Contrabass Conception: Anthony Jackson's Journey to 6-String Supremacy

Introduction

• The development of extended-range bass guitars, particularly 6-strings, is largely credited to Anthony Jackson.
• Despite many falsehoods in the history of extended-range basses, Jackson played a pivotal role.
• Jackson's career includes significant contributions to pop and jazz music with various artists.
• He invented the first contrabass guitar in 1974, originally conceiving the idea in 1968.

Initial Concept and Challenges

• At age 16, Jackson envisioned a bass with an additional string to extend its range.
• Initially tried the Fender Bass V, but it was inadequate.
• Desired to extend the range both higher and lower, leading to the concept of a contrabass guitar.
• Faced challenges with reluctant builders and design issues.

Collaboration with Carl Thompson

• Approached Carl Thompson in 1974 with his concept.
• Thompson was initially resistant; worried about audibility and practicality.
• Jackson insisted on a wide spacing but learned through trial and error.
• The first model had design flaws like narrow spacing, teaching Jackson valuable lessons.

Development of Strings

• Originally used Rotosounds, experimenting with bare core over the bridge saddle.
• Worked with various custom string manufacturers over time.

Experience with Six Strings

• Initially focused on the low B string but was mindful of its use.
• Explored chordal playing, aimed for orchestral capabilities rather than solo jazz performance.

Use and Reaction to the Thompson Model

• Used in the studio and on tour; received mixed feedback.
• Constructed a second, non-performance bass with Thompson to explore further improvements.

Transition to Other Builders

• Worked with Ken Smith in the early 1980s for a new contrabass guitar.
• Faced challenges with neck width and pick compatibility.
• Eventually moved to Fodera who respected his vision and collaborated effectively.

Fodera Collaboration and Innovations

• Jackson found a perfect partnership with Vinnie Fodera and Joey Lauricella.
• Developed several prototypes, learning from trial and feedback.
• Innovations included single cutaway design, single pickup for richer sound, use of titanium components.

Key Design Changes and Model Evolution

• Jackson's Presentation model became refined with lighter materials, improved sound, and specific design features.
• Notable instruments include No. 10, with the most satisfied setup.

Impact and Legacy

• While Jackson's contrabass guitar inspired many, he views his musical contributions as more significant.
• The 6-string was a personal dream, serving as his path to musical excellence.

Influence and Future

• Jackson acknowledges other 6-string bassists like John Patitucci and Jimmy Johnson.
• Although satisfied with his current model, there is interest in possible future developments with Fodera.

Gear

• Uses Fodera Anthony Jackson Presentation Contrabass Guitar.
• Employs a variety of preamps, cabinets, and cables for performance.
• Prefers certain picks and tuners; still seeking satisfactory flanger effects.