the alphabets yeah okay so the alphabets are not in the straight line they are like a they're like in the ladder okay we are going up sorry okay so the first step is called a sa second one is re third one is G fourth one is ma fifth one is PA the n and s this s what we are using is from the fourth floor like step second once we are on the steps we go to the higher levels like that music also in five levels music also in five levels out of the five levels five levels out of the five levels we are mainly in on third level okay so third level is very important the first level we we to identify first level we put two dots below the letter and for the second level we put one dot below the letter third third level since it is very important we don't put any dots anywhere the fourth level we put a dot above the letter and the fifth letter fifth level we do put we put two dots above the letter this is a very basic things I think all the students know about it okay I'm just reviewing it okay so the first level is called anandra first level is called Anu mandra anandra second level is called mandra mandali and the the third level is called madas madya and the fourth level is called tasai and the fifth level is called a a okay as we know the third level is very important we'll sing all the letters from the third level okay but the second level we go upper upper half of the second level upper half not the below half only upper half of the second level and the lower half of the fourth level so in that way what happens is we will be going we'll be going Ma from the second level to sa which is third level and S to will go to the knee the whole of the third level until KN then go to the sa of the fourth level until ma of the fourth level so ma to T that is our singing range singing range is singing range is ma from second level to ma of the fourth level ma from the second level to MA from the fourth level thank you teacher huh I have a question yes so when you said like the levels 1 2 3 4 and five H uh I noticed something on your other board it says and then it also is marked 1 2 3 4 5 so like level one is this one the other one this one no the bigger one yeah yeah okay what is your question so all the levels you said 1 2 3 4 five are they're all based on like that no no no no see the first level will have all the seven notes first level will have all the seven notes so the first note is sa second note is re third note is G fourth note is ma fifth note is PA sixth note is the seventh note is NI these are the alphabets for every level you will have all seven alphabets so first level you have seven steps okay then you enter into the second level where you where you will have again second level you will have again seven steps then third level you'll have again seven steps fourth level you will have again seven steps seven fifth level you will have seven steps okay every level you will have Sani okay first s second s third s fourth s so when everything is then how do you how do you differentiate from third level s to first level s everything is looks the same right so the first level you put two dots below the S second level you put one dot below the third level you do you don't put any dots fourth level you put above the letter okay I'll put and fifth level you put two dots above the huh I'm losing connection it's losing connection instead trying to reconnect okay okay sorry so I hope you understood the saas swaras right saas swaras are the basic alphabets basic alphabets of music but the music alphabets are not alphabets the music alphabets are not limited to sapta swaras okay the sapta swaras are mainly divided in two parts prti PR then Viti what is prti prti means natural notes this is variated notes variated notes so natural notes are sa and Pa because they don't have any other variation whereas r g ma ha ni has initially two two variations like one is light lighter and the other one is darker like if you see this picture if you see this picture you'll see lighter red darker lighter blue dark blue light green and dark green and P you don't have any color because PA doesn't have any shade P has only one color Okay whereas DA has a two shades lighter and darker KN also has a two sh Shades in lighter and darker like that the seven not five notes are divided into two parts which becomes 10 10 letters thank 10 letters where is the the natural notes are two so the natural notes are only two whereas the rated nodes are 10 okay the total becomes dwadasa dwas I will write on the top so the first level of alphabets are teacher uh do we have to take the notes um first listen anyway I'm recording so probably we will try to have send it the first level alphabets are saas sapta swaras we deal with seven notes okay the second level alphabets areas or dadas or in the books is is given asanas that means 12 notes just now we were discussing about how we created how we got the 12 notes 12 notes are nothing but they are the the elaboration of saas sa and Pa then R1 R2 GA 1 g 2 ma One MA 2 pa pa is we already know that we wrote here then the one the two KN one and kn2 which becomes one set two set three set four set and the five set so 5 into 2 10 notes are variated notes and the two are the prri notes so prti means natural notes whereas the these things are the 10 notes are called variated notes or vikas so now there is one more concept called parent Raga and the child Raga okay parent Raga and the child Raga okay so parent ragas has so many rules to follow rules to follow they cannot viate but whereas a child also has some rules some rules but as as we we do as a child they sometimes violate the rules okay violate the rules so the first rule of the parent Raga is it has to have all the seven notes okay it has to have all the seven notes what are those seven notes sa and Pa are compulsory okay one of the re one of the G one of the ma one of the da and one of the ni it has to have all the seven notes it's compulsory the compulsory to have all seven notes then one of the re one of the G one of the ma one of the da and one of the N so if it has a re1 it becomes one Raga if it is a R2 it becomes another Raga if it is a ga one it becomes one Raga if it is a gatu it becomes another Raa that's how so many ragas are created okay so now what is important when we come to the child ragas so how this is attached to the parent Raga that's what we have to see how it is attached suppose if the re the parent Raa has re1 the child will have re1 only if the child parent has a guu then the child Raga will have most of the times guu only I already told you there are so many violations when the violations are coming we will discuss about it but most of the times the child ragas are small Ras and they are child Ras are definitely attached to a parent Raa but whereas the parent Raa is not attached to anyone parent Raa is not attached to the child but the child is attached to the parent like we also attached to our parents our parents are not attached to us we are always clinging to parents right similarly the child rugas are attached to the parent what is the attachment the attachment is If the child parent Raa has a re child Raa also will have every one if the parent Raa has gatu the child ragas is also gatu okay that is the reason it is very important to use the arohanam and aanam in arohan aanam what we are doing we are declaring what the notes we are using for that particular R for example if it is a why do we what is aroham arohanam means ascending notes because we know that all the notes are in ladder form right all the notes are in ladder form so for example if for example if if Raa has sa g ma d n and we use S to make it as a complete okay because without roof we cannot stay right so from s to S it becomes one whole box okay it completes the whole set so if it is a sadani we don't know what kind of what kind of re we are using what kind of GA we are using what kind of ma we are using you know sa and Pa and we don't know what kind of Da we are using what kind of Ni we are using we don't know so that is the reason it is very important to sing the arohanam araam what is the meaning of arohanam is ascending notes ascending notes or ascending pattern of notes okay pattern of notes see one thing I wanted to tell you very clearly all the all the uh technical terms can be described in your own words you don't have to memorize the book book is um explanations okay you use you use those explanations to understand once you understand you put in your own words okay arohanam is the ascending notes okay ascending pattern of notes aarohan means aarohan means descending pattern descending pattern of notes okay like we know know that we are going up the what are the steps we are using to go up we sometimes we may use a similar steps sometimes we may not use a similar steps we may use a different steps but parent Ras whatever the steps they are using to go up they have to use the same notes to come down they cannot change that's what I told you the parent rugas has a lot of rigid rules to follow whereas the child ragas can violate chain ragas for example if you take malahari while going you use while coming down what do you [Music] use you used one step extra right so yeah okay so you used one extra step okay um for example huh somebody was raising their hand yes sir teacher I have question huh whatever will they must have to use it to go down right so like just to make sure like but they have use the same thing add take right no the parent ragas must have all the seven notes you cannot say Sasa the moment you miss some Sasa you missed here and here you missed KNE once you miss the notes it is not a parent anymore so the parent Ras will have all the seven notes down with it ah yes whatever the if the parent is using one GA One MA one Da One and n one then while coming back also it has to use1 Da One it has to use the same notes whereas the the child Ras will can use different different notes okay those things we will discuss in little later but right now the the difference between the child Raga and the parent Raa is parent raaga will have all the seven notes whereas the child ragas are less than seven less than sevenes okay that's that's first rule first rule but as I said there are always violations for the rules for the child rug not for the parent rug wait so the child ragas cannot have seven no it's not like it cannot have a seven it can have a seven but only one way of it so so while going up you can have um seven letter from seven letters coming down six maybe say for example if you go with the S so okay while coming [Music] down okay so you have all the seven notes so seven notes a parent child Raa can have seven notes but only the thing is it can be it can have only one side of it not the bdha side there isi it has both the sides but um but it has some other condition where it is not called as a parent Raga okay child ragas can have seven notes but it is only one way of it not the both not the both the sides thank you okay so the next topic what we are going to cover is the mchana what is muchana m is arohanam Plus aanam for example if you if you if you can say of this is and you can start singing I'm using malahari all the time okay malahari malahari is the child of Maya malav that's the basic ra what we learn okay Maya Mal and one more important thing what you have to know about the Raa is are when there is a parent raum they will attached one number for it there are 72 parent ragas are there so we will be we will be saying the number as soon as we say the parent ra child Ras will not have a number okay wait so teacher yes if you say it would have 75 but there's no for it so you are cutting too much I don't know how could be infite yeah I think infinite okay is okay because in one ra you can omit re you can remove re and while coming back you can add re there are so many permutations and combinations you can make with child ragas but not with the parent ragas parent ragas are fixed with 72 parent Ras are fixed with 72 is that because uh when they go up the same way they have to come down the same way but for child they don't have much right they don't have much scope see if there are five six colors you have to use the same colors going up and the same colors coming down only the thing is you have to switch the colors like first you are using white then red then blue then green then white then purple or something else so you can use only those colors permutations and combinations with that you get only very few but whereas you can omit something you can add something you can make make it as a vakra and you can do lot of acrobats and you can do many many ragas in one parent Raga there will be like a thousands of uh child rugas there you can make many many combinations many more combinations there are still people are inventing the ragas new ragas okay wait so there are only 72 combinations oh yes if you use if you think about the parent Ras yes there is only 72 combinations those combinations are are done by basic alphabets basic seven alphabets number two dwas which is 12 and there is a third option which is shanas shha which is 16 based on 16 notes we make 72 so from where where these additional four letters came that we deal with next class okay right now 12 is fine okay based on 16 notes right now we will we'll think about the seven notes okay seven notes the first note is sa second note is R third note is G fourth note is ma fifth note fifth note is PA sixth note is the seventh note is n okay do you think this is the the whole name no this is not the name actually it is a nickname we all know we all have nicknames right we can call it as a abbreviations also abbreviations because sa is not just sa is it is a shj the whole name is shamam you can see here second one is rishabam risham third one is gandar fourth one is mamum fifth one is p but do we have to be taking notes uh first listen Okay six one is huh can you tell us when we suppos us no don't take the notes anyway it is recording right so once the recording is done then we will upload the video you take the notes while listening to the radio when video whenever you are free not now now listen concentration has to go on listening and understanding okay n is nishad nisham so now you know now you know we used alphabets as all first letters now in out of these seven letters I told you S and P these two areas G these five letters are having two variations initially right so the rishabam the soft is called sud and the harder is called chatab okay so in the ladder if you if you see the ladder I don't know whether you see it properly so the re step is divided in two parts I don't know are you able to see I will remove this for example this [Music] is it's good for us so the the sa I I'll just explain the re one so the re the Reep this is the Reep right the Reep is divided in two parts one is lower re and the higher R the lower R is is the softer R so we call sudish sud the higher re is called chat okay similarly G the lower G is sad gandar whereas the higher re is called an gandhar an gandhar okay similarly ma lower ma is called sudha M and higher ma is called pra Kaba for you Kaba is here is Kaba here no okay I so PA is PA pchum they it don't have any variation whereas d as softer D is and the hard is called CH whereas the nisham again the softer KN is nisham i s s IAM other one is Kali nishad Kali nisham so these names are little confusing initially but slowly slowly the moment you you say them every day you will you will memorize it so the 12 notes are shum the 12 notes are sh sudam s gar an gandar sudha mamum prati mamum pum d CH chisham andish okay so the 12 notes are and when they ask 12 notes write the 12 notes don't write don't write in this way write in this way with the numbers 1 2 3 4 5 first put the 12 numbers then fix the and write the uh these names and one more thing then then don't write haard okay write in a order first then you target the rabas two rabas then Target the gandas S then taret then you don't have any you don't have any shade then right to then comes the for quite a long time I had a doubt which one is the first Ki okay Kiki how do you write Kiki k a i I don't think it's working now the next one is Kali okay if you see k k is common so I okay okay is lower one is the higher one I comes before k comes first otherwise [Music] pronunciation right you can drag it for quite a long way right so the one which is long is the second one the one which is short k k [Music] first one so that is the second one but I should be thankful to sarayu because she's helping me a lot in handing over the crayons and working with them and this white board was given by by mchu so thankful to mchu also so we have done the a now we have done with the muchana muchana is muchana is arohanam and aaram now we know why aroham aam is important because with the singing we will know what re we are singing what G we are singing what Ma we are singing okay very easy to understand you put a chart like this with 12 blocks okay 1 2 so the first block is s always okay two blocks are for re either first or secondary and the two blocks for G and two blocks for ma then comes PA two blocks for da and two blocks for ni then comes your topa okay you have to do 12 blocks to explain the Raa for example if you are going with Maya Mal what is the number for May malaa arush May Maya Mala Maya so the parent of Maya Mala what is the number number may may Mala number what is the May Mala number 15 very good 15 15 is the May Mala so whenever you are not you are saying the Raam like malahari is the child of May Mala number 15 all the time say that then it will register in your mind otherwise it will be very difficult okay so Maya Mala has wait yes connection it's okay you are on mute oh so one of the most important that's the basic ra basic ra we do all the everything we do has selected the but there is no is important is not important we need we want to when we are eating we eat do we think that we one is important and other one is not important no it's only choices we use but everything is important important right okay so may Mala if you think about May Mala May Mala has A1 ma one da1 and E2 okay so how do you put these things in this grid so we told that these two blocks deal with the re so when we say re1 so we put the re in the first block of the re these two blocks are for G right this is guu so the one this is guu okay blocks out of the two blocks you have to use the second block whereas ma one so the these two blocks are deal with ma right so the ma one is ma here then pa pa doesn't have any anything any Shades so we we'll write like that so then comes the daan daan we use the first block to declare the da and we use the second KN okay so this is how you fill up the you fill up the um sanas this gives very good idea how to sing them how to sing them when it is a re re1 you don't put any gaka onto it s because I told you sud is is a very softer so when it is a soft you don't put any kamaka to [Music] it very very soft whereas if if it is a shankaram what is the number for shankaram anyone can say 29 29 yes very good so sharam is another parent ra that is the reason we have a numbers okay it has it also has sadani but what kind of s okay ruu Maan D and the okay so when you are writing the grid for shankaram it has to go this is rean right you have to put the re in the R2 position and guu is the same then Maan is the the same the is here and the KNE is the same so what are all the letters which are different from May is and the da so the way you sing them is also different like for example if you if it is a chat you sing s you punch it you punch to show it is the r to so that's why you you need to know what is the what is the gaka what we are using for the read somebody raise your hand yes wait so which I didn't I could hear your question like Sor like uh like where do you punch it like like like where do you punch it in Maya we don't punch it because Mya has only re1 you punch in the Shankar because it is a re2 the RAS which we which uses re secondary you have to punch that R like for example um combo Ki is the child of haroi you use the r to the best example is Moana Moana has S I will write the look so for Moana you have again great like this [Music] answer okay in Moana it is SAU G PA Dau and sa so how do you use this notation in this sa12 then then NE One n to are not there then s so this is for the Moana okay so as soon as you see these gaps okay I have to punch this I have to punch the punch the re okay okay if it is what [Music] is instead of G what do you do you put the ma it's now should so by looking at it okay it is a and okay so like so writing this notation is very important to make sure that what sanas are there then what you have to write you have to write the sanas what sanas you are using in which ra whenever you are writing any Raam writing about anything like any RAAM in the gam or anywhere you use the also it is there or whatever you are writing you have to use that somebody else yeah n yes Madam uh the when we are writing ra right H the for the letters in between it it always has to be R1 or R2 or it cannot be just R usually we explain after the so it is better to write in the same order otherwise what happens is if you have all the seven notes then sometimes you write then if you use the different different notes not in the order then you will tend to forget what notes are there1 and there yes it has to be there compulsory it has to be either one or two okay it cannot be neutral okay PR PR note except s and everything has initially two letters two shades so lighter or darker if you see this this chart I didn't write any color for S and but if we are using green color for Ma you can use it lighter you can use it darker like for example if we are making a te very simple very the colors are not not related with the with the letters I just took one some color okay thank so the next one is aam what we are going to deal with is aam aam another person raise your hand yes PR uh you know you said like in the beginning of the class you said like there's like a there's like dark blue light blue then uh yes light green yes yes so so really uh to go over one more time why doesn't PA have that white CH why is PA like the only one that because it is a PR yes it is a PR what's I explained that before okay prti means it's a natural notes it doesn't have any shade it won't divide okay the sa and the PA both are Pras they don't have any okay that is the reason th those two notes are there in the shti while we are saying SA that is the shti what we use at the beginning of the singing why we use only sa they use only because they don't have any Shade that's the standardized notes okay that's the your um your um M Stones whether you are reaching that mile point or not that's what we we get the witha you should draw a line yes oh it's like uh natural because it doesn't have any punch like you know like it doesn't have a punch it's just natural note it's not like that it's not like it don't have any Shade that's it it doesn't have like second it don't have a shade like for example if you have a if you have a white shirt so you have a light white shirt dark white shirt do you have light white shirt or dark white shirt no white shirt is a white shirt no half white is a different color but not the white right so similarly black when once it is a black it is a black that's it you don't have lighter black darker black then if it is a lighter black becomes a gray so gray is a different color right so similarly white and black they don't have any Shades similarly sa and Pa don't have any Shades oh thank got it Rec recording yeah yeah so now we will go with the aam aam is a very big chapter right now we'll see only very broad broad meaning of it actually I wrote aam in the second the next Sunday Saturday's class aam here I I will just explain in a broader way aam is one cycle of tal okay one cycle of the tal that's the aam okay for example if it is a adalum let's think very simple talum which is rupak talum we deal with all the talams in the next CL class I'm just telling I'm giving a brief brief description because I have wanted to tella Anda ratal rupakam is Two Two Letters followed by four letters this indicates the end of the talum so this as soon as you see two lines that means your talum is done this is the change of the tal okay these two letters we do close then open then these four letters we do close then pinky then ring finger and the middle finger so what is the yes yes sir uh so actually huh I think it's connection problems huh tell tell what is the question oh so it's not a question now when I looked at the book right about Rupal right is it the first in uh the book like no no no I have a doubt I have a doubt and I have a question for all of you in one is rup okay I have a doubt I wanted to ask these questions to everyone yeah only prava is asking questions why not others there was one more boy who asked me question but I don't know who is that boy arush yeah arush okay only PR and arush asking why not others n n question who's what is that Madam you should just say sing show the difference okay okay they okay so the shabam goes very soft s i I will tell about May whereas the CH only is changed GMA is the same why I used ma in that way because it is a Shankar if it is not shankaram I use okay so theam has its own gaka apart from that every Raa has has its own shade for example if it is a um you can say um if it is a charukesi for example if it is a charukesi s same in shankaram goes you use that that is a ra speci specified but for you don't have to use anything as a text book version is CH is a punching sad gandar is a punching I will show you um in a minute if I if I forget please remind me okay what are all the places where you use a punching notes okay let me finish this kalas first so pra pra means um you use one letter per Tria what is the meaning of Kaa Kaa means Kaa means any action you do Kaa means action doing it so you use you use this you use this or you use this finger this finger anything anything whatever you are using is called a Kaa Okay so will have a one letter Pera so so if we are going with somebody's raising their hand yes PR okay so when you were saying ma like you so is like when you said Ma is that a punch or is that like extending no that's a different Kaka what is that so for example prala prala is I will tell um the malahar Sor okay I already told you rupala has two letters followed by four letter okay this is prala writing like this is a prala now we will go with the D kala D kala with aala means you have two letters per Kaa okay here you used one letter one letter right he Ina you use okay this is your D then comesa kala which is third speed okay dyaa by the way is a second speeda is third speed here we use since it is a third speed we we use three three letters no we use four letters that's very important four letters second speed you use second so you might be thinking first speed one letter second speed two letters third speed three letters no third speed four letters always multiplies 1 is multiplied by 2 is equal to 2 that is the second speed 2 is multiplied by two which is four that's the third speed and the fourth speed is 4 multiplied by 2 which is 8 letters is the third speed I mean sorry fourth speed okay we can maximum sing six six letters six speeds sorry so how to writea in the G so now we are using four letters per one one area we are using two now we are using four so [Music] ma'am do we need to know the names for fourth speed fifth speed and six no there is no names just praa what is the pra PR means one in Sanskrit most of the names are names are based on Sansa threea means three letters three sorry four letters third speed okay now you got the how to write it one more important thing I I will discuss the how how to write in the exam okay first you know the fundamentals of writing it then write it uh how to write how to present that in the exam I will tell on the last day hopefully I'll take three classes for the first level and maybe one class for the second level and uh two classes for third level and fourth fourth level I will take only one student is there so I will tell her in the class itself so that's about it and [Music] uh BL yeah thank you so just know we told this part of the song is called swam in another word it is datu means swam part of the uh song okay now [Music] is sahi sahi means matu so what is datu datu is a SW part and the sahi is M okay so what is s there is a schlam for this samyak samyak gum s samam is s what is samak samak good good music is so song vam and instruments andum so dance song instruments like volam Vina flute all the instruments and anything yeah all the naums also considered into the okay huh yeah I think okay s includes gam vam and T and if you memorize the phrases that would be very easy very nice you'll get a higher little better score otherwise you explain them first write the phrase then explain in your own words you don't have to memorize the bookish knowledge book you that's not advisable you know the understanding the concept is more important than the um than the bookish knowledge okay then what is the meaning of means three I just s what is the meaning of the s means s includes a lot of things swu sahya M bhaa and Raa tala these are all incl uded with the s s just just not singing it has to have some emotions attached to it some Raa attached to it and some tala is also attached to it andu mahya everything has to be there emotions also is there in my point of view Sanam is a language which you are connecting to the public or to the God it is directly connecting to the God so what you are conveying a message to him that is the reason most of the Sita songs are um related with the God you are asking some blessings some you are asking some some of the favors from him some bounds from him so it is it's just asking something from God all the time so it is a is a a kind of language which you are using Okay Sanskrit is a language where you you have all the loas and everything through through that language you are asking something to God right this also is through the notes through the sah you are asking something to God then yes PR so when you said uh s is like asking of God a favor to bless or like put like just putting your emotions right yeah so uh so is so two questions number one is s like a language to speak with the gods yeah I consider it and then number two like if you're just wanting a blessing you sing one a song and then you're technically asking for a blessing to the god from the God yes if you want to eat if you want ice cream if you want watch the TV for sometime immediately you what you do you don't go and ask um you just start opening a book and you start reading hour you read for five minutes then go and can I have ice cream because I I read I read the book I read my homework I I did my homework same thing you so you do a song and you'll think oh God give me a boon because I sign for you okay that's how I I think so when like when you do like a thousand year trans and then Shiva gives you Bo what like that related there's a there's a t show my mommy watches like in the old times people used to believe that if you like uh like like to sh in a chance for thousand years he would be shot yeah yeah yeah like that yeah yeah pretty much so at the beginning we were thinking about the parent Raa and the child ragas right the child ragas are divided in several types one is upanga raaga upanga raaga and the second one is bhangar bangara what is upanga upanga AA means closeth Anga means Parts okay UPA Anga okay upanga means Clos Parts the Clos Parts with parent okay if whatever the if the parent has a re1 the child will have the re1 only if the parent has a gan child will have a gan only if the parent has a Maan child will have a Maan only but I told you at the beginning only child Ras violate a lot of times they have a rules but they violate many times okay so that's how the bashang raaga was created for example child Raga has um KN one let's think that the child the parent Raa has knee one but the child Raa will use KNE to also okay if the child Raa if the parent Raa has MA one but the child Raa has uses Mau also it use while singing you use Mau basically okay so those kind of raas are called yes adya just to clarify like the child ragams which like have all the swaras that its parent has is upanga Raam and then bashang ragams are the child ragams who like don't follow the rules and like have different yes yes exactly exactly so for example what is abhanga in first level we have so for example [Music] hasar is a child of Shankar but bilari has a KN one also when whenever you are sing you are saying about the bashara you have to say what what is the extra note which is coming in that Raam which is known as Ana Anya what is the meaning of Anya in Sanskrit Anya means others other what is other we are using so in Bahari basically in Bahari we use NE one as anas because is a Shankar and it has to have KN too then when you declare anas you have to say which one which is a kadam is the then you have to tell where which phrase the is coming you use the typically [Music] one so you use the [Music] twoes is sh which you are using similarly in kji kji is a child of haroi which is which has a knee one but the an is n so an is n so how do you use that one where you use you use S when you are singing s you use the N when it is a s da you use NE one how the progam goes [Music] the first line has a which is kadam is um kadam is very plain note kadam is a very plain note [Music] these are all [Music] the is a okay um another B I will tell s s Isani has so [Music] you you did be right so beag has a Tas so these are all the bhangar ragas bhangar ragas only one bashara in first level but a lot of bhagas in second and third levels okay that's about the upang and B yes pan oh I noticed when you were singing uh that uh what I forgot the song name all the PE were like [Music] B this sh yeah B doesn't have any shade right it will be very good okay next comes the n so it's on every huh so but right a dark right white itself I'm unable to hear you properly I'm so I'm unable to hear you properly I think p is same in every raum what is your question p is same is a plain part yeah yes p is most of the times very plain in every ra but um but some raas Raa specifications are there where you have to punch a little bit on the P it's very rare but very rare but sa and Pa most of the Times They Are very uh very plain more than PA there is a there is some gamakas work on the for example in what is that we are using what is that so very rarely very very very few raas very few ragas we use the G it would be very rare for very few very few Ras have a shade on the a little bit of shade on the Sun not all the time very few times so so you're saying that very few songs very few times it would be like not plain part like or S so that's what you're saying okay than my question answer so now n n is Prana and the is Agi Prana and AG Prana plus AG becomes NADA okay NADA and sound what we hear suppose the sound is coming from drums called charma okay if the sound is coming through wires like if you if you hit the wire then the vibrations will come right that's called tantri drums what is the drums of the mangam or t we use the skin on the top of the so that's called charma wires so all the songs so all the sounds have a name from where it is got where the sound is produced it like like it's not by the instrument but if you like uh so if you if you produce a sound from the instrument there's a name from that sound that is produced by the instrument yes what what metal you are using what is what is with what it is the sound is coming if it is coming from wi it is called tantri if it is coming from skin it is a CH so for example if it was coming from a uh What uh a piano it could be called some sound cuz it's not the name of the instrument it's the it's the name of the instrument the sound it makes yes yes exactly right exactly exactly got it so um and Loa means metal someone someone raised their hand yes sir no ra hand Pian drums or wires or something piano piano is vuja what does that okay a so it's when you are pressing the keys the air inside the instrument is producing the the voice so vuja comes um from piano piano is comes under air instruments air instrument like your um the nadas nadam also comes under vuja wait I have a question yes sir so so you said like piano right the gaps to the keys the sound they make through it is named V these are your instruments yes so if there was a trumpet and then for example if it took in air and Bo out as music what would that be called like just okay okay okay so human human human human voice just refer the book oh human voice has a name too yeah human voice also has a name oh I wonder what that name is like so if I'm talking right now it's technically a sound name yeah okay so singing a talk it's just a human voice got myself yeah thank you so danuja danuja is another one danuja danuja is another one which is using a bow B that is violin violin you using the B danuja then um danuja then Shar sh sh means voice huh we have to memorize all of this is it better if you can memorize oh no I know I know okay um wait is a human voice yes is human what is the meaning ofu means nail so the one which you use the nail like for example Vina vo comes Naka okay several ways of the sound is produced cha means with skin tantri with wires loha with metals like I don't know what is that called you use you use two metals like this right yeah like um symbols what they use for dance okay blue color uh blue color H so this this is L the example of L is this is this dancers will use because this is a metal only dancers will use or this one also calleda this is also this is called symbols so this is a okay next me the use and Sh a human being singing is called Shar nak the one which you play with the nail like sitar Vina while play while press in you you hit the hit the wire with a nail right so the the sound is produced by hitting the nail so nowadays we are not using the nail we are using one metal uh metal uh cap to your finger and you you hit the with the metal cap okay these are the types of the sounds okay in our next class we will deal with talum okay any questions other than PR PR asked many questions yes about that oh nothing dog no you you asked whatever you have a doubt immediately you asked there are so many kids they didn't ask maybe they are having any doubt yeah okay yes na I do we have for exam yes yes yes ask they ask us like of course they will ask you oh then how what are the different types of then you have to tell what is what is in the what is in the da means NA means Prana da means AG can ask in that way they can ask anything huh n is sound yeah NAD means a sound but if you go with a letter by letter then NA means Prana da means Agni okay okay sria any doubts no sir Siri liita [Music] no to any doubts rashmita Siri what about what about adya questions whenever he had a doubt he asked me do you have any questions no I don't have any any questions okay what about arush he's been arush I think he got disconnected actually are we any questions related with music D any questions the who is this the uh my can't think of any questions okay the who is the Siri do you have any questions uh no I don't think so okay rash no well this is a long time ago okay any more questions so should I stop here H should I stop here okay you can stop the recording ma'am what is the next uh Theory lecture uh again the same Saturday um I don't know how end I think it ends when you I don't know I think it ends when you end the meeting when I end the meeting maybe I'm not no I think you have to end the meeting for it to okay then yeah bye bye bye bye bye