Early Christian & Early Medieval Art in Western Europe

Jul 27, 2024

Early Christian & Early Medieval Art in Western Europe

Periods and Regions Covered

  • Early Christian/Early Medieval Art
  • Focus on Western Europe: Present-day Britain, France, Germany
  • Comparison with Byzantine Art (Eastern Europe)

Historical Context

  • 5th-10th Century: Time of the Warrior Lords
    • Harsh climate and geography influence social and economic systems
    • Spread of Christian faith to British Isles
    • Viking culture dominant in Scandinavian countries
    • Warrior culture: obedience to chieftains, hardship
    • Art features battle imagery, mythical animal figures

Artifacts & Techniques

Fibula

  • Functional decorative pin for garments (simpler for common people, elaborate for elites)
  • Materials: silver, gold (guilt or guild work), semi-precious stones, cloisonné work

Cloisonné Work

  • Enameling technique with gold or copper base
  • Filled with liquid enamel, fired in a kiln
  • Examples: Brooch, Purse cover of Sutton Hoo
    • Animal interlace, sinuous S-curve patterns
    • Use of semi-precious stones, glass, and enamel
    • Confronting and flanking composite figures

Viking Art

  • Unique art style featuring animal interlace
  • Examples: Prow of a burial ship, excavated ship remains
  • Cultural elements: Viking poetry, symbolism of animals

Manuscripts & Christian Art

Book of Durrow (St. Matthew)

  • Ink and tempera on vellum
  • Characteristics: twisted perspective, geometric patterns, animal interlace border

Lindisfarne Gospels

  • Carpet Page: elaborate, similar to Persian rugs
  • Tempera on vellum
  • International stylistic influences, angelic figures, semi-grounded perspective

Book of Kells (Cairo symbol)

  • Initial letters of Christ's name in Greek (X and P)
  • Minute details, animal interlacing, compass usage for circles and patterns

Sculptures and Architecture

High Cross of Muiredach

  • Irish cemetery sculpture, 18 feet high
  • Sandstone, Bible stories in low relief
  • Serve as visual storytelling for an illiterate audience

Charlemagne's Art & Architecture

  • Intertwine church and state, renewed interest in Greco-Roman antiquity
  • Coronation Gospel: Palace style, realistic rendering of St. Matthew
  • Ebo Gospel: expressive, stylized, painterly
  • Lindau Gospel Cover: Cloisonné, repoussé (pushed-out gold), semi-precious stones

Palatine Chapel (Aachen)

  • Octagonal plan, Byzantine influence
  • Variegated stone (Islamic influence)
  • Charlemagne's throne, 3-level elevation

Abbey Church Designs

  • Westwork: Independent façade marking west entrance, symbolic of control
  • St. Michael’s at Hildesheim: Basilican plan, double transept, variegated stone

Bronze Doors (Hildesheim)

  • Narrative panels of Old and New Testament
  • Expulsion of Adam and Eve: representation of God the Father, bronze relief

Otto's Era & Examples

Otto's Portrait

  • Ottonian abstraction, symbolic scale, royal elements
  • Combination of church and secular power

Gero Crucifix

  • Painted wood, life-size, commissioned for Archbishop of Cologne
  • Realistic carving and painting, halo part of cross