Mixing in Mono for Better Results

Introduction

• Presenter: Graham from Recording Revolution
• Topic: Benefits of mixing music in mono
• Key Proponent: Derek Ali (mixed Kendrick Lamar's To Pimp a Butterfly)

The Case for Mixing in Mono

• Derek Ali's Approach
  • Spends 80% of mixing time in mono
  • Uses a crappy speaker (e.g., Auratone)
  • Refers to Dr. Dre's advice: If it sounds good on crappy speakers, it'll sound brilliant on normal ones
  • Steps include moving from mono to near-field monitors like Yamaha NS-10s

Reasons for Mixing in Mono

• Element Identification
  • Helps specific elements pop out
  • Easier to assess balance
• True Balance and Problem Frequency Identification
  • Not fooled by stereo separation
  • Reveals EQ issues and frequency masking problems

Challenges of Stereo Mixing

• False Separation
  • Hard-panned elements may fool you
  • Collapsing to mono reveals true balance

Practical Steps for Mono Mixing

• Collapse Stereo Field
  • Use mix bus or master fader to pan pots to the middle
  • Use stereo widening plugin to reduce width
• Use Mid-Range Speakers
  • Crappy speakers over-accentuate mid-range problems
  • Most people listen to music on low-end devices (e.g., car stereos, earbuds)

Benefits of Crappy Speakers

• Problem Area Exposure
  • Harsh mid-range problems are more noticeable
  • Makes sure mixes translate well on various playback systems

Practical Advice

• No Auratone/Baritone?
  • Fold mix to mono on current speakers
  • Reference on any crappy mid-range speaker

Final Takeaways

• Derek Ali’s Insights
  • 80% of his mix is on mono speakers
  • Near-field monitors are used afterward
• Two Powerful Hacks: Mono Mixing and Crappy Speakers

Additional Resources and Engagement

• Questions to Consider:
  1. Do you mix in mono?
  2. Do you reference on crappy mid-range speakers?
• Free Guide Offer:
  • Six Steps to a Radio-Ready Song Guide
  • Available at radio-ready guide.com
  • Useful for ensuring commercial viability of tracks