Overview
The Kiosk K67 by Saša J. Mächtig, designed in 1966, is an iconic example of modular industrial design from Slovenia and has been widely used internationally. Its flexible, fiberglass-reinforced modular construction allows for a variety of uses in urban spaces and inspired later design developments.
Origin and Design of the Kiosk K67
- Saša J. Mächtig designed the K67 kiosk in 1966, patent granted in 1967, production started in 1968.
- The system consists of reinforced polyester (fiberglass) and features a modular system.
- Floor cell size: 1.5 x 1.5 m, height 2.2 m.
- The modules can be used individually or combined into larger structures.
- K67 is available in various colors and adapted for numerous urban applications.
Usage and Distribution
- Between 1968 and 1999, over 7,500 K67 kiosks were produced in Yugoslavia.
- Exports included Poland, Japan, New Zealand, Kenya, Iraq, the Soviet Union, and the USA.
- Possible uses: kiosk, parking garage ticket machine, market stall, phone booth, café, student kiosk, lottery stand, border post, ski lift ticket office, flower shop, retail, fast food.
- Thanks to modularity and adaptability, K67 kiosks are used globally and continue to be relevant today.
Cultural and Exhibition Contexts
- The K67 was included in the MoMA New York design collection in 1999.
- K67 is part of permanent exhibitions, e.g., Piran Coastal Galleries and MAO Ljubljana.
- 3D models and VR presentations were created with the involvement of Mächtig and local institutions.
- Saša J. Mächtig was named Professor Emeritus in 2012 for his contribution to design.
Further Developments and Reception
- The K67 concept inspired numerous other kiosk designs, including by Heatherwick Studio in London.
- New kiosk models continue to rely on modularity, material innovation, and flexible use.
- The BIO Biennale in Ljubljana, where Mächtig exhibited multiple times, highlights international industrial design developments.
Special Awards and Contributions
- Gold medals at BIO 1973 and 1981 for Mächtig and the K67.
- Slovenian postage stamp and retrospective at MAO honor the design.
- Numerous publications and exhibitions emphasize its significance in cultural heritage and contemporary design studies.