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Exploring Art through Pranks and Critique
May 3, 2025
Art Pranks and Institutional Critique: Lecture Summary
Introduction
In May 2016, Kevin Nwin and TJ Kayatan visited the San Francisco Museum of Modern Art.
They were unimpressed by a piece similar to Mike Kelly's work, questioning its artistic value.
The Glasses Prank
Kevin and TJ placed a pair of glasses on the floor under a gallery label.
Visitors gathered around the glasses, perceiving it as art.
The prank went viral on Twitter, drawing comparisons to Marcel Duchamp's readymades.
Marcel Duchamp's Influence
Duchamp's "Fountain" (1917): A urinal turned into art, challenging the definition of art.
Society of Independent Artists rejected "Fountain"; Duchamp resigned in protest.
Duchamp's work emphasized the artist’s choice in defining art.
The Nature of Art
Art transforms ordinary materials, ennobling them beyond their original form.
Duchamp's replicas continue to challenge viewers on what is art.
Art pranks test cultural perceptions of art’s legitimacy.
Performance Art and Institutional Critique
Example: Sai Yuan and Jan Juni's 2000 peeing performance on Duchamp’s "Fountain."
Performance art often critiques and engages audiences.
Janis Kounellis and others used everyday objects to challenge art norms.
Institutional Critique
Concept: Critique of art systems and structures is part of art itself.
Andrea Fraser’s 2005 article argues the art world is intertwined with societal values.
Artists and viewers are part of the institution, shaping art’s meaning and purpose.
Art Pranks as Critique
Kevin and TJ’s prank questions what art is and isn’t.
Pranks reveal perceptions and expectations about art.
Compare Duchamp’s critique to modern pranks; both reveal insights about art.
Conclusion
The art in pranks lies in the interaction and perception between the object and the viewer.
Encourages self-reflection on what constitutes art and what institutional values we uphold.
The lecture ends with an acknowledgment of contributors and support for further discussion on art topics.
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