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Lecture on Manet's Painting 'Olympia'
Jul 11, 2024
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Lecture on Manet's Painting 'Olympia'
Tradition of Female Nudes
Long tradition of erotic, sensuous representations of female nudes
Clothed by mythology or sheer beauty
Back to ancient Greeks and Romans (e.g., sculptures of goddess Venus)
Manet drew on these traditions but made it modern
Academic Art
Defined by official Academy associated with French government
Formulaic, expected
Based on classical and Renaissance art
Had a ready market value
Manet challenges those established ideas
Introduces modernity
Realism in 'Olympia'
Unlike idealized features of classical nudes
Asymmetrical face, thin lips
Olympia is a real woman in Paris, not a Venus
Direct, confronting gaze
Recognized as a courtesan (prostitute)
Social Context
Name 'Olympia' associated with prostitutes
Olympia’s servant depicted handing her flowers from a customer
Scene suggests customer walked in and startled the characters
Difference between lower-class and higher-class prostitutes
Modern Life and Diversity
Manet captures modern life in Paris, including diversity
Inclusion of a black woman (servant named Laure)
Modern clothing with Caribbean reference in headwrap
Modern portrayal vs. exoticized or ethnographic depictions of black figures
Denise Morell's scholarship on Laure
Likely from Caribbean or Africa
Lost to history
Reaction and Criticism
Press reaction was vicious
Described Olympia as cadaver-like
Criticized Manet's lack of modeling in her flesh
Caricatures emphasized shadows on hands and feet
Artistic Techniques and Intentions
Flatness of the figure
Rejects clear articulation of represented space
Acknowledges the two-dimensionality of the canvas
Confronts viewer with complexities of painting
Not pretending painting isn’t paint
Unmasking illusion of traditional representations
Draws attention to viewer's sexual interest
Modernity and Baudelaire's Influence
Reflects Charles Baudelaire's call to paint modern life
Manet invents modern beauty
Honest depiction of materials, subjects, and viewer's motives
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