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History of European Theater Podcast: Episode 83 - Commedia Dell'arte Players and Troupes
Jul 3, 2024
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History of European Theater Podcast: Episode 83 - Commedia Dell'arte Players and Troupes
Overview
Focus: Commedia Dell'arte players, their organization, and life as traveling troupes.
Context: Italy and France during the Renaissance.
Life of Traveling Players
Performance Style
:
Joyous, slapstick, acrobatic comedy.
Social Standing
:
Often lauded by royalty but viewed with suspicion outside royal protection.
Required local permissions from town lawmakers concerned with public morals.
Women in troupes faced stigma, seen as prostitutes with male performers as pimps.
Troop Composition
: Typically 7 men and 2 women.
Success and Challenges
Though popular, many struggled for permissions and faced moral scrutiny.
Prominent troops navigated these challenges better and achieved notable success.
Key Troupes and Figures
Galossi Troop
Founding
: Early standard-setting troupe in Italy and France.
Founded by Alberto Nacelli (Zan Ganassa).
Leadership
: Later led by Flaminio Scala (Flavio), organized scenarios, and emphasized physical performance.
Notable Performances
: Invited to perform for royalty across Europe, including France and England, despite occasional political and social challenges.
Key Figures
Zan Ganassa
Background
: Began in Mantua in 1568; first troupe to travel abroad.
Influence
: Significant in France and Spain; contributed to the construction of permanent theaters.
Flaminio Scala (Flavio)
Role
: Actor and manager; documented many plot scenarios; led the Galossi after Nacelli.
Contributions
: Evolved physical performance style; ensured signature moves and features for each character.
Francesco Andreini
Background
: Soldier turned actor; captured by Turks, learned languages and instruments.
Role
: Lead and director of Galossi; created Captain Spavento role.
Personal Life
: Married Isabella Cannellini; acted in and managed the Galossi.
Isabella Andreini
Talents
: Linguist, performed emotional and convincing roles, cross-dressing roles.
Achievements
: Enhanced the young lover role, influential in the troupe's success.
Death
: Died in 1604; was honored with poems and memorials; young lover character named 'Isabella' as tribute.
Vittoria Pissimi
Character
: Freer lifestyle than Isabella; rivalry with other actresses; less documented but influential.
Assassi Troop
Leader
: Tristano Martinelli (Harlequin).
Influence
: First recording of major Harlequin role; performed across Europe.
Conflict
: Often faced internal disputes due to favored status and role promotion.
Significant Events and Performances
Galossi Troop
:
Performed at royal courts across Europe - France, Italy, England.
Faced political challenges and internal disputes.
Isabella Andreini’s notable performance in plays like 'Madness'.
Other Notable Troupes
: Confidenti, Assassi, Il Fedeli, and more.
Contributions to the portrayal of stock characters and scenarios.
Many had influential women leaders or star performers.
Legacy and Influence
Commedia Dell'arte
: Set standards for European theater.
Actors' loyalty divided between family, troop, and personal fame.
Characters like Harlequin and Isabella became iconic.
Next Episode Preview
Focus
: Theater in Holland during the Renaissance.
Despite political and religious turmoil, a flourishing of theatrical art occurred.
Additional Information
Community and Support
: Facebook, website blog, Patreon, email, Twitter.
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