannot sell her any due to fear of the Taliban. A few men spot Parvana and chase her, and she drops the bag Fatima gave her while running. Parvana eventually makes it back home. To support her family, she decides to cut her hair and dress as a boy. She starts calling herself at claiming to be Nurula's nephew. The plan works and Parvvena is able to get both food and money on the advice of a friend named Shazia who is another young girl disguised as a boy called Delaware. Parva tries to bribe a prison guard so she can see Narula, but the guard sends her away. And so she works to save up more money for a larger bribe, taking on hard labor jobs with Shazia, who is trying to save enough money to escape her abusive father. Meanwhile, Fatima is forced to write to a relative in Mazar, arranging marriage for Sora in exchange for shelter and protection. Parvana also meets Rozek, the former patrol partner of Adre. The illiterate Rozac pays her to read him a letter informing him that his wife was killed by a landmine. He befriends her and continues to meet with her so that she can teach him how to read and write. Parvven and Shazia take a hard labor job where Dre was also present. He makes fun of them for their weakness when Shazia rests and shs Parvena onto the ground. Looking into her eyes, he recognizes her and after being hit abruptly by Parvena with a brick, tries to kill her as she flees with Shazia. Parvven and Shazia managed to hide and Adre is abruptly called away to fight in the United States invasion of Afghanistan. When Parvvena returns home, Fatima pleads with her to stop the dangerous plot, telling her that her relives promising they will meet each other again sometime in the future, which she predicts will be in exactly 20 years. However, as Parvana travels to the prison, Fatima's cousin arrives early and forces them to come with him without Parvana. As the war is starting and the roads will soon be blocked, Fatima eventually stands up to her cousin in a furious manner, refusing to let him take them further and he leaves the family stranded on the road. Parvana arrives at the prison where she finds Rozak after Parvana reveals that she is Narula's daughter. Razak informs her that his cousin has left to fight but he will retrieve Narula. Parvana witnesses the executions of weak prisoners who are unable to fight. Terrified, she gathers her courage to stay by finishing the tale of the boy who she turns into Slayan, revealing that he died after picking up a choy he found in the middle of the street, which was actually a landmine, and it exploded when he picked it up. Rozek is shot on the shoulder while rescuing the weak Narula, but the wound was not fatal, and he reunites the two. Parvana takes Narula away where they will soon reunite with the rest of the family and escape from Afghanistan together. As the two continue the story, they were telling each other at the start of the film. In May 2016, it was announced that key animation for the film had commenced. Eight, the bread winner was a co-production between aircraft Pictures in Canada, Melisine Productions in Luxembourg, and Cartoon Saloon in Ireland. The bread winner was executive produced by Angelina Jolie who worked with director Nora Twami to bring the novel to the screen. TWami is an Irish animator, director, screenwriter, producer and voice actress. She is also a founding partner in cartoon saloon, an Irish animation studio based in Kilkenny that did the key animation for the bread winner. TWami commented on the serious theme in her animation film, saying, "I think that animation is very broad. So, I don't see why it needs to be thought of as just a babysitting device. I wanted to go for the same audience that Deborah had gone for young adults and adults as well. The film doesn't really talk down to anyone." 12. In a 2018 interview with Twami, she revealed that Angelina Jolie was involved in the casting of the voice actors in particular the Canadian talent Sara Shodri who voices Parvana. As Twami recalls, he Shodri has such empathy, intellect, and emotional depth. A unique talent for an 11-year-old actor. Chandre's personality also played a role in shaping Parvana's mannerisms. As Twami explains in another interview, seeing what Sorrow was able to comprehend as an actor, as an artist, and as a child gave me an understanding of how to craft our film in a way that doesn't take for granted what children are afraid of or not afraid of. 13wami also explained that Jolie's insight as UN goodwill ambassador at Afghanami also explained that she was careful to cast voice actors of Afghan heritage and to work with an Afghan dialect coach. She says there was so much input from people there at the time to make sure it was not judgmental but also empathetic. The Cabbellorn dialect coach Ker Abu also voices the character of Rzek. According to TWami, the story with in a story about the mythical elephant king was inspired by Guillier Modell Tauros Pans Labyrinth 14. The texture and depth of the vivid fairy tale fable and distinctive cutout look was created using nuke compositing software from the Toronto-based Guru Studio 13. During the development of the screenplay, screenwriter Anita Dorne worked together with the American Afghan artist Aean Mojadi to balance an Afghan perspective with a global perspective to capture the universal tone of the film. The first draft of the screenplay also saw contributions from the Afghan Women's Organization as various Afghan refugees from different regions and tribes offered their perspectives and deepened the film's understanding of the Afghan culture. 12 school children along with their parents were invited for an early screening of the film as Tomwami noted that parents became emotional and teary where as children taking note from Parvana were cheerful and chatty 14 box office edit the film earned $17,395 its opening weekend in North America 7 as of August 17th 2018 the bread winner has grossed $313,381 in the United States and Canada and 2,954,368 internationally for a worldwide total of 3,266,749 16 critical response edit on review aggregation website Rotten Tomatoes. The film has an approval rating of 95% based on 106 reviews with an average rating of 7.910. The website's critical consensus reads, "The breadwinner's stunning visuals are matched by a story that dares to confront sobering real life issues with uncommon and richly rewarding honesty." 17 on Metacritic, which assigns a normalized writing to reviews. The film has a score of 78 out of 100. Based on reviews from 20 critics, indicating generally favorable reviews, 18. Kenneth Toron of the Los Angeles Times gave the film a positive review. Writing the bread winner reminds us yet again that the best of animation takes us anywhere at any time and makes us believe. 19 Mark Kermode writing for the Guardian gave the film five fifth stars. Writing along with the eerie beauty of the animation, there is a savving streak of humor that softens this tail's sharper edges, reminding us that for children, laughter and bravery walk hand in hand. The review also compares the defiant feminist spirit of the bread winner to that of the 2007 French Iranian animation film Procepilus. Furthermore, the music by Michael and Jeff Dana is described as lyrical and expressive for evoking elements of Eastern culture and the enchanted story world. The director Nora Twami is praised as the real heroine of the story for her directorial debut. Hey friends, welcome back to my channel Action Stop. Today we explain a short story line of the bread winner movie. So in this movie 2001, Parvana is an 11-year-old girl who lives in Kabell under the Taliban's Islamic, a merit of Afghanistan just as the war on terror is beginning. Her father Narula is a former school teacher who became a hawker after losing his left leg in the Soviet Afghan war. One day during supper, he is unjustly arrested after Adris, a young and volatile Taliban man, thinks he insulted him earlier while the two were selling goods in the market because the Taliban forbids women from going out without a male relative. Parvana's family is left without someone to support them as her elder brother Sleon died years ago leaving her her mother Fatima her elder sister Sa and her youngest infant brother Zaki when Parvan and Fatima try to go to the prison to appeal Nurula's arrest. A man beats Fimma while other men watch after she shows him a photograph of Narula and threatens to arrest them if they go outside again. Parvana comforts Zaki by telling the story of a boy on a quest to retrieve his villages seeds from an evil elephant named the elephant king. Later, Parvana tries to buy food for her family, but the hawkers cannot sell her any due to fear of the Taliban. A few men spot Parvana and chase her and she drops the bag Fatima gave her while running. Parvana eventually makes it back home. To support her family, she decides to cut her hair and dress as a boy. She starts calling herself at claiming to be Nurula's nephew. The plan works and Parvvena is able to get both food and money. On the advice of a friend named Shazia, who is another young girl disguised as a boy called Delawir. Parvana tries to bribe a prison guard so she can see Narula, but the guard sends her away. And so she works to save up more money for a larger bribe, taking on hard labor jobs with Shazia, who is trying to save enough money to escape her abusive father. Meanwhile, Fatima is forced to write to a relative in Mazar, arranging marriage for Sorya in exchange for shelter and protection. Parvana also meets Razak, the former patrol partner of Adre. The illiterate Rosak pays her to read him a letter informing him that his wife was killed by a landmine. He befriends her and continues to meet with her so that she can teach him how to read and write. Parvven and Shazia take a hard labor job where Dre was also present. He makes fun of them for their weakness when Shazia rests and shs Parvvena onto the ground. Looking into her eyes, he recognizes her and after being hit abruptly by Parvveno with a brick tries to kill her as she flees with Shazia. Parvven and Shazia managed to hide and Adre is abruptly called away to fight in the United States invasion of Afghanistan. When Parvana returns home, Fatima pleads with her to stop the dangerous plot, telling her that her relatives will meet each other again sometime in the future, which she predicts will be in exactly 20 years. However, as Parvana travels to the prison, Fatima's cousin arrives early and forces them to come with him without Parvana. As the war is starting and the roads will soon be blocked, Fatima eventually stands up to her cousin in a furious manner, refusing to let him take them further and he leaves the family stranded on the road. Parvana arrives at the prison where she finds Rozak after Parvana reveals that she is Narula's daughter. Razak informs her that his cousin has left to fight but he will retrieve Narula. Parvana witnesses the executions of weak prisoners who are unable to fight. Terrified, she gathers her courage to stay by finishing the tale of the boy who she turns into Sleon, revealing that he died after picking up a choy he found in the middle of the street which was actually a landmine and it exploded when he picked it up. Rozek is shot on the shoulder while rescuing the weak Narula, but the wound was not fatal and he reunites the two. Parvana takes Narula away where they will soon reunite with the rest of the family and escape from Afghanistan together. As the two continue the story, they were telling each other at the start of the film. In May 2016, it was announced that key animation for the film had commenced eight. The bread winner was a co-production between Aircraft Pictures in Canada, Melisine Productions in Luxembourg, and Cartoon Saloon in Ireland. The bread winner was executive produced by Angelina Jolie who worked with director Nora Twami to bring the novel to the screen. TWami is an Irish animator, director, screenwriter, producer and voice actress. She is also a founding partner in cartoon saloon, an Irish animation studio based in Kilkenny that did the key animation for the bread winner. TWami commented on the serious theme in her animation film, saying, "I think that animation is very broad. So, I don't see why it needs to be thought of as just a babysitting device. I wanted to go for the same audience that Deborah had gone for young adults and adults as well. The film doesn't really talk down to anyone." 12. In a 2018 interview with Twami, she revealed that Angelina Jolie was involved in the casting of the voice actors in particular the Canadian talent Sara Shoddri who voices Parvana. As Touami recalls, he showri has such empathy, intellect, and emotional depth. A unique talent for an 11-year-old actor. Chowry's personality also played a role in shaping Parvenana's mannerisms. As Touami explains in another interview, seeing what Sorrow was able to comprehend as an actor, as an artist, and as a child gave me an understanding of how to craft our film in a way that doesn't take for granted what children are afraid of or not afraid of. 13. Twami also explained that Jolie's insight as UN goodwill ambassador at Afghanami also explained that she was careful to cast voice actors of Afghan heritage and to work with an Afghan dialect coach. She says there was so much input from people there at the time to make sure it was not judgmental but also empathetic. The Cabbellorn dialect coach Kawa Abu also voices the character of Rzek. According to Tami, the story within a story about the mythical elephant king was inspired by Guilier Modell Tauros Pans Labyrinth 14. The texture and depth of the vivid fairy tale fable and distinctive cutout look was created using Nuke compositing software from the Toronto-based Guru Studio 13. During the development of this screenplay, screenwriter and Nidita Dorne worked together with the American Afghan artist Aean Moja Dei to balance an Afghan perspective with a global perspective to capture the universal tone of the film. The first draft of the screenplay also saw contributions from the Afghan Women's Organization as various Afghan refugees from different regions and tribes offered their perspectives and deepened the film's understanding of the Afghan culture. 12 school children along with their parents were invited for an early screening of the film as Tami noted that parents became emotional and teary as children. Taking note from Parvana were cheerful and chatty. 14 box office edit. The film earned $17,395. Its opening weekend in North America 7. As of August 17th, 2018, the bread winner has grossed $313,381 in the United States and Canada and 2,954,368 internationally for a worldwide total of $3,266,749 16. Critical response edit on review aggregation website Rotten Tomatoes. The film has an approval rating of 95% based on 106 reviews with an average rating of 7.910. The website's critical consensus reads, "The breadwinner's stunning visuals are matched by a story that dares to confront sobering real life issues with in common and richly rewarding honesty." 17 on Metacritic which assigns a normalized rating to reviews. The film has a score of 78 out of 100 based on reviews from 20 critics indicating generally favorable reviews 18. Kenneth Terron of the Los Angeles Times gave the film a positive review. Writing the bread winner reminds us yet again that the best of animation takes us anywhere at any time and makes us believe 19. Mark Kermode writing for the Guardian gave the film five fifth stars writing along with the eerie beauty of the animation. There is a savving streak of humor that softens this tail's sharper edges reminding us that for children laughter and bravery walk hand in hand. The review also compares the defiant feminist spirit of the bread winner to that of the 2007 French Iranian animation film Perculus. Furthermore, the music by Michael and Jeff Dana is described as lyrical and expressive for evoking elements of eastern culture and the enchanted story world. The director Norahwami is praised as the real heroine of the story for her directorial debut. Hey friends, welcome back to my channel. Action stop today we explain a short story line of the bread winner movie. So in this movie 2001 Parvana is an 11year-old girl who lives in Kabell under the Taliban's Islamic a merit of Afghanistan just as the war on terror is beginning. Her father Nurula is a former school teacher who became a hawker after losing his left leg in the Soviet Afghan war. One day during supper, he is unjustly arrested after Adris, a young and volatile Taliban man, thinks he insulted him earlier while the two were selling goods in the market because the Taliban forbids women from going out without a male relative. Parvana's family is left without someone to support them as her elder brother Sleon died years ago leaving her her mother Fatima her elder sister Saraya and her youngest infant brother Zaki when Parvan and Fatima try to go to the prison to appeal Narula's arrest. A man beats FMA while other men watch. After she shows him a photograph of Nurula Anne threatens to arrest them if they go outside again. Parvana comforts Zaki by telling the story of a boy on a quest to retrieve his villages seeds from an evil elephant named the elephant king. Later, Parvana tries to buy food for her family, but the hawkers cannot sell her any due to fear of the Taliban. A few men spot Parvana and chase her and she drops the bag Fatima gave her while running. Parvana eventually makes it back home. To support her family, she decides to cut her hair and dress as a boy. She starts calling herself at claiming to be Nurula's nephew. The plan works and Parvvena is able to get both food and money. On the advice of a friend named Shazia, who is another young girl disguised as a boy called Delawir, Parva tries to bribe a prison guard so she can see Narula, but the guard sends her away. And so she works to save up more money for a larger bribe, taking on hard labor jobs with Shazia, who is trying to save enough money to escape her abusive father. Meanwhile, Fatima is forced to write to a relative in Mazar, arranging marriage for Sora in exchange for shelter and protection. Parvana also meets Razak, the former patrol partner of Adre. The illiterate Rozac pays her to read him a letter informing him that his wife was killed by a landmine. He befriends her and continues to meet with her so that she can teach him how to read and write. Parvan and Shazia take a hard labor job where Dre was also present. He makes fun of them for their weakness when Shazia rests and shucks Parva onto the ground. Looking into her eyes, he recognizes her and after being hit abruptly by Parvveno with a brick, tries to kill her as she flees with Shazia. Parvan and Shazia managed to hide and Adre is abruptly called away to fight in the United States invasion of Afghanistan. When Parvana returns home, Fatima pleads with her to stop the dangerous plot, telling her that her relives accept each other again sometime in the future, which she predicts will be in exactly 20 years. However, as Parvana travels to the prison, Fatima's cousin arrives early and forces them to come with him without Parvana. As the war is starting and the roads will soon be blocked, Fatima eventually stands up to her cousin in a furious manner, refusing to let him take them further and he leaves the family stranded on the road. Parvana arrives at the prison where she finds Razak after Parvana reveals that she is Nurula's daughter. Rozi informs her that his cousin has left to fight, but he will retrieve Narula. Parva witnesses the executions of weak prisoners who are unable to fight. Terrified, she gathers her courage to stay by finishing the tale of the boy, who she turns into Sleon, revealing that he died after picking up a choy he found in the middle of the street, which was actually a landmine, and it exploded when he picked it up. Rozek is shot on the shoulder while rescuing the weak Narula, but the wound was not fatal and he reunites the two. Parvana takes Narula away where they will soon reunite with the rest of the family and escape from Afghanistan together. As the two continue the story, they were telling each other at the start of the film. In May 2016, it was announced that key animation for the film had commenced eight. The bread winner was a co-production between aircraft pictures in Canada, Melisine Productions in Luxembourg and Cartoon Saloon in Ireland. The bread winner was executive produced by Angelina Jolie who worked with director Nora Twami to bring the novel to the screen. Twami is an Irish animator, director, screenwriter, producer and voice actress. She is also a founding partner in cartoon saloon an Irish animation studio based in Kilkenny that did the key animation for the bread winner commented on the serious theme in her animation film saying I think that animation is very broad so I don't see why it needs to be thought of as just a babysitting device. I wanted to go for the same audience that Deborah had gone for young adults and adults as well. The film doesn't really talk down to anyone. 12. In a 2018 interview with Twami, she revealed that Angelina Jolie was involved in the casting of the voice actors. In particular, the Canadian talent Sara Shodri who voices Parvana. As Twami recalls, he Shodri has such empathy, intellect, and emotional depth. A unique talent for an 11-year-old actor. Chowry's personality also played a role in shaping Parvana's mannerisms. As Touami explains in another interview, seeing what Sorrow was able to comprehend as an actor, as an artist, and as a child gave me an understanding of how to craft our film in a way that doesn't take for granted what children are afraid of or not afraid of. 13wami also explained that Jolie's insight as UN goodwill ambassador at Afghan also explained was careful to cast voice actors of Afghan heritage and to work with an Afghan dialect coach. She says there was so much input from people there at the time to make sure it was not judgmental but also empathetic. The Cabbellorn dialect coach Kawa Abu also voices the character of Rzek. According to TWami, the story with in a story about the mythical elephant king was inspired by Guillier Modell Tauros Pan's Labyrinth 14. The texture and depth of the vivid fairy tale, fable, and distinctive cutout look was created using Nuke compositing software from the Toronto-based Guru Studio 13. During the development of the screenplay, screenwriter Anita Dorne worked together with the American Afghan artist Aean Mojadi to balance an Afghan perspective with a global perspective to capture the universal tone of the film. The first draft of the screenplay also saw contributions from the Afghan Women's Organization as various Afghan refugees from different regions and tribes offered their perspectives and deepened the film's understanding of the Afghan culture. 12 school children along with their parents were invited for an early screening of the film as Tomwami noted that parents became emotional and teary where as children taking note from Parvana were cheerful and chatty 14 box office edit the film earned $17,395 its opening weekend in North America 7 as of August 17th 2018 the bread winner has grossed $313,381 in the United States and Canada and 2,954,368 internationally for a worldwide total of $3,266,749 16 critical response edit on review aggregation website Rotten Tomatoes. The film has an approval rating of 95% based on 106 reviews with an average rating of 7.910. The website's critical consensus reads, "The breadwinner's stunning visuals are matched by a story that dares to confront sobering real life issues with uncommon and richly rewarding honesty." 17 on Metacritic, which assigns a normalized writing to reviews. The film has a score of 78 out of 100. Based on reviews from 20 critics, indicating generally favorable reviews, 18. Kenneth Toron of the Los Angeles Times gave the film a positive review. Writing the bread winner reminds us yet again that the best of animation takes us anywhere at any time and makes us believe. 19 Mark Kermode writing for the Guardian gave the film five fifth stars. Writing along with the eerie beauty of the animation, there is a savving streak of humor that softens this tail's sharper edges, reminding us that for children, laughter and bravery walk hand in hand. The review also compares the defiant feminist spirit of the bread winner to that of the 2007 French Iranian animation film Procepilus. Furthermore, the music by Michael and Jeff Dana is described as lyrical and expressive for evoking elements of Eastern culture and the enchanted story world. The director Nora Twami is praised as the real heroine of the story for her directorial debut.