okay right let's make a start so this is a a response to the tempest question one the extract question can you see it clear enough on the screen okay you start broadly deal with act five some of you were very good at this he talks about how act five uh in comedies conventionally we'll talk about the restoration of order we will talk about the restoration of identity so uniquely outline that a very good answer will then explore how this extract does that okay as we're looking at the use of language we're also looking at its dramatic effects so what we're looking at there is ao2 the effects of language uh the use of form comedy form or the romance form and the use of structure what patterns you can see in the extracts okay are the most successful answers came straight in with um a couple of things prospero in his magic robes so again the use of stagecraft is important okay he's he's in magic robes again uh close and shakespeare symbolize power okay stage directions you should be dealing with that because this is a play so you're dealing with the form of the play okay you might mention prospero's cell and that introduces the theme perhaps of the entrapment that is carried forward with uh the language okay some people talked about the beginning of the extract my charms crack not my spirits obey and time goes upright again the use of triplets by um by prospero is echoed at the end i think tatum you said this uh at the end of his soliloquy where he talks about his triplets i'll break my staff bury it certain favors in the earth and deeper than did plummet sound uh very good answers talk about how the beginning of the extract perhaps relates to the end of the extracts you're looking at the structure of the passage as a whole so the beginning is very much about prospero's power okay his charm his charms are powerful my spirits obey time goes upright uh how's the day okay so he's giving commands power looking for patterns the best students will find patterns in the text on the sixth hour at which time my lord you said our work should cease i'm always reminded by this of what happens after the sixth day and on the seventh day they did rest okay uh you know it reminds us perhaps of the story of genesis uh and again the idea of prospero as lord as god you said our work would cease ariel hasn't given up is there desire possessive adjective i'll get on to that um and so very good answers here would talk about how ariel's desire is reflected in ariel's language ariel was trying to persuade prospero and so uses rhetorical techniques to persuade prospero some of you kind of glossed over this exchange a little bit and so you might think about that on the sixth hour my lord okay i'm going to talk about the use of my that is a possessive adjective this is how you spell possessive okay it's not a pronoun because it's it's describing the noun the noun is lord um mine is a possessive pronoun okay my is used a lot many students commented about the patterns ariel talks about my lord prospero talks about my aerial and their use of possessions you could talk about that um you said our work should cease i did say so uh many of you commented on the use of um latched verse the idea that prospero finishes ariel's line and aerial finishes prospero's line has a degree of intimacy in them one student said something very interesting about that that the last verse almost uh echoes the sense of of ariel being entrapped by prospero he speaks within prospero's framework that was an interesting idea it might have been francesca might have used that one i think um so that was that was interesting the idea that biandi pentameter the latch first shows how he's trapped other people talked equally valuably about how there's a degree of intimacy how area was perhaps an element of prospero and that closeness that they have um and maybe you can talk outside of the extract how it also reminds us of caliban and prospero talking but again theirs is more a kind of anger finishing off each other's language or indeed um miranda so you can reflect outside of the extract to make sense of what's inside the extract the best students will do that okay again so say my spirit how fares the king and his followers my spirit that possession is there in the extract they are confined together ariel some students talked about this is where they got patterns um um i think maya you picked up on the pattern in here um patterning of entrapment and many students did that so we've got words to do with entrapment confined is a verb prisoners which is a noun okay they cannot budge okay till your release again so that sense of looking for patterns in the language is always kind of uh um sophisticated use of structure and language why is he doing this well because he's trying to persuade prospero to release himself as well to release ariel okay um some students talked about the dramatic effect of this the king his brother and yours abide all three distracted uh the remainder mourning brim full of sorrow and dismay again brim full of sorrow they are that's a metaphor you should be looking for some of these techniques that are used i think anna louise you might have mentioned this again why is ariel using rhetorical techniques of metaphor to describe their sadness i think rebecca you did the same again it's metaphor is a rhetorical technique the subtext here remember some text um is a 1960 song by angle but it's called release me please release me let me go okay the subtext that he's not saying himself is i want to be released so his rhetorical techniques are doing that okay so they're distracted they're mourning they're full of sorrow and dismay so this pattern of words again perhaps makes us question prospero the audience now question prospero the or thinking about the audience response is a very good way of being is tackling the dramatic effects okay we're starting to see prospero as a tyrant he's making them distract he's making them mad and him chiefly you termed but chiefly him you term sir uh the good lord gonzalo notice the use of honorifics titles sir respect it's persuasive as well gonzalo his tears run down his beard like winds drops now some students really tackled that simile you know and again you need to identify these uh techniques because it's ao1 uh similarly it's a nature simile like winter's drops why winter because it's cold it makes prospero seem quite harsh well done the person who tackled that similarly the effect of that or the nature simile again the idea of what prospero is doing is by turns unnatural well done j for saying that point that was like a kind of interesting idea okay so if you don't tackle these things that you're not saying as much as other students so your charms strongly works them that if you if you now beheld them the conditional if you beheld them your affections would become tender if and would well done uh i think francesco i'm talking about the use of tentative language if would perhaps you would become tender again prospero's not sure how to react to this so prospero asks a question this is the start of prospero reducing his power up until now he's given commands remember it's about obey what's the time release them confine them now he's asking a question does that think so spirit what would you say about val what's dao a sign of rebecca i can't remember that's why i got on the chair and off the chair tell me who can remind me what is that someone talking down talking down isn't it so that's that i think so spirit he's still in charge in power but he's questioning mine would sir where i human again the tentative language the use of latched verse there okay is ariel a part of him mine would sir where are humans okay his use of tentative language is because he's not challenging prospero it's a persuasive element he doesn't say you're wrong he's just saying mine would sir well i human and mine shall again and again it's a future tense shall he's not quite there yet prosperozy okay now this is uh a moment of uh shift okay tracking where in the passage the passage shifts from one thing to another okay mind shall uh hastile but air a touch of feeling again the use of triplets of their afflictions and shall not myself one of their kind that relish as sharply as passion as they be kindly unmoved than thou art prospero is asking himself a rhetorical question here he's saying i'm human and i feel everything human and yet you feel more human than me well then i must should i not be more human myself okay that's quite a long complex antithesis sentence well done to the people talking about the use of cesura breaking up the line okay the use of oppositions breaking up the line prospero is in conflict so he's not come to a conclusion he's in conflict hence he's asking questions okay so we've got oppositions afflictions passions okay uh to relish things sharply to fill things sharply but then he's talking about being kindlier okay he's talking about the opposition of being someone who's heir but he's human so there's a number of oppositions in there and he ends with a question what am i what shall i do so though with their high wrongs i am struck to the quick prospero is still full of passion and revenge so even though i am struck to the quick i you know his anger is still there even though i'm still angry yet with my nobler reason against my fury i do take the part the rarer action is virtue than vengeance well done to the students who broke that up well done who talks about the use of antithesis there the use of opposition reason against fury okay virtue against vengeance and it's all broken up by suzura again so in some ways prospero's conflict is reflected in his language of caesura of antithesis and oppositions so you have to show how the language reflects the dramatic effects and then he says again another zero they be in penitent it is the soul drift of my purpose does not extend the frown but that wasn't his purpose earlier in the text earlier in the text he's saying my projects gathers to a head my charms obey my spirits crack not my child's crack not but now he's saying oh well now they're penitent that's it and again do we see him as the religious god-bringing people uh and to forgiveness he doesn't want them to frown anymore he's go so at the end of it this is where we've got his change his uh well done to the people who talked about epiphany seeing the world in a new way go release them ariel my charms are break their senses are restored they shall be themselves well done to the people who talked about restoration of comedy showing itself here okay well done well done um tatum for talking about how the end of that line i'll break they shall be themselves uh kind of contradicts charms cracking not spirits obeying and and and so he's gone from the top of the lines here's a triplet and at the end it's about restoring being themselves okay so you had to talk about ao2 at that point and how this shows itself as a comedy you couldn't just mention it at the beginning of the of the act you had to show it within the language okay good now it's important to consider our fetch them sir still given his honor effects the aerial exits okay the stagecraft what kind of text is this this is a play it's an exit prospero's now got soliloquy or a monologue there's two ways to see this he's addressing the invisible elves forest or it's a monolith well done to the students who talked about prospering louise on stage face as well he's on stage alone hold on max he's vulnerable okay uh so the proxemics did you mention proxemics the use of space on stage is important here um let's get rid of that um so ariel leaves so now prospero has had an epiphany we have to consider what soliloquies do don't we they reveal in act five perhaps a new way of seeing the world a new way of seeing oneself soliloquies can also be about conflict and resolution and so you have to address the soliloquy a little bit more than some of you did okay and i think there's two parts to this he addresses the supernatural element of this island so look at the supernatural element the elves that go on the sands with printless foot they float around that do chase the ebbing neptune again metaphors of ebbing and tides it's all supernatural the use of gods here i'm gonna come forward and back to okay you demi puppets that by uh do the green sour ringlets make where of the you not bites and whose pastime is to make midnight mushrooms again um prospero is kind of mimicking in some ways uh whose love of the island max maybe now he who loves the islands perhaps becomes a better person for it so mimikin taliban's love of the island he sees the island in a very supernatural way full of elves and fairies okay moonshine and midnight mushrooms demi puppets so think about this kind of uh supernatural element for instance now this is one big soliloquy so it needs perhaps breaking down and looking at where there's shifts in it uh and to hear the solemn curfew okay so maybe he's talking about what he can hear on this island this island is an island of strange sounds what does what does caliban say about the island joey yes the sweet heirs of the island it's almost being mimicked by prospero here remember the good student can relate the extracts to [Music] the wider play okay to the solemn curfews aids meek masters though he be so he says weak masters though ye be prospero is still talking about power and where does that power reside he hasn't entirely given it up this is the interesting section i have be dim the moon tides sun look at all the things that prospero's done i have called forth the mutinous winds again uh quite a few of you talked about personification here of the winds being mutinous the idea that prospero masters like humans must control nature okay um [Applause] and it reminds us of the mutinous men and between the green sea and the the israel between the sun and sea the sky and the sea he is set roaring war so we've got thunder mutinous winds roaring war we've got nature as violence this reminds us of the tempest at the beginning what prospero can do prospero's power is violent and powerful he's almost given a valediction to his power here okay to the jedi alien thunder have i given fire and lifted joe's style oak i have given fire is an illusion a classical illusion perhaps to prometheus who gave fire uh from the gods the secret of fire to man okay um and for that he was punished for giving this magical ability to mankind and in the same way mary shelley talks about frankenstein the modern prometheus the subtitle of frankenstein frankenstein tries to be god-like and he's punished for it and prosper is doing the same he says look what i've done i have rifted jove's stout oak okay so how many gods have we had mentioned we've had neptune in the previous page um we have had jove uh the roman god paving gods if you like um it's not christian world here what's being emphasized in this speech is how prospero has moved away from the christian world through his magic he's become godlike and he's rifted joe's style oak with his own bolts so he's controlled nature he's been godlike so god like that he has made the promise promontory i can't even say that word have i made shake promontory is like an outlet a bit of land that stretches out into the sea he's made the earth shake and he has made the spurs plucked up the pine and cedar again lots of metaphor about his power with his spurs he's plucked up the pine and cedar right okay he's speaking in verse which is powerful this is status if you like graves at my command have waked the sleepers again graves at his command again he's personifying graves he's personifying the fact that he is life over death well done to the people who could see this as blasphemy okay just as it's blasphemy for frankenstein he's awakened sleepers uh again he's trying to be like jesus raising the dead if you like and let forth by my so potent art okay my powerful art it's interesting he sees it as art and this is where we see that the change and well done anna louise talking about this alia and shivan at the idea of rough magic perhaps okay he goes from power potent art something art to an artist you know it's an ability to be admired but then he calls it but this rough magic so i suppose the word butts what do we call the word but g a conjunction subordinating conjunction but it's a conditional as well it's a conditional but this rough magic i hear a viewer a jew so he's making a declarative here who's he appealing to rebecca who's he talking to this is soliloquy maybe maybe he's talking to himself maybe he's declaring it to the audience maybe he's declaring it to the elves and the fairies of the forest this rough magic i hear abdur this is important because the rough magic is about restoration of identity this is the restoration of to being a man from a demigod to a man he must give up this this magic as he does and the adjective is rough he acknowledges that it's rough well done to the people who now start start to see religious connotations coming back into the language the dramatic effects of the language so we have some heaven i need some heavenly music which even now i do to work my end upon their senses that this airy charm is for so in order to do this he needs faith he needs religion in order to do this uh well done to the people who talked about the use of cesura i'll break my staff bury it fathoms in the earth okay he doesn't just say i'll give up magic he gives us a triplet uh he's using rhetorical techniques why is he using rhetorical techniques who's he trying to persuade to convince himself wonderful he's trying to persuade himself this is what i must do i must bury verb i must break my star i must bury it deeper than did ever plummet sound okay is that a simile deeper than something is a simile okay it can also be a superlative i'm not just going to bury it i must bury something deeper than did ever plummet sound okay reminds us what's underground so the elizabethan jack would be an audience it's hell perhaps again so we've got the juxtaposition of hell heavenly music the restoration of order and then we have a strange uh five lines he's speaking in versal this time but look at where we've got all of these hesitations these dashes and pauses this is not easy for prospero this is europe this is europe uh change doesn't come easy for people but in the end he finishes on five uh uh five words it's not versatile well done liv for highlighting how there's a changing verse here and again the impact is on this is his declaration and therefore he's broken his own verse i'll drown my book and he's not just saying um i'm gonna throw it in the water i'll drown it it's personified and a number of you made that point about that verb the verb to drown something he's personifying an inanimate object because it has such power over him um he mentioned that as well it's almost powerful as a person so what we've looked at look at how much has been highlighted you kind of are expecting you know you kind of have to talk about things briefly and concisely we've talked about how the passage starts with him in power the triplets of obeyance of imperatives of of magic in in order and then we end on burying this of breaking magic of burying it deeper in the earth and he's making his statement i'm going to be a changed person this man has changed because of ariel has managed to change him both characters use rhetoric as a form of persuasion to persuade the other but also to persuade oneself okay um i think that takes us to the end of that extract there's probably other things that we could have talked about but that gives you an idea of close amounts of snow okay all right then that's the end of that