Transcript for:
Charles Frederick Worth: Father of Couture

who was Charles Frederick worth [Music] noted  for creating one of the foremost fashion houses   of the 19th and early 20th centuries as well as  being the father of oat Couture one cannot study   fashion history in the 19th century without  knowing the legacy of this extraordinary man   he was born October 13th in 1825 and the  Lincolnshire Market town of Bourne to William   and Ann worth some sources believe he was their  Fifth and final child While others believe he was   the family's third child it is understood though  that he was the only child other than his brother   William worth III to survive to maturity after  ruining their family financially their father   left them leaving their mother impoverished  without financial support at the age of 11   Charles was quickly sent to work at a printer's  shop and in a year he moved to London to become   an apprentice at the department store of Swan  and Edgar in Piccadilly it would be seven years   later Lewis and Allenby another leading  British textile store employed at Mr worth   in 1846 Charles moved to Paris he arrived there  speaking no French with only five pounds in his   pocket his mother Ann worth died in Highgate  London in 1852 during this time worth was a   sales assistant at gallon Ops and C A prestigious  Parisian firm that sold silk fabrics and textiles   to the Court's dressmakers also supplying cashmere  shawls and ready-made mantels it was during this   time that he met the woman he would marry  in 1851 Marie vernay at the shop worth began   sewing dresses to complement the shawls at  first they were simple designs but his expert   tailoring caught the eye of the store's clients  eventually gallon granted worth the permission   to open a dress Department this being his first  official entrance into the world of dressmaking he helped to build the company's International  reputation by exhibiting prize-winning designs   to both the great exposition of 1851 in  London and the exposition at Universal in   Paris four years later now having two sons  he was eager to establish himself and by   this stage in his life he was a known name he  soon acquired a young Swedish business partner   Otto Gustav Boberg and in 1858 they set up  a business at seven Rue de la pay naming the   establishment worth and Boberg it was Worth's  wife who played a key role from the beginning   of their Venture helping to sell the clothes by  introducing many new customers to their business   from this point forward success came quickly  when in 1860 he designed a ball dress for the   Princess D matternick which was admired by Empress  Eugenie who demanded the name of the dressmaker   and to see him the very next day in the Memoirs of  princess matternick she had written and so worth   was made and I was lost for from that moment  there were no more dresses at 300 francs each   quickly worth became the favorite designer  and dressmaker of the empress worth offered   a new approach to the creation of Couture gowns  offering a plethora of fabrics and an expertise in   tailoring by the 1870s his designs were recognized  around the world and in high demand by those in   High Society during this time as well his name  and Designs were appearing in fashion magazines   being read by a wider audience he was the first to  replace the fashion dolls which had been popular   to show off the clothes with live models in order  to promote his garments to clients his wife was an   early model in the 1850s leading some to describe  vernay as the world's first professional model   worth was also noted perhaps the first  to sew branded labels into his clothing   he also changed the dynamic of the relationship  between customer and clothing maker where   previously the dressmaker would attend the  client's home for a one-on-one consultation   clients generally would attend Worth's Salon  in Rue de la pay for a consultation meeting   here allowed for societal figures  to show up in a social meeting point   his fashion house had begun with a staff of 50 but  soon swelled to over 1200. the creation of these   dresses required a painstaking attention to the  detail and craftsmanship a bodice might have up to   17 pieces of material to ensure a good fit on its  wearer the seamstresses were assigned different   workshops where they specialized in for instance  making sleeves making skirts or stitching hems   most of the sewing was done by hand although with  the Advent of the new and early sewing machines   this meant that some main seams could be stitched  mechanically wealthy and socially ambitious women   were drawn to Worth's showpiece creations and  soon over time this included American clients   the great Mrs Astor being one of them but truly  if you were anybody in high society America you   had worth gowns worth had stated that he loved  working with his American clients because his   French language skills never reached fluency and  as he put it American women have faith figures   and franks Faith to believe in me figures that  I can put into shape and franks to pay my bills   while some Americans bought their worth gowns  in New York at the shop of Catherine Donovan on   Madison Avenue most wealthy Americans traveled to  Paris to have their entire wardrobe made by worth   encompassing everything from morning afternoon  evening and tea gowns as well as underdress   items such as nightgowns he would even create  special occasion garments such as wedding dresses   when worth became Empress eugenie's official  dressmaker she had him on call constantly to   create dresses for various events she attended  needing masquerade costumes Court dresses and   evening wear for example for the opening of  Suez Canal in 1869 she had decided she needed   more than 250 worth dresses for that event alone  the prices were staggering for the Time Princess   D matternick had commented about the end of  the 300 Franc dress which she had ordered and   once worth had acquired Royal patronage that  same dress ended up costing her 2200 Francs   by the late 1880s worth had established the  characteristics of a modern Couture house one   biographer had noted he also successfully  fostered the myth of a male style dictator   worth Sons ended up joining the business in 1874  to help with management finance and design they   soon became increasingly active leaving Worth to  take more time off in his later years especially   as his health declined on March 10 1895 at Charles  Frederick worth died of a pneumonia at the age of   69. his funeral was held at a Protestant church  and his wife would be buried next to him just   three years later worth was a keen collector  of artistic treasures and Curiosities and it   seemed little doubt that worth had amassed a large  fortune in 1874 a visitor to his Villa described   an abundance of rare China a conservatory full of  exotic plants stables full of immaculately kept   horses and his Gardens contained statuaries  and Stones retrieved it from tularis Palace   the house of Worth's most successful gears  were those flanking the 1900s during this   span of time women were ordering 20 to 30 gowns  at a time and by 1897 clients could now order a   garment by phone mail or by visiting one of  the many Branch stores they also displayed   their garments at the 1900 Exposition Universal  in Paris it was at this time that the company's   annual turnover was placed at around 5  million francs at the turn of the century truly the father of Oak Couture  Charles Frederick Wertz memory   and Legacy lives on today thank you for  watching cultured Elegance with faith   please let me know your favorite fact  from this video in the comments down below   don't forget to like subscribe and share and  consider becoming a channel member today to   have access to exclusive perks thank you so much  for watching everyone see you in the next video