Exploring the Mysteries of the Serapium

This is the plan of the Serapio. But actually after I made this plan, I found that there is some also section missing. It is going from here to there. from south to north this this direction so this is the plan we're going to see and we can count around 25 rooms some of the rooms or the majority had boxes but some some empty as you can see. Why they call it Serapion? They call it Serapion because in the late Egyptian time they mixed it between some gods and they created a new god, they mixed it between Abyssal and Osiris and Habe and they created that shape, the Abyssal and they call it Syrabis to be worshipped by the Egyptians and the Greeks which is a story I actually except it can happen but that is not the original function of the place you can see the size of the books is huge four times bigger than a bull and something happened for me last month I was told several times that all the boxes were opened except one when August Mariette in 1860 found the place he found all open except one so he used gunpowder to open his way through the that one And he said he found a mummy of a bull. Where is the mummy? According to the books, it is in the agriculture museum. I decided to go and I went to the agriculture museum. I didn't see any mummy. I saw a skeleton of a bull, which can be made in modern time. Because he said mummy, but I didn't see a mummy. And what does it mean if the Egyptians are going to bury a skeleton? It doesn't make sense. Because the Egyptians... are capable to do mummies. So why? And we saw mummies of dogs, mummies in the Egyptian Museum of rams, of crocodiles, even cats, hybrids, baboons. These were mummified, not just the skeletons. So if the bull who made such great massive construction, they cannot do mummies for the bull, it would be a skeleton. And then guess what? I saw four skeletons there in the museum. They claim they are all for the Episcopal. Mariette was talking about just one mummy but I didn't find any so that is whole lie yeah that's it this is why we relate the place for Serapis because that is that we call it the stone that was found many of these hundreds of it were found inside when the place was reused actually to such periods or maybe not The liberals, they convinced people that the bull is buried there, but it is not. Because you're going to see yourself that the cover of the books needs like 50 men. And when I say 50, maybe right, maybe wrong. to push the cover but there is no room for the 50 men to do this because the cover itself around 30 tons and the books 70 so total around 100 tons okay this is hobby i don't know why they include that gut in that we're gonna see the titles inside okay and that is this is the syrups this is truly the greek syrups this one but not Not this, not that, and not that. Awesome. Over there, these are the pyramids of Abathir. You can see that part of the Serapium is still outside. It was discovered twice. So we are already in the Serapium now, but the new part that they made the entrance for, this is like the new renovation. This is the Serapium. This was all cased. This was part of the tunnels that collapsed because as you can see, the type of limestone is quite fragile. So we know that there's still more livings. But we don't, we don't, we didn't find it yet. But what's there is plenty also. Yes, it is too much. The place was renovated and if uncle Ablatif opens for us the hidden door You can see on evidence, can you imagine man? This is a lid of a box. Oh, that's just a lid? Yes, just a lid. Wow. More than 30 times. This is 50 times. Wow. I mean just compared to you standing next to it. Yeah, it's freaking massive I'm gonna need scissors. Oh. Because nobody could take them away. So we will find some spaces, like some empty chambers and stuff. This would probably be quarried on the side also. Like they break it apart into smaller pieces, and they move the smaller pieces away. Like, they would never be able to take them out. Yeah, once they're here, that's it. Yes. Now we start to see that we are on a entire... They are carved on the ground. The challenge of bringing these boxes here was going to be much less if you brought them into a location and then you continued the structure by building it. But the fact that this all is carved in the now, and of course without these lights here on the side, if they turned it off now we're not going to be able to see nothing. And you won't tell us that they brought these. boxes and they dragged it here like imagine this box for example so many difficult steps you're gonna see first the size second how they keep it bring it inside how they turn it and then how they put it in a lower level oh my goodness they're way bigger than I ever thought yeah Single solid piece and the lid is the piece we saw outside. This is the word Hib. Hib is the symbol that looks like the DNA. With these two, one looks like the door and the other looks like the angle. This reads Hib. And here is the bull. This is the eye and the chair and the character. You see the eye? And then there is a chair underneath it. And then the man. This is the writings of Uzir, Osiris. But as Mohammed pointed the last time, there is in the other books, but instead of the bull, there is a goose. So what's that mean? The sacred goose? Yeah. The apis goose. And these are all titles for Osiris. The Lord of Gentimentu, the western side. This is the Lord of Gentimentu. The Winnefer, the beautiful one. The Lord of Eternity. I put your name Igor in a cartouche with Ra. Your name, when I read it, I will say Igor Merira, beloved of Ra. But I say it Igor first, but when I write, I write Ra first. because of respect. Okay? So, the mythology here is saying Osiris and Had. Who is more important? Osiris, of course. So I must write Osiris in the beginning. And read it in the beginning. But here we can see they write Habi in the beginning and Osiris in the second place. Which doesn't make sense. This again is this system. Yes. Osiris is the important part of the important position so he must be written in the beginning. Because also we read Sirabis or Sirabis. So why they made this? That is not. Though according to me we will read it Habi Osir. Hab Osir. Abu Seer? Exactly, Abu Seer. I was just thinking of that. Habi Uzir to be Abu Seer, not Seer Abis. Is in the end, I know it's Greek influence. So Seer Abis. But no, that is Seer Abis wrong. It is Abu Seer. Abu Seer. Stealing my life. Renovation that happened to the police, to the police was not... For the first time by August Mariette, the place was found during probably the late period when they started to reuse it. And they took these stones from structures outside here, like tombs and stuff, and they used it to case. everything but the casing of course fell apart. We will see the evidence that they used ancient stones to renovate this. So the whole story about it... even if it was used for the bulls as a symbolic tomb of the bulls or even a retool. Even if it was used like that, that doesn't mean also that this was the original purpose. Of course. The site is much more ancient than it was found during the ancient times and it was renovated. Here we have, when we're going to look in most of the chambers, around the box there is two spaces in the wall. I believe they contain... pieces like this piece of this is a false lord a huge one from black and so as a device it was housed on both sides of the of the box and you can still see carved part in the wall in both sides and the both sides of the inside So they were definitely intending on putting a lot more in here. What? A lot more boxes. They were already here. This is what's left after they took them. Oh, okay. Because usually the easy small pieces would be the ones that removed and also the valuable things. So if you have things made from gold or copper or any metals, at one point of the time it was the most valuable thing than the stone. So that they would take it. Here we see, you see here, this is the white limestone that they used from older structure. How do we know? Come. Come this way. You see this? There is not supposed to be writing here. Yeah, there would never be. But these writings, they were on the structure that they dismantled or they quarried the stones from it in order to use it here in the renovation. So that's an evidence. The site itself was renovated once. Perhaps when they already decided to reuse it as a symbolic tomb. If it was really used as a symbolic tomb. Yeah. I doubt everything. So the surface is still rough. It's huge. Look at this crap. And that's the lid on top? Yes. You should discover something worse to be written in a whole book. That how they smoothed the sides. You can see it inside. More of the spaces is like this one, the one I'm telling you, that the false doors, or steel, but because we found that false door here, we think it was more of a false door, surrounding doors. And this shape itself, the dome shape, is very powerful, energy-wise. So in every different timeline when somebody inherits the site they benefit from it the way they can if they can benefit from it as reusing it with a different meaning or or they can use it as a query or if they can use it as a tourist attractions like us today and in every way they start to add their things to the side like we did right we add electric wires we add metal doors we add the renovation we removed the stuff, we added the stuff. So this is the game of history, this is what happens all the time. The Greek Romans, they added the stuff, they removed more than they added. Dynastic Egyptians, they added the stuff, they removed the stuff, they added writings. They also quarried stones from the sites during the dynasties and we saw yesterday the evidence that reusing stones from the sites started in the old. all the kingdom. So what more evidence do we want? The kind of limestone that copper chisels are not going to work well with it. But if we see it unfinished, and it's supposed to be finished. who is going to enter here in this narrow space and continue the work of polishing and adding writings right what are the space yes or the other thing that it is finished and it needed to be rough like this because the surface on the top here is looking better than this part here perhaps this part had writings and they wanted to move it by pounding to add other writings because this also This is what happens a lot. The box looks quite rough. Who is going to fit back there? This is the Jalmoud. This is the Jalmoud. This is the Jalmoud stone. It's the driest type of stone. If you hit it like this, it will break. How can you fit back there? It's very hard. I used to make a lot of stones. It's very hard. And it used to be in the end, there is in the end of this, there is a room to the right. Like an L shape. Yes, and this was in it. So looks like they will be taking it out, and for some reason they stopped. But look at the content of a crystal inside. Is this a network? Yes, it is. It's a snake. I'm telling you I'm finished because you're gonna see the finished one. They are reflecting light like mirrors. Do you see the space in the wall? Those sides? And again you're right, where's the room to work? Exactly. Especially that we're gonna see other ones here that's finished starting right here. When I looked here on these parts down here, they didn't reflect high-tech machining. But perhaps it was the rough style. What was here, perhaps another material that was housed here to induct more. Like if two pieces of electron or gold were put here, they would be taken, of course, far away as an activation. look at the edges but look at the cut this is not the well done look like this is not the the hundred not the best one okay because we can still see like a rough part here So this one is finished, the surface is finished. Still rough, but there is another finishing where they smooth the surface, and then another finishing, and you're not going to believe this, where they used actually an alchemy material, like a liquid. to give the final polish and this was never mentioned. Everything mentioned about how did they polish is by using sand and a piece of rock and water. I still didn't see the other ones. You know, I may have a kind of strange interest. I care more about how they cut from inside. Oh, yeah? Tubular drills. From inside, because from outside we can know. You know, yes. So many stupid stories can be told. But from inside, and how when they reach the bottom, have they made the 90 degree angle, the vertical angle? Make like this, Yusuf, the bottom. Look to the angle there. Vertical angle No, I will take a good angle The rough weight? 100 total That's after machining. Right. And after they take the core from the box. After it's finished. Yeah. This one, the one that Mohamed was telling you about, the only one that was kept was the ceiling and they used explosives to open it. I find this one is a good example that we can take a look at. Now, now you need to check the surface. Because the surface from inside, they made sure to be more perfect than the outside. And again, what we see here on this surface, this is without the alchemy formula that they used for the final polishing, which we will see tomorrow. Oh my God. Some people just addicted to add their names. Really? There is names here, maybe it was a pencil or something. English? English. And black granite. And black granite. You know what's amazing? I saw a documentary of Grandma Hancock and he was in this box. And I didn't know where he was. And Chris Dunn too. Chris Dunn was the first one to get the permission to come and it was a major one. If they're gonna bury a bull, why they finish it from inside and from the bottom? Why didn't it get so perfect like this from inside? Right. Forget about the bulls. That's bullsh**. Right. Why take so much time if it's just for a bull? It's a volleyball. I mean you can't put a piece of paper in there. The hardest part would be the angles, like in the corners. Now look, wait wait. Say it again. You couldn't put a piece of paper in between the two scenes. That's what I'm asking. There's one piece. Oh yeah, it's a single solid. Oh, I thought there was two seams. No. Oh my goodness. So it means that they had to cut from inside the whole way down. Yeah, yeah. They had to machine it from the inside. You saw that? They are like constructed bays and walls. Well, it was going to be much easier if you're looking for the easy way, but it's not going to be functional. As I was telling you about the unfinished box. If it has a crack, so it's probably the same. That box without the lid, it's all one piece. It's all one piece. And as you can see, that the same type of stone. Right here, it seems like the one right here. It's not. They're probably, both of them from the same block. Yeah. What do you think of the rhythms? So what Yusuf is saying is there were some kind of pieces of equipment in there, in those cutouts. I'm going to send you to the hospital. Damn it! This one is very, very powerful, especially from the inside. It's bigger than the one we were just in. Yeah, it's massive. I believe some of them can be over 100, probably just a little bit. Yeah, because who's going to come in here and measure? Yeah He's going to explain how this is a smooth like This was just me made that other any other style the points where it's deeper like this It was not going to receive the same part as the smooth surfaces like that because it was a liquid it reached every bump mm-hmm and having the bumps here that doesn't mean it's imperfect it's just It didn't make a difference to the function. But from the inside, it's much more sharp than the outside. And actually working on it from the inside is much more challenging. But if you need something to be... Look at this. It's sharp, you know. If you put your finger on it here, if you press it, it might cut your skin. Sharp. Yeah. Here is again more of that evidence. Come look. You see this? Huh? It's as polished as this. But not what surrounds it. See it here? See it here? That's because the liquid came... into the bottom of the lid. That's why it has the same. This is a liquid. Yeah, it looks just like if you were to run water on it. Exactly. And it gives it that slightly different variation. Yes, and you can see it everywhere, like here, here. So there goes the theory. Of the polishing by a piece of stone and sand and water. It was an alchemy formula. Look here, normal. You feel it's still wet. Yeah. And it's not. That's what happens when a liquid comes and then it forms a drop. Yeah, it still feels almost sticky, like you can almost feel the residue. It's not good. Here too. Here is... There you go. Cutting this in the underground and without these lights and as we can see there are no openings in the ceiling, there is no opening in the end that will allow the natural light to come and give us the proper light to help us during the the work so what was used flames you'd see burn marks all over the ceiling you don't see it and when they used some parts of the time they used the candles and flames to use it made the darker yeah so they think theory that they used the oil, special types of oil that doesn't make this black smoke. That's okay, the burning marking like up here is solved. But the other thing, at least you're gonna have like four people hacking and four people taking the stuff like the broken pieces and the dust and everything to the outside. And you will have at least like two torches. or something so down here in the dark and i'm hacking there will be a whole dust dust which would block the light yeah which would block the light people breathing with two flames it will take away all the oxygen right and this is maybe this is wider in some other cases like the narrow tunnels underground who was hacking and just like blindly hacking it or like was it a flame That's the other things that we should look at as a challenge But here we can see a bumbly shape on the sides Look at the reflection of the light on the surface and this is full of dust as you can see it's covered with dust that's why you also don't see like how shiny the side of the lid sharp look at the reflection it doesn't show any pump only just a small curve in the middle but this straight cut perfect straight cut Yeah, what the hell are they using to... This one is... Copper chips. Copper chips. That's what they say. Yeah, I mean that's just insanity. Look at this, the side of the lid is not equal. Like this side is different than that side. But the way they faceted, I think they like, also functional. There's a purpose, yeah. There is a purpose. it will give these angles like that yeah the same on the other side right something looks a little i don't think they could take the care to do the the bottom that and then just be like oops we messed up on the side of the lid no yeah as we said it's functional that's perfect but like if you're looking at a decorational thing then you would say oh there is a mistake what's a mistake in your eyes it's not for them This is the valuable one, that's why they repaired the steps because this is the one you can see the writings the most valuable thing on it What writings? These writings Look at this It's not a straight line It's hardly scratches On the surface, you see? It's awful work, yeah. Yes. If you did this anywhere today, you'd be fired. What's worse? And the other thing here, the shin where the knee is. supposed to be is empty that's the work of the priest just oh Igor you want I can prepare your name here but then the mistake comes now we know that the priest repaired the right writings and that the writings itself is older than any name that was going to be added here so if I found Igor's name here then all these writings were made in the time of Igor all these books was made in the time of Igor so that's how they base everything how they date how they relate how they identify through the writings so you recognize this so we are talking about three different times now the books itself the writings itself and the And the name. It's going to be three different times. And here you can see better the liquid. Look. When it leaked and formed a point of a drop here and here and here. Everywhere. This part has the exact shiny surface. Have you been able to take any samples of the liquid? No. It was a great found just to realize. You see the man who made this line is great engineering. Look, it is not straight. It's wide from here and narrow from there. The manufacturer said look how sharp the edge is. That sharp, but in the writings he couldn't even draw a straight line. Look at this. He can't, he doesn't have the capability to draw a straight line. He started to shake. Yeah. His muscles. This, this what happens. actually when the surface is so smooth and you have this like tool it's it's it's that's a good tool that it's eating actually anything of the granite but here you will be like and then this will happen that it will slide a little bit like here also So this is the type of writings that actually doesn't require a professional to tell that writings were added later. But you know Yousef, I have a kind of strange opinion. kind of very modern writings. Like how modern? 300 BC or something? No, no, no, no. Like those days. No. Really. Ten years ago I used to go to Heng. area buying silver plates and they used to write on it anything I want so they have that electric pen and it was a cover mm-hmm like a dremel drill yeah so I realize it is something like this mm-hmm actually no the electric pen will give you better results than this I think that's a great way to say it yeah primitive writings on an advanced surface This is one of the best examples why we cannot depend 100% on writing to date and relate and identify objects like this. Because when we find here, help, Ozer, again but this here was the goose not was the bull. Oh, that's a... Yeah, then we understood the function of this box based on these writings. Based on the writings that obviously it was added later. Obviously. This doesn't require a professional. Look at this. Look at that. With the machining that we like... what ever caused this like and why then the writings came and told us oh this was for the epispo and yet there's a goose and the fact is that that the writings were added later how can i really depend on it to understand ah to date it and really find something i understand why it's not a straight line they tried they are making like the shrine shape yeah it takes the shape of a shrine so the shrine is going that style oh you mean this gap? because that is here starting in a narrow area and then wider That's why. So I didn't realize the top, like the shrines of Tutankhamun. Oh, so you think like the pylon shape is going like this? Yes, but look, Mohammed, I'm not just talking about these lines. This line, look here. Yeah, yes. Up and down, up and down, up and down, up and down. I don't know why I get this feeling that this is modern conspiracy. It's modern, comparing to the real age of the Romans. Yeah, I agree. because this i think this is the ones that was added in the like the real late period greek roman time it could be yeah so if it's made like 400 bc that's modern comparing to something that can go to 12 000 years strange figure Here is the calling, they are calling the high, the high it's like like his highness, you your highness or your highness Hibsa Usir, the lord of eternity and the good. and the one of plenty plants and flowers and they repeated the same here so as if even they are not aware with the rest of titles of this the famous title hinty minty the lord of the westerners. Westerners here, I will not say dead people, but the people who moved to the west. The other side of the world. So they are not aware with this title, so it is not written, but they are aware here with Lord of Eternity, the snake and the half circle. So I don't feel that the one who wrote this is aware with hieroglyphics. That's because it's the late period. Yes, right. They were already losing it. Just copying ancient things. Especially like this. The size of this hand must be the same like this one. Because who wrote this supposed to be a carver or someone not an amateur, professional one. So this is shorter than this, but that is not right. And you can compare my works with the Egyptian temples, you're going to see everything is the same. It's like a copy, like molded, because they're professional hands who made this. It's continuing. There is more tunnels, there is more stuff. Oh yeah. That's very deep. Oh yeah, I mean, it turns. It goes to the right. Yeah. They know that there could be more stuff. How do you make it? And no way to think again about even modern tools. We have three lines of subways in Egypt. We are doing number three. now we made so to i think the same distance it took three years by a french huge machine cutting the same one cut today that canal between england and france so how long time they so the it is not only preparing the boxes but they preparing that place for Why they didn't put it above the ground? Oh, then this one, that's the government. Imagine that at one point this stone will be shining like the ones in there. It's unbelievable. That's where other visitors came to add their steles. Here they used to put a candle, that's why you see the dark stuff coming from it. So most of the steles are taken and they left us. And there is also a strange one. With an empty name also. Oh, oh. I was just looking at that. So those also, steelers, were business for the priests? Yeah. You want to have a lesson from the service? Yes, okay, come and put your name. And the king, they didn't care about the king. They could make the name of the king later if there is a... If the king is going to pay them also. Yeah, because all the power is in the hands of the priest. So easy, they make the stela, they use the plaster, they put it and then they stick the stela. And all this part here was horrible.

Why they call it Serapion? They call it Serapion because in the late Egyptian time they mixed it between some gods and they created a new god, they mixed it between Abyssal and Osiris and Habe and they created that shape, the Abyssal and they call it Syrabis to be worshipped by the Egyptians and the Greeks which is a story I actually except it can happen but that is not the original function of the place you can see the size of the books is huge four times bigger than a bull and something happened for me last month I was told several times that all the boxes were opened except one when August Mariette in 1860 found the place he found all open except one so he used gunpowder to open his way through the that one And he said he found a mummy of a bull. Where is the mummy? According to the books, it is in the agriculture museum.

I decided to go and I went to the agriculture museum. I didn't see any mummy. I saw a skeleton of a bull, which can be made in modern time. Because he said mummy, but I didn't see a mummy.

And what does it mean if the Egyptians are going to bury a skeleton? It doesn't make sense. Because the Egyptians...

are capable to do mummies. So why? And we saw mummies of dogs, mummies in the Egyptian Museum of rams, of crocodiles, even cats, hybrids, baboons. These were mummified, not just the skeletons. So if the bull who made such great massive construction, they cannot do mummies for the bull, it would be a skeleton.

And then guess what? I saw four skeletons there in the museum. They claim they are all for the Episcopal.

Mariette was talking about just one mummy but I didn't find any so that is whole lie yeah that's it this is why we relate the place for Serapis because that is that we call it the stone that was found many of these hundreds of it were found inside when the place was reused actually to such periods or maybe not The liberals, they convinced people that the bull is buried there, but it is not. Because you're going to see yourself that the cover of the books needs like 50 men. And when I say 50, maybe right, maybe wrong.

to push the cover but there is no room for the 50 men to do this because the cover itself around 30 tons and the books 70 so total around 100 tons okay this is hobby i don't know why they include that gut in that we're gonna see the titles inside okay and that is this is the syrups this is truly the greek syrups this one but not Not this, not that, and not that. Awesome. Over there, these are the pyramids of Abathir. You can see that part of the Serapium is still outside. It was discovered twice.

So we are already in the Serapium now, but the new part that they made the entrance for, this is like the new renovation. This is the Serapium. This was all cased. This was part of the tunnels that collapsed because as you can see, the type of limestone is quite fragile. So we know that there's still more livings.

But we don't, we don't, we didn't find it yet. But what's there is plenty also. Yes, it is too much. The place was renovated and if uncle Ablatif opens for us the hidden door You can see on evidence, can you imagine man? This is a lid of a box.

Oh, that's just a lid? Yes, just a lid. Wow. More than 30 times.

This is 50 times. Wow. I mean just compared to you standing next to it. Yeah, it's freaking massive I'm gonna need scissors. Oh.

Because nobody could take them away. So we will find some spaces, like some empty chambers and stuff. This would probably be quarried on the side also.

Like they break it apart into smaller pieces, and they move the smaller pieces away. Like, they would never be able to take them out. Yeah, once they're here, that's it. Yes. Now we start to see that we are on a entire...

They are carved on the ground. The challenge of bringing these boxes here was going to be much less if you brought them into a location and then you continued the structure by building it. But the fact that this all is carved in the now, and of course without these lights here on the side, if they turned it off now we're not going to be able to see nothing.

And you won't tell us that they brought these. boxes and they dragged it here like imagine this box for example so many difficult steps you're gonna see first the size second how they keep it bring it inside how they turn it and then how they put it in a lower level oh my goodness they're way bigger than I ever thought yeah Single solid piece and the lid is the piece we saw outside. This is the word Hib. Hib is the symbol that looks like the DNA. With these two, one looks like the door and the other looks like the angle.

This reads Hib. And here is the bull. This is the eye and the chair and the character. You see the eye?

And then there is a chair underneath it. And then the man. This is the writings of Uzir, Osiris. But as Mohammed pointed the last time, there is in the other books, but instead of the bull, there is a goose.

So what's that mean? The sacred goose? Yeah.

The apis goose. And these are all titles for Osiris. The Lord of Gentimentu, the western side.

This is the Lord of Gentimentu. The Winnefer, the beautiful one. The Lord of Eternity.

I put your name Igor in a cartouche with Ra. Your name, when I read it, I will say Igor Merira, beloved of Ra. But I say it Igor first, but when I write, I write Ra first.

because of respect. Okay? So, the mythology here is saying Osiris and Had.

Who is more important? Osiris, of course. So I must write Osiris in the beginning. And read it in the beginning.

But here we can see they write Habi in the beginning and Osiris in the second place. Which doesn't make sense. This again is this system.

Yes. Osiris is the important part of the important position so he must be written in the beginning. Because also we read Sirabis or Sirabis.

So why they made this? That is not. Though according to me we will read it Habi Osir.

Hab Osir. Abu Seer? Exactly, Abu Seer.

I was just thinking of that. Habi Uzir to be Abu Seer, not Seer Abis. Is in the end, I know it's Greek influence.

So Seer Abis. But no, that is Seer Abis wrong. It is Abu Seer.

Abu Seer. Stealing my life. Renovation that happened to the police, to the police was not... For the first time by August Mariette, the place was found during probably the late period when they started to reuse it.

And they took these stones from structures outside here, like tombs and stuff, and they used it to case. everything but the casing of course fell apart. We will see the evidence that they used ancient stones to renovate this. So the whole story about it... even if it was used for the bulls as a symbolic tomb of the bulls or even a retool.

Even if it was used like that, that doesn't mean also that this was the original purpose. Of course. The site is much more ancient than it was found during the ancient times and it was renovated. Here we have, when we're going to look in most of the chambers, around the box there is two spaces in the wall. I believe they contain...

pieces like this piece of this is a false lord a huge one from black and so as a device it was housed on both sides of the of the box and you can still see carved part in the wall in both sides and the both sides of the inside So they were definitely intending on putting a lot more in here. What? A lot more boxes.

They were already here. This is what's left after they took them. Oh, okay.

Because usually the easy small pieces would be the ones that removed and also the valuable things. So if you have things made from gold or copper or any metals, at one point of the time it was the most valuable thing than the stone. So that they would take it. Here we see, you see here, this is the white limestone that they used from older structure.

How do we know? Come. Come this way.

You see this? There is not supposed to be writing here. Yeah, there would never be.

But these writings, they were on the structure that they dismantled or they quarried the stones from it in order to use it here in the renovation. So that's an evidence. The site itself was renovated once. Perhaps when they already decided to reuse it as a symbolic tomb.

If it was really used as a symbolic tomb. Yeah. I doubt everything. So the surface is still rough.

It's huge. Look at this crap. And that's the lid on top? Yes.

You should discover something worse to be written in a whole book. That how they smoothed the sides. You can see it inside. More of the spaces is like this one, the one I'm telling you, that the false doors, or steel, but because we found that false door here, we think it was more of a false door, surrounding doors. And this shape itself, the dome shape, is very powerful, energy-wise.

So in every different timeline when somebody inherits the site they benefit from it the way they can if they can benefit from it as reusing it with a different meaning or or they can use it as a query or if they can use it as a tourist attractions like us today and in every way they start to add their things to the side like we did right we add electric wires we add metal doors we add the renovation we removed the stuff, we added the stuff. So this is the game of history, this is what happens all the time. The Greek Romans, they added the stuff, they removed more than they added. Dynastic Egyptians, they added the stuff, they removed the stuff, they added writings.

They also quarried stones from the sites during the dynasties and we saw yesterday the evidence that reusing stones from the sites started in the old. all the kingdom. So what more evidence do we want? The kind of limestone that copper chisels are not going to work well with it.

But if we see it unfinished, and it's supposed to be finished. who is going to enter here in this narrow space and continue the work of polishing and adding writings right what are the space yes or the other thing that it is finished and it needed to be rough like this because the surface on the top here is looking better than this part here perhaps this part had writings and they wanted to move it by pounding to add other writings because this also This is what happens a lot. The box looks quite rough. Who is going to fit back there?

This is the Jalmoud. This is the Jalmoud. This is the Jalmoud stone. It's the driest type of stone. If you hit it like this, it will break.

How can you fit back there? It's very hard. I used to make a lot of stones. It's very hard. And it used to be in the end, there is in the end of this, there is a room to the right.

Like an L shape. Yes, and this was in it. So looks like they will be taking it out, and for some reason they stopped. But look at the content of a crystal inside. Is this a network?

Yes, it is. It's a snake. I'm telling you I'm finished because you're gonna see the finished one.

They are reflecting light like mirrors. Do you see the space in the wall? Those sides?

And again you're right, where's the room to work? Exactly. Especially that we're gonna see other ones here that's finished starting right here.

When I looked here on these parts down here, they didn't reflect high-tech machining. But perhaps it was the rough style. What was here, perhaps another material that was housed here to induct more. Like if two pieces of electron or gold were put here, they would be taken, of course, far away as an activation.

look at the edges but look at the cut this is not the well done look like this is not the the hundred not the best one okay because we can still see like a rough part here So this one is finished, the surface is finished. Still rough, but there is another finishing where they smooth the surface, and then another finishing, and you're not going to believe this, where they used actually an alchemy material, like a liquid. to give the final polish and this was never mentioned.

Everything mentioned about how did they polish is by using sand and a piece of rock and water. I still didn't see the other ones. You know, I may have a kind of strange interest. I care more about how they cut from inside.

Oh, yeah? Tubular drills. From inside, because from outside we can know. You know, yes.

So many stupid stories can be told. But from inside, and how when they reach the bottom, have they made the 90 degree angle, the vertical angle? Make like this, Yusuf, the bottom. Look to the angle there. Vertical angle No, I will take a good angle The rough weight?

100 total That's after machining. Right. And after they take the core from the box.

After it's finished. Yeah. This one, the one that Mohamed was telling you about, the only one that was kept was the ceiling and they used explosives to open it. I find this one is a good example that we can take a look at. Now, now you need to check the surface.

Because the surface from inside, they made sure to be more perfect than the outside. And again, what we see here on this surface, this is without the alchemy formula that they used for the final polishing, which we will see tomorrow. Oh my God. Some people just addicted to add their names.

Really? There is names here, maybe it was a pencil or something. English?

English. And black granite. And black granite. You know what's amazing? I saw a documentary of Grandma Hancock and he was in this box.

And I didn't know where he was. And Chris Dunn too. Chris Dunn was the first one to get the permission to come and it was a major one. If they're gonna bury a bull, why they finish it from inside and from the bottom?

Why didn't it get so perfect like this from inside? Right. Forget about the bulls. That's bullsh**. Right.

Why take so much time if it's just for a bull? It's a volleyball. I mean you can't put a piece of paper in there.

The hardest part would be the angles, like in the corners. Now look, wait wait. Say it again. You couldn't put a piece of paper in between the two scenes.

That's what I'm asking. There's one piece. Oh yeah, it's a single solid. Oh, I thought there was two seams.

No. Oh my goodness. So it means that they had to cut from inside the whole way down. Yeah, yeah.

They had to machine it from the inside. You saw that? They are like constructed bays and walls. Well, it was going to be much easier if you're looking for the easy way, but it's not going to be functional. As I was telling you about the unfinished box.

If it has a crack, so it's probably the same. That box without the lid, it's all one piece. It's all one piece. And as you can see, that the same type of stone. Right here, it seems like the one right here.

It's not. They're probably, both of them from the same block. Yeah. What do you think of the rhythms?

So what Yusuf is saying is there were some kind of pieces of equipment in there, in those cutouts. I'm going to send you to the hospital. Damn it!

This one is very, very powerful, especially from the inside. It's bigger than the one we were just in. Yeah, it's massive.

I believe some of them can be over 100, probably just a little bit. Yeah, because who's going to come in here and measure? Yeah He's going to explain how this is a smooth like This was just me made that other any other style the points where it's deeper like this It was not going to receive the same part as the smooth surfaces like that because it was a liquid it reached every bump mm-hmm and having the bumps here that doesn't mean it's imperfect it's just It didn't make a difference to the function.

But from the inside, it's much more sharp than the outside. And actually working on it from the inside is much more challenging. But if you need something to be... Look at this. It's sharp, you know.

If you put your finger on it here, if you press it, it might cut your skin. Sharp. Yeah. Here is again more of that evidence.

Come look. You see this? Huh?

It's as polished as this. But not what surrounds it. See it here? See it here? That's because the liquid came...

into the bottom of the lid. That's why it has the same. This is a liquid. Yeah, it looks just like if you were to run water on it. Exactly.

And it gives it that slightly different variation. Yes, and you can see it everywhere, like here, here. So there goes the theory.

Of the polishing by a piece of stone and sand and water. It was an alchemy formula. Look here, normal.

You feel it's still wet. Yeah. And it's not. That's what happens when a liquid comes and then it forms a drop.

Yeah, it still feels almost sticky, like you can almost feel the residue. It's not good. Here too. Here is... There you go.

Cutting this in the underground and without these lights and as we can see there are no openings in the ceiling, there is no opening in the end that will allow the natural light to come and give us the proper light to help us during the the work so what was used flames you'd see burn marks all over the ceiling you don't see it and when they used some parts of the time they used the candles and flames to use it made the darker yeah so they think theory that they used the oil, special types of oil that doesn't make this black smoke. That's okay, the burning marking like up here is solved. But the other thing, at least you're gonna have like four people hacking and four people taking the stuff like the broken pieces and the dust and everything to the outside.

And you will have at least like two torches. or something so down here in the dark and i'm hacking there will be a whole dust dust which would block the light yeah which would block the light people breathing with two flames it will take away all the oxygen right and this is maybe this is wider in some other cases like the narrow tunnels underground who was hacking and just like blindly hacking it or like was it a flame That's the other things that we should look at as a challenge But here we can see a bumbly shape on the sides Look at the reflection of the light on the surface and this is full of dust as you can see it's covered with dust that's why you also don't see like how shiny the side of the lid sharp look at the reflection it doesn't show any pump only just a small curve in the middle but this straight cut perfect straight cut Yeah, what the hell are they using to... This one is...

Copper chips. Copper chips. That's what they say. Yeah, I mean that's just insanity.

Look at this, the side of the lid is not equal. Like this side is different than that side. But the way they faceted, I think they like, also functional.

There's a purpose, yeah. There is a purpose. it will give these angles like that yeah the same on the other side right something looks a little i don't think they could take the care to do the the bottom that and then just be like oops we messed up on the side of the lid no yeah as we said it's functional that's perfect but like if you're looking at a decorational thing then you would say oh there is a mistake what's a mistake in your eyes it's not for them This is the valuable one, that's why they repaired the steps because this is the one you can see the writings the most valuable thing on it What writings? These writings Look at this It's not a straight line It's hardly scratches On the surface, you see? It's awful work, yeah.

Yes. If you did this anywhere today, you'd be fired. What's worse?

And the other thing here, the shin where the knee is. supposed to be is empty that's the work of the priest just oh Igor you want I can prepare your name here but then the mistake comes now we know that the priest repaired the right writings and that the writings itself is older than any name that was going to be added here so if I found Igor's name here then all these writings were made in the time of Igor all these books was made in the time of Igor so that's how they base everything how they date how they relate how they identify through the writings so you recognize this so we are talking about three different times now the books itself the writings itself and the And the name. It's going to be three different times. And here you can see better the liquid. Look. When it leaked and formed a point of a drop here and here and here.

Everywhere. This part has the exact shiny surface. Have you been able to take any samples of the liquid?

No. It was a great found just to realize. You see the man who made this line is great engineering.

Look, it is not straight. It's wide from here and narrow from there. The manufacturer said look how sharp the edge is.

That sharp, but in the writings he couldn't even draw a straight line. Look at this. He can't, he doesn't have the capability to draw a straight line.

He started to shake. Yeah. His muscles.

This, this what happens. actually when the surface is so smooth and you have this like tool it's it's it's that's a good tool that it's eating actually anything of the granite but here you will be like and then this will happen that it will slide a little bit like here also So this is the type of writings that actually doesn't require a professional to tell that writings were added later. But you know Yousef, I have a kind of strange opinion. kind of very modern writings. Like how modern?

300 BC or something? No, no, no, no. Like those days.

No. Really. Ten years ago I used to go to Heng.

area buying silver plates and they used to write on it anything I want so they have that electric pen and it was a cover mm-hmm like a dremel drill yeah so I realize it is something like this mm-hmm actually no the electric pen will give you better results than this I think that's a great way to say it yeah primitive writings on an advanced surface This is one of the best examples why we cannot depend 100% on writing to date and relate and identify objects like this. Because when we find here, help, Ozer, again but this here was the goose not was the bull. Oh, that's a...

Yeah, then we understood the function of this box based on these writings. Based on the writings that obviously it was added later. Obviously. This doesn't require a professional.

Look at this. Look at that. With the machining that we like... what ever caused this like and why then the writings came and told us oh this was for the epispo and yet there's a goose and the fact is that that the writings were added later how can i really depend on it to understand ah to date it and really find something i understand why it's not a straight line they tried they are making like the shrine shape yeah it takes the shape of a shrine so the shrine is going that style oh you mean this gap?

because that is here starting in a narrow area and then wider That's why. So I didn't realize the top, like the shrines of Tutankhamun. Oh, so you think like the pylon shape is going like this? Yes, but look, Mohammed, I'm not just talking about these lines. This line, look here.

Yeah, yes. Up and down, up and down, up and down, up and down. I don't know why I get this feeling that this is modern conspiracy.

It's modern, comparing to the real age of the Romans. Yeah, I agree. because this i think this is the ones that was added in the like the real late period greek roman time it could be yeah so if it's made like 400 bc that's modern comparing to something that can go to 12 000 years strange figure Here is the calling, they are calling the high, the high it's like like his highness, you your highness or your highness Hibsa Usir, the lord of eternity and the good. and the one of plenty plants and flowers and they repeated the same here so as if even they are not aware with the rest of titles of this the famous title hinty minty the lord of the westerners. Westerners here, I will not say dead people, but the people who moved to the west.

The other side of the world. So they are not aware with this title, so it is not written, but they are aware here with Lord of Eternity, the snake and the half circle. So I don't feel that the one who wrote this is aware with hieroglyphics. That's because it's the late period. Yes, right.

They were already losing it. Just copying ancient things. Especially like this. The size of this hand must be the same like this one.

Because who wrote this supposed to be a carver or someone not an amateur, professional one. So this is shorter than this, but that is not right. And you can compare my works with the Egyptian temples, you're going to see everything is the same.

It's like a copy, like molded, because they're professional hands who made this. It's continuing. There is more tunnels, there is more stuff. Oh yeah. That's very deep.

Oh yeah, I mean, it turns. It goes to the right. Yeah.

They know that there could be more stuff. How do you make it? And no way to think again about even modern tools.

We have three lines of subways in Egypt. We are doing number three. now we made so to i think the same distance it took three years by a french huge machine cutting the same one cut today that canal between england and france so how long time they so the it is not only preparing the boxes but they preparing that place for Why they didn't put it above the ground? Oh, then this one, that's the government.

Imagine that at one point this stone will be shining like the ones in there. It's unbelievable. That's where other visitors came to add their steles.

Here they used to put a candle, that's why you see the dark stuff coming from it. So most of the steles are taken and they left us. And there is also a strange one.

With an empty name also. Oh, oh. I was just looking at that. So those also, steelers, were business for the priests? Yeah.

You want to have a lesson from the service? Yes, okay, come and put your name. And the king, they didn't care about the king. They could make the name of the king later if there is a... If the king is going to pay them also.

Yeah, because all the power is in the hands of the priest. So easy, they make the stela, they use the plaster, they put it and then they stick the stela. And all this part here was horrible.

Transcript for:Exploring the Mysteries of the Serapium

Transcript for:
Exploring the Mysteries of the Serapium