Exploring Greek Art and Architecture

Aug 1, 2024

Greek Art and Architecture

Depiction of the Human Form

  • Key Figure: Kritios Boy
    • Introduction of contrapposto (weight shift) in sculpture
    • Represents a significant innovation in the depiction of the human form

Classical and Hellenistic Periods

  • Vocabulary: Important to describe the progressive changes in human form depiction
  • Recognition: Key structures on the Acropolis and important sculptures and reliefs
  • Influential Sculpture: Laocoön

Obsession with Perfection

  • Canon of Proportion: Artistic rule fitting nature and human form
    • Example: Nautilus shell's perfect 2:1 proportion
    • Applied to human bodies and architecture
  • Pythagorean Theorem: 2:1 ratio used in both art and architecture
  • Renaissance Connection: Vitruvian Man by Leonardo da Vinci
    • Reference to Vitruvius, ancient mathematician
    • Illustrates perfect proportional ideas in human form depiction

Myron's Sculpture

  • Olympic Athlete: Depiction in the canon of proportion
  • Roman Copies: Roman marble copies of Greek bronzes
    • Identification: Presence of tree trunk or ceramic stand
    • Reason: Demand for bronzes exceeded supply
  • Key Features: Vigorous sense of action, tension in muscles, peak of action

Acropolis

  • Modern-Day Photo: Hill called the Acropolis
  • Key Developer: Pericles
    • General in Greek army
    • Gathered tax money from all over Greece to fund projects
  • Important Structures: Focus on four
    • Parthenon
    • Propylaea (Entrance structure)
    • Erectheion (Porch of the Maidens)
    • Temple of Athena Nike (Important reliefs)

Parthenon

  • Classical Greek Temple: Utilization of entasis (columns wider at center)
  • Architectural Design: Precise schematic drawings
    • Combination of Doric and Ionic columns
    • Represents Athens as leader of all Greeks
  • Historical Context: State of disrepair and decay
    • Christian Church (5th century AD)
    • Turkish Mosque (15th century AD)
    • Stored gunpowder, later blown up and shelled (1687)
  • Current State: Efforts to restore and take care of it
  • Architects: Iktinos and Kallikrates
  • Artistic Representation: Painting showing possible original appearance
    • Double set of columns, frieze inside and outside
    • Intended for gods, not humans

Conclusion

  • Greek Art and Architecture: Blend of mathematical precision and artistic expression
  • Legacy: Influence on later periods, especially the Renaissance