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Understanding Schenkerian Analysis in Music

Apr 27, 2025

Tom Pankhurst's Guide to Schenkerian Analysis

Introduction to Schenkerian Analysis

  • Heinrich Schenker (1868-1935), an Austrian musician, developed a theory of tonal music still influential today.
  • The theory involves understanding music beyond its surface to see how it connects into larger spans.

Basic Concepts of Schenkerian Analysis

  • Music is understood not just as a series of notes but as larger-scale shapes and patterns.
  • Focus on musical phrases' direction and shape.

Methodology

  • Music is grouped into elaborations:
    • Auxiliary (neighbor) notes, passing note progressions, and arpeggios.
  • Patterns span larger passages beyond the immediate surface.

Example Explanation

  • Passing-Note Progression: Example includes a progression from Bâ™­ to G.
    • Surface is decorated with arpeggiations and passing notes.
    • Overall progression connects surface elaborations into a descending span.

Layers of Music

  • Music is composed of layers:
    • Foreground: The surface of the music.
    • Middleground: Layers of elaborations.
    • Background: Deepest layer, simpler underlying progressions.

Melodic Figures and Harmonies

  • Melodic figures as elaborations of harmonies.
  • Example: Left hand arpeggiates an Eâ™­ major tonic triad.
  • Right hand's passing-note progression elaborates underlying tonic harmony.

Complexity and Insight

  • Basic ideas are simple, but analysis can be complex due to music's complexity.
  • Schenkerian analysis provides insights into the shape and structure of tonal music.

The Ursatz

  • Ursatz: Basic model suggesting that music can be understood as elaborations of this model.
    • Two-voice structure that may appear reductive.
    • Emphasizes the essential simplicity of tonal music.
    • Analytical approach shows pieces as contrapuntal elaborations of a tonic chord.
  • Focus on the composer's elaborations, not the analyst's reductions.
  • Purpose: Use Ursatz to explore complexities by relating them to a simple model.

Conclusion

  • Schenker's model provides a simplified framework to examine actual musical compositions.
  • Analysis highlights both the simplicity and complexity inherent in tonal music.