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Music Theory Rules
Jul 16, 2024
Music Theory Rules
Introduction
Music theory does not have strict rules as law or legislative bodies do.
Music theorists do not enforce legal standards for music.
The concept of rules in music exists but varies in rigidity.
Spectrum of Music Rules
Immutable Rules
Rules of Limitations
Instruments have physical limitations (e.g., certain notes not possible).
Human physical limitations (e.g., need to breathe, finger movement restrictions).
Rules of Physics
Physical constants in music (e.g., harmonic series).
Rules of Style
Certain styles aim for specific aesthetics and have their own rules.
Counterpoint Rules
Example rules: Avoid parallel fifths, no melodic tritones.
Often perceived as universal but specific to a style.
Breaking rules is possible and historical (e.g., J.S. Bach's use of parallel fifths).
Subjective Rules
Emotions and descriptive terms in music are subjective (e.g., happy, sad).
Subjective interpretation varies widely among listeners.
Conventions can seem like rules but aren't (e.g., minor key perceived as sad).
Conventions in Music
Conventions of Style/Genre
Instrumentation expectations (e.g., rock band instruments).
Chord progressions differ by style (e.g., Baroque vs. modern loops).
Tendency Tones
Notes/chords often resolve a certain way but don't have to.
Following or breaking these tendencies can create effects.
Naming Conventions
Musical terminology is agreed-upon and can change over time.
Standard nomenclature aids communication.
Good Ideas
Best practices based on practicality and experience.
Examples: Vocal range, orchestral balance, instrument capabilities.
Conclusion
Music theory should examine music on its own terms, not impose hierarchies.
Encourages creativity and breaking rules for artistic expression.
Music theory: a set of analytical tools, not restrictive rules.
Additional Resources
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