Lecture Notes: Louise Bourgeois Exhibition at the Museum of Modern Art
Introduction
Speaker: Deborah Wye, Chief Curator Emerita of Princeton Illustrated Books.
Exhibition: "Louise Bourgeois, An Unfolding Portrait."
Begins in the atrium, extends to the third floor galleries.
Reflects on Bourgeois' life and work, who passed away in 2010.
Personal Touch
Louise's Influence: Used to rearrange her exhibitions.
Audio Inclusion: Bourgeois' voice included at the entrance.
Exhibition Themes
Architecture Embodied
Concept: Architecture as emotional metaphor.
Skyscraper alone = loneliness.
Two skyscrapers = estranged couple.
Three = jealousy and a love triangle.
Stories/Parables: Touch on themes like loneliness, family estrangement, and violence.
Transition to Sculpture
Career Shift: From painting/prints to sculpture.
Sculpture offered more tangible emotional expression.
Notable Work: "Portrait of Jean-Louis," a nod to her son and Le Corbusier's architectural style.
Fabric of Memory
Background: Family of tapestry restorers.
Late Exploration: Began fabric art in her 80s.
Significant Work: "Ode à l'oubli," a fabric book using old garments.
Represents personal memories and experiences.
Printmaking Process
Method: Involves multiple stages of development.
Copper plate, inking, and iteration.
Exhibition's Purpose: Showcase Bourgeois' creative process across mediums.
Legacy and Collection
MoMA Print Archive: Initiated by Bourgeois in 1990.
She donated all her prints and pledged future works.
Resulted in a comprehensive collection of about 3,000 prints.
Curator's Role: Deborah Wye's long-term involvement in archiving and curating Bourgeois' work.
Conclusion
The exhibition and accompanying catalog highlight the significance of printmaking in Bourgeois' oeuvre and provide a valuable resource for study and exhibition of her work.