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Byzantine Images and Iconoclasm Overview
Oct 30, 2024
Lecture on Images and Iconoclasm in the Byzantine Empire
Importance and Politics of Images
Images are powerful and political.
Influence on religion, Christianity, and Byzantine Empire history.
Tension in the church over creating images of Christ, Mary, and God.
Concern about usurping divine creation.
Role of Icons in Byzantine Worship
Icons of Mary, saints, and Christ central in Byzantine worship.
Concern over worshiping images instead of venerating them.
Issues with people venerating the image instead of the divine figure.
Commandment against creating images.
Iconoclasm
Period where images were forbidden in the church by the emperor.
"Iconoclasm": Greek for "breaking images."
Destruction of images, especially in Constantinople (8th - 9th century).
Concern: Images were seen as dangerous, leading to idolatry.
Post-Iconoclasm Resurgence
End of iconoclasm marked by the creation of new religious art.
Prominent mosaic in Hagia Sophia represents this resurgence.
Image of Virgin Mary with Christ child indicative of Middle Byzantine style.
Close resemblance to remaining icons, such as in Church of St. Catherine, Sinai.
Hagia Sophia Mosaic
Image of Virgin Mary and Christ child, 16 feet high.
Representation of divine light through the use of gold.
Positioned above windows, symbolizing her floating above the sky.
Connection of light and divine in Byzantine art.
Significance of the Image
Solid and elegant representation, breaking the typical flat icon perception.
Timber bench and platform with gemstones.
Reaffirmation and permanence of images post-iconoclasm.
Inscription condemns iconoclasts and praises restoration of images.
Theotokos and Sermon by the Patriarch
Theotokos: Mary as one who gives birth to Christ.
Patriarch's sermon: Christ's incarnation confirmed through images.
Emphasis on emotional, spiritual, and educational power of images.
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