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Exploring Art through Pranks and Critique

May 3, 2025

Art Pranks and Institutional Critique: Lecture Summary

Introduction

  • In May 2016, Kevin Nwin and TJ Kayatan visited the San Francisco Museum of Modern Art.
  • They were unimpressed by a piece similar to Mike Kelly's work, questioning its artistic value.

The Glasses Prank

  • Kevin and TJ placed a pair of glasses on the floor under a gallery label.
  • Visitors gathered around the glasses, perceiving it as art.
  • The prank went viral on Twitter, drawing comparisons to Marcel Duchamp's readymades.

Marcel Duchamp's Influence

  • Duchamp's "Fountain" (1917): A urinal turned into art, challenging the definition of art.
  • Society of Independent Artists rejected "Fountain"; Duchamp resigned in protest.
  • Duchamp's work emphasized the artist’s choice in defining art.

The Nature of Art

  • Art transforms ordinary materials, ennobling them beyond their original form.
  • Duchamp's replicas continue to challenge viewers on what is art.
  • Art pranks test cultural perceptions of art’s legitimacy.

Performance Art and Institutional Critique

  • Example: Sai Yuan and Jan Juni's 2000 peeing performance on Duchamp’s "Fountain."
  • Performance art often critiques and engages audiences.
  • Janis Kounellis and others used everyday objects to challenge art norms.

Institutional Critique

  • Concept: Critique of art systems and structures is part of art itself.
  • Andrea Fraser’s 2005 article argues the art world is intertwined with societal values.
  • Artists and viewers are part of the institution, shaping art’s meaning and purpose.

Art Pranks as Critique

  • Kevin and TJ’s prank questions what art is and isn’t.
  • Pranks reveal perceptions and expectations about art.
  • Compare Duchamp’s critique to modern pranks; both reveal insights about art.

Conclusion

  • The art in pranks lies in the interaction and perception between the object and the viewer.
  • Encourages self-reflection on what constitutes art and what institutional values we uphold.
  • The lecture ends with an acknowledgment of contributors and support for further discussion on art topics.