Notes on Original Pilipino Music (OPM) Documentary

Introduction to OPM

• OPM emerged in the 1970s, reflecting the evolving identity of Filipinos.
• The meaning of OPM is fluid and changes over time.

Historical Context

• Pre-1970s Music Scene:
  • Filipino songs were largely ignored; only "Dahil Sa Iyo" was recognized abroad.
  • Music in the 60s was dominated by English and American styles.
  • Initial reluctance to sing in Tagalog due to foreign influence.

Emergence of OPM

• Nationalistic Movements:
  • The 1970s saw a rise in nationalistic sentiments that influenced music.
  • "Himig Natin" by Joey Smith marked a significant awakening.
• Influential Artists:
  • Key figures included Diomedes Maturan, Nora Aunor, and Juan de la Cruz Band.
  • Songs like "Rock 'n Roll Sa Ulan" highlighted the blend of modern beats with Tagalog lyrics.

The Music Scene

• Venues:
  • Popular music spots included Dewey Boulevard (now Roxas Boulevard) with numerous lounges and restaurants.
• Recording Studios:
  • Major studios like Vicor helped in the production of OPM.
  • Early recording sessions were simple, often involving live recordings without advanced technology.

Development of OPM Sound

• Manila Sound:
  • Emerged as a brand for songs produced in Manila, aimed at capturing Filipino identity.
  • The term "OPM" was coined by Danny Javier to signify Original Pilipino Music.
• Hit Production:
  • A song needs to be widely played on radio and sold in record bars to be considered a hit.

Industry Challenges

• Payola Issues:
  • DJs and stations were sometimes bribed to play certain artists' music.
  • Not all songs got airplay, regardless of financial incentives.
• Competition and Imitation:
  • Record companies often imitated each other's successful hits to stay relevant.

Songwriting and Arranging

• Collaborations:
  • Songwriters worked closely with arrangers and producers.
  • Notable arrangers included Emil Mijares and Doming Amarillo.

Cultural and Political Impact

• Martial Law Influence:
  • The imposition of Martial Law influenced many protest songs and themes of oppression.
  • Artists like Freddie Aguilar and the band Asin wrote music reflecting social issues.

Conclusion

• Legacy of OPM:
  • The 1970s were pivotal for OPM, characterized by a blend of diverse sounds and the emergence of a unique Filipino identity in music.
  • OPM encompasses a wide range of styles and reflects the Filipino experience throughout its history.