Raphael's Frescoes in the Stanza della Segnatura

Jun 5, 2024

Raphael's Frescoes in the Stanza della Segnatura

Overview

  • Location: Stanza della Segnatura, papal apartments
  • Period: High Renaissance
  • Notable Artists Nearby: Michelangelo (Sistine Chapel)
  • Original Use: Library

Frescoes and Themes

  • Four Walls Depict:
    • Philosophy (Sciences)
    • Theology
    • Poetry
    • Justice
  • Ceiling: Allegorical figures representing the four branches of human knowledge

Unique Context

  • Historical Context: Liberal moment in church history where humanist and classical learning merged with church teachings
  • Commissioned by: Pope Julius II

Detail of School of Athens (Philosophy)

  • Central Figures:
    • Plato: Older, holding Timaeus, pointing upward; symbolizes ethereal and theoretical realms
    • Aristotle: Younger, holding The Ethics, palm down; symbolizes observable and physical world
    • Dress Symbolism:
      • Plato: Red (fire) and purple (ether) - elements without weight
      • Aristotle: Blue (water) and brown (earth) - elements with gravity
  • Philosophers Depicted:
    • Plato's Side: Idealists like Pythagoras
    • Aristotle's Side: Practical thinkers like Euclid (modeled on Bramante)
    • Others: Virtually every known great philosopher and mathematician
  • Raphael’s Technique: Use of linear perspective, creating space for Plato and Aristotle’s forward movement
  • Heraclitus: Modeled after Michelangelo; added later to the fresco
  • Raphael’s Self-Inclusion: Depicted among astronomers

Symbolic Architecture and Figures

  • Architectural Style: Resembles ancient Roman (coffered barrel vaults, pilasters) and Bramantian (geometric design)
  • Sculptures:
    • Platonic Side: Apollo (Sun, Music, Poetry)
    • Aristotelian Side: Athena (War, Wisdom)

Raphael’s Style

  • Movement and Grouping: Fluid movement, lack of stiffness, figures grouped like Leonardo’s Last Supper
  • Favorite Depictions: Intimate scenes like students learning together

Opposite Fresco: The Dispute (Theology)

  • Theological Theme: Study of divine figures divided between heavenly and earthly
  • Central Figures: God the Father, Christ, Virgin Mary, St. John the Baptist, Holy Spirit
  • Organization: Heavenly figures in upper circles; earthly figures (Popes, Bishops, Cardinals) below
  • Symbolic Bread (Host): Link between heaven and earth

Celebration of Knowledge

  • Main Idea: Celebration of various aspects of human knowledge in a setting that promoted learning and intellectual exchange