Lecture Notes on 'The Godfather' Film Techniques

Introduction

The Godfather uses film techniques that both honor and subvert classical Hollywood and gangster film conventions.
It sets a new standard in the crime film genre and influences future filmmakers.
The Sopranos is one example of a series that pays tribute to The Godfather.
The film is considered a masterpiece due to its use of mise-en-scène and montage.

Derived from French theatre, meaning setup of the scene.
Includes camera work, lighting, setting, decor, costumes, and actors' movements.
Provides all necessary narrative information within a single shot.

Derived from French term for editing, meaning putting shots together.
Meaning comes from the sequence and juxtaposition of shots.
Different editing techniques (cuts, dissolves, fade-outs, flashbacks) create various effects.

Begins with Nino Rota's theme over a black screen, creating an ominous feeling.
Amerigo Bonasera's close-up contrasts with the American Dream, suggesting foreboding.
Bonasera directly addresses the camera, implicating the viewer.
The camera slowly reveals he is speaking to an unseen figure (Don Corleone).
Lighting and Bonasera’s gestures highlight themes of powerlessness and authority.
The sequence establishes Don’s authority and foreshadows future events.

Occurs after Don's death when Michael becomes the new head of the family.
Intercuts Michael's Godfather duties at a baptism with violent retributions against enemies.
Uses montage to show parallel events - spiritual baptism and Michael's moral corruption.
Highlights hypocrisy and moral decay within the gangster genre.
Demonstrates Michael's transformation and loss of innocence.

Coppola uses traditional techniques innovatively to critique American society.
The film is epic and cynical, reflecting on leadership, power, and American values.
Encouragement to explore other gangster films and series for similar themes.

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